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I've never understood why the film has this reputation as been scary because it really isn't. Take away the that one scene with the orb (along with the two brief topless scenes which are totally unnecessary) and there is no way this would have been X or R rated. That's not to say though that its not entertaining because it most certainly is. The story does gets a little incoherent at times, probably due to how much it was cut down in the editing from nearly 3 hours to 88 mins!. The ending left me totally confused when I first watched this on on VHS as a teen in the late 80's and it was only because a more observant friend was present that I got what had gone down! It also relies a little too much on the hoary old horror trope of characters stupidly splitting up when they should stay together to drive the narrative along in places. But all in I enjoyed it and its a slice of horror history for sure if you've not seen it previously.

A teenage boy (Michael Baldwin) stumbles upon a plot by a very tall mortuary worker (Angus Scrimm) to steal dead bodies and turn them into midget slaves for an alien world. With the help of his older brother (Bill Thornberry), the boy hopes to cut the tall man down to size.

Many years later, Don Coscarelli is now seen as a master of horror and Angus Scrimm somewhat of a horror icon (though to a lesser degree than, say, Robert Englund). While the plot I have outlined above may sound silly, the actual execution of this idea makes it clear why this film has really lodged itself in horror history and spawned numerous sequels (all starring Scrimm).

This film captures the feeling of the late 1970s and early 1980s horror with the young boy stumbling upon a plot of large, sinister proportions. Horror geared towards the youth of a generation who have parents who may not believe them (or in this case, an older brother). I really like this theme, much like "The Goonies", "The Monster Squad" and "Lost Boys" -- a kid's film without being childish.

"Phantasm" has become known for the silver balls, and believe me -- when Angus Scrimm puts one of his balls in your face, you won't be happy about it. A bloody mess is all you will get! I really enjoyed the effect of this (remember, this is 1979 when effects still took some creativity). Some of the tricks they pull off are impressive considering computer technology of the day, and also considering Coscarelli himself was writing and directing at the unthinkably young age of 23.

Now, some things I did not understand. For example, why are the midgets bleeding macaroni and cheese instead of blood? And more importantly, why does the tall man have to transform into a woman to stab people in the cemetery? If he is super strong and has those silver balls, he really does not have to be very sneaky about the whole ordeal, does he? But these are issues that can always be addressed in sequels.

Some of the acting is cheesy -- people deliver their lines in a way that sounds forced, and Jody (the older brother) looks like he belongs behind the wheel of the General Lee. And Michael spends half the film looking like a girl. (I have met the entire cast, and I can assure you that Baldwin grew out of this phase.)

But, seriously, check this film out. Created roughly in the same time period as "Halloween", you are left with a similar feeling. Only this one is more light-hearted and "feel good" and less "the embodiment of evil". I suppose it depends on your personal taste or your mood for the day. Myself, I like a little bit of the unusual thrown in to a movie just to keep me guessing. And, edging out "Halloween", this may be the longest-running horror franchise, running from 1979 through 2016 (37 years!).

Over the years, "Phantasm" has been released in a variety of ways, but I think the definitive release finally exists thanks to Well Go USA. I asked Coscarelli why he went with Well Go (known for their martial arts movies) rather than Arrow Video or Scream Factory, and his answer was quite simple -- they had the most enthusiasm. And they have put together a nice package, too. The remastered Blu-ray looks sharp. WGN host and super-phan Nick Digilio screened it in Chicago in August 2016 and audiences were shocked to see individual raindrops. The new scan is better than the original print. The disc also contains a vintage interview with Coscarelli and Scrimm circa 1979, and an episode of "Graveyard Carz" where Coscarelli and Baldwin drive around in a Barracuda tribute car.

Phantasm is one of those movies where you have to look beyond the constraints of a non-existent-budget sci-fi/horror flick to see underlying talent. The film suffers from some hammed up acting, classical 1970s character naivety, make-shift and jimmy-rigged special effects that don't quite work, a score that might as well be a series of MIDI files, and a plot that's all but coherent; however, Phantasm maintains a certain original charm and resourcefulness that larger budget films frequently lack.

The above paragraph really isn't a complaint (despite how it may sound). On the contrary, I'm impressed with what director Don Coscarelli managed to accomplish with the hand dealt to him. Phantasm could have been an utterly forgettable film on all levels, but instead he managed to leave a number of positive impressions.

For one, the frame composition and some key scene transitions transcend budgetary implications (in particular, the Tall Man in the cemetery and the Tall Man slow-motion shot by Reggie's ice cream truck come to mind).

Fred Myrow also comes to the forefront with intriguing and memorable synthetic score. My only complaint on the music is the synthesizer it was performed on sounds like an old 80386 game. Still, the notes played transcends the quality of the instrument it's played on.

