Schwingen der Angst

******SPOILERS****** One of the main reasons that I like "Nightwing" is that the movie educates the audience about the subject matter in it. You learn more about Vampire Bats in just a five minute conversation between Phillip Payne, David Warner, the Bat investigator and Walker Chee, Stephan Macht, the Indian official then you learned about the same subject in all the movies that Hollywood made about Bats put together.

The movie also gives you an interesting look about what I think is it's main subject; the mystical and religious as well as the cultural customs of the American Indians of the American South-West. The movie "Nightwing" has a dual story in it. Deadly Vampire Bat attacks on people and livestock in the South-West, the state of Arizona. There's an attempt by a big oil conglomerate, Peabody Mining, to buy up and strip mine a large section of two Indian Reservations, the Pahana & Maskie. This is being done with the help of a corrupt top Indian official, Walker Chee, in the Bureau of Indian Affairs.

A number of cows and horses are found dead and the local farmers as well as government officials are left confused and baffled by what caused it. These incidents have attracted Phillip Payne who's a bat researcher or as he calls himself "The Exterminating Angel" to the area. Payne has been tracking down the migration of Vampire Bats since 1973 from South America Mexico and now to the southern part of the United States and he thinks that a large colony of Vampire Bats are responsible for whats been happening in the places effected with dead livestock and now people. There has also developed a number of deaths due to Bubonic Plague which Payne feel that the Bats are transmitting to both people as well as animals. Both the Peabody Mining Corp. and Walker Chee want to keep all this out of the news in order to protect their attempted land grab in the area.

With nothing able to stop the "Killer Bats" advance as they attack and kill people and cattle almost undeterred as a last resort Indian Police Sheriff Youngman Duran, Nick Mancuso,tries something new to stop the killer bats. With the help of ancient Indian Mysticism that Duran learned from his friend and Maskie Indian High Priest Abner Tasupi, George Clutsei, he's able to stem the tide of the Vampire Bat invasion.

Defiantly better then most of the movies about the same subject with it's focus on detail science and history instead of horror shock and gore. The rivalry between the upright and honest Indian Sheriff Youngman Duran and the corrupt and deceiving Indian official Walker Chee alone makes the movie interesting all by itself.

The Bