Wut im Bauch

Carl (Michael Eric Kramer) is a teenager living in the dull suburban neighborhood of New Granada, an entertainment desert where the only place for kids to hang out is the local rec center. He's not alone in his boredom, frustration, and anger. There's nothing to do except for getting drunk / high, committing vandalism, and having sex.

Enter Richie (Matt Dillon), a troubled teen whom Carl happens to idolize. Together, they attempt to find some reason to keep going.

With OVER THE EDGE, Director Jonathan Kaplan has perfectly captured the atmosphere and bleakness of the "instant neighborhoods" that sprang up like mushrooms then, and still do. One day it's farmland, the next day it's full of brand new construction on desolate streets. The oblivious, domesticated adults have their jobs and spouses, while their kids must fend for themselves.

Personally, I remember this well, and this movie is so realistic it's scary! The party scene sends chills down my spine, remembering the music, the booze, the smoke, the cops, etcetera. This is the most honest representation of this era and its cookie-cutter towns that I've ever seen. I watched it in 1980 or so, and laughed, cried, and related to everyone in it. Especially Carl. Hell, I jumped out of my seat and cheered during the fiery finale!

If you were there, you probably did the same...

Despite the melodramatic ending this film is very realistic and thoughtful. This is Matt Dillon's first movie and he is very natural and believable. Because the film was shot on location it had a fantastic look and feel. If you want to know what it felt like being a young teenager in 1979 or even now, then rent this film.

I generally dislike teen movies. Mainly because they're so unrealistic, romanticized versions of high school and teen life. Usually featuring a bunch of stereotypes and some dumb, superficial plot. "Over the Edge," hovever, is one of the few teen movies that actually gets it right.

The movie focuses on a bunch of teens living in the boring, lifeless town of New Granada. A place with with nothing to do. No mall, no movie theaters, not even a fast food place. Nothing to give them somewhere to go or something to do. The adults in the movie can't be bothered with them and are more interested in bringing people into New Granada and developing the town rather than meet the needs of the town's youth. This makes the teens restless and bored and they resort to drugs, guns and crime to keep them occupied. The also misbehave in school and frustrate their teachers.

The local authorities try setting up a curfew, holding meetings and assemblies, and even shut down the local recreation center which provided the teens the only place they can go for fun and social contact. All the while overlooking the real source of the problem. The local sherrif who occasionally harasses the kids (often unfairly) only adds to the problem. The frustration finally builds and builds until the movie's destructive climax.

Based on a true incident, "Over the Edge" is a film which, unlike most teen movies, deals with more weighty topics than who's taking who to the prom. This is a much more realistic portrayal of teen life than "Sixteen Candles" or "Can't Hardly Wait." While the movie brings its message across, it does so without comming across as preachy.

I'm also amazed at how prophetic this movie ended up being, gieven the recent shootings at Littleton. The nation's media and politicians put the blame on the entertainment industry (movies, TV, videogames, etc.) and are overlooking the real cause of what happened. This is very much like the adults in "Over the Edge." Closing down the rec center and setting up a curfew didn't make the problem go away because they had nothing to do with the cause of the problem. In fact, they just made things worse.

"Over the Edge" is a well made and underrated film that sadly rings just as true now as it did in 1979. The next time someone tells you that "The Breakfast Club" is the greatest teen movie ever, show them this movie and set them straight.

With all of today's problems plaguing teens and their parents, this movie may seem a bit tame, but at the time of its release, it had a pretty powerful message (assuming anyone paid attention). I remember watching this with some kids who were about the same age as those portrayed in the movie... These kids all thought this was the best movie ever made, and some commented that they wanted to do pretty much everything they saw in the movie. I remember thinking (not unlike "Billy Jack"), "why would you want to live in a community like this, where all the adults either hate you or fear you? To this day, I am drawn to and repulsed by this movie. That being said, I can't wait to get copy of this on DVD!!! It really was a good film, and I think it captured some of uglier realities of life in some of the "planned communities" of the time.

I first saw the movie when it opened in the spring of 1980, on a double bill with "Little Darlings". I ended up seeing it twice. I was the age of the kids in the film at the time, and my bull***t detector didn't go off once during the course of watching this film. The kids were real, the words natural and unaffected, and the whole thing about the boredom that is so prevailing when you're a teenager was right on the money. I remember as I watched the movie thinking that the clothes the kids were wearing looked worn just enough, like they had come out of the actors' own closets. Matt Dillon's first movie - I read that he auditioned for the part as something to do while he skipped school for a day. He reminded me utterly of my then high school boyfriend, right down to the voice, clothes and cocky attitude. The music was exactly what me and all my friends were listening to - Cheap Trick (the earlier, not-played-on-the-radio songs) and the Cars. Ok, so perhaps it was a little unrealistic at parts, and the soundtrack could have done without the Valerie Carter song, but wow, what a great little movie. Rent a copy, go home, slap it in your vcr, and get out your bong and a couple of beers. You won't be dissapointed, not even a little bit.