Phantasm's trademark bladed sphere effect, however, did genuinely bother me when they stuck into their victim's skulls. The fact that the soon-to-be-dead have no physical reaction after being slapped in the forehead with a fastball goes beyond my ability to suspend disbelief, and to my dismay the effect has never been amended in later sequels. A simple flinch is all that's needed to sell the effect! Something tells me that the effect, as it stands, is part of the Phantasm trademark, part of the Phantasm charm (for the cult followers anyway), and won't ever get a more realistic edge.

Minor silly plot elements aside (Jawa grave robbers, anyone?), my only major gripe deals with the sheer open endedness of the Phantasm universe (vastly exploited in later sequels.) Phantasm is not unlike a comic book, where nothing that happens seems significant since a character can so easily wake up to another reality. Anarchy governs the Phantasm series, no rules apply so reality, fantasy, and parallel universes co-exist in such a fashion that nothing seems to matter anymore. It's like playing a game with Coscarelli in which we must abide by the rules he sets down, and he sets the rules down as he goes when situations apply to him. Why bother playing? Why care?

Still, the film has its charms, and there's something fun in the sinister eye-brow raising and growling Tall Man played effectively by Angus Scrimm. I'd caught bits of Phantasm 3 in the past, and came into this film expecting to hate the Tall Man and this entire franchise, yet I found myself grinning at each of his lines.

I say if someone can look below a cheap and cheesy surface, Phantasm is full of a pleasant surprises.

Mike (A. Michael Baldwin) and his older brother Jody (Bill Thornbury) are mourning the death of their parents in a small Oregon town. Together with their friend Reggie (Reggie Bannister), an ice cream man, they must do battle with a nefarious undertaker known only as The Tall Man (Angus Scrimm) and his various minions...not to mention a neat flying sphere that can puncture skulls.

Writer / director / cinematographer / editor Don Coscarelli truly hit paydirt with this enduring fan favorite, a horror / fantasy classic that spawned a franchise spanning over three and a half decades. A great film it is not, but it sure is a fun and entertaining one. Admittedly, the acting is mostly amateurish and our heroes less interesting than our villain. But Coscarelli clearly enjoys himself playing with as much "it's all supposed to take on the tones of a nightmare" shtick as he can. He never does worry about any of this making sense.

Baldwin, Thornbury, and Bannister are at least likable as our heroes, especially Bannister, whose character turned into more of a badass as the series went on. Kathy Lester is alluring as a mysterious "lady in lavender". But "Phantasm" ultimately belongs to the imposing Scrimm, whose appearance is very memorable. "BOOOYYY!!!"

The film also benefits from a music score by Fred Myrow and Malcolm Seagrave that is pretty catchy, in particular its haunting, somewhat "Halloween"-esque main theme.

The main set piece involves the sphere mutilating a caretakers' face; Coscarelli fought the MPAA to keep this sequence in the film and actually succeeded.

Worth watching, at least once, by devotees of the horror genre.

Seven out of 10.

Phantasm is possibly my favourite film of all time.Why? It's not about the budget or the hype of a film, but mainly about how this film makes me feel. Phantasm director Coscarelli crafted a little gem of a horror movie that has bought me more enjoyment than any major Hollywood film I can remember. I first saw Phantasm as a kid in the 80's and it has stuck with me ever since. It was great to rediscover this film on a beautifully mastered DVD.

For me, Phantasm combines a nightmarish quality that few horror movies achieve with a nostalgic trip back in time to the late 70's. The central theme is that of young Mike being abandoned by his brother Jody, and overcoming his fears. The cryptic nature of the Tall Man's presence adds to the tension, and Myrow's eerie soundtrack is the perfect finishing touch.

Like a nightmare, there is no explanation or attempt to pander to desires for a logical conclusion. The little touches such as Jody and Reggie's jam session add to the homely feel of this movie - it's like a well worn pair of jeans. It's crystal clear that no studio executives were in the editing room at the last minute, trying to turn Coscarelli's vision into another mediocre horror film . For the director, this film was clearly a labor of love. Coscarelli is still an outsider from the Hollywood system. I am grateful that he hasn't been sucked into turning out mediocre movies for major studios but has stayed somewhat true to the original spirit of Phantasm.

Many of the comments here on IMDB criticize the film for weak FX and poor acting. When viewed in the context of a genre film made by young industry outsiders for $300,000 in 1979, I think the technical values are exceptional. Critics who claim otherwise have no idea of the work involved in the process of creating a movie, especially before the advent of video.

I've seen Hollywood blockbusters made for many millions of dollars with great technical values, and yet I can't think of one that I can enjoy time and time again like this film. If you consider yourself a fan of horror movies, you owe it to yourself to own this classic on DVD.

10/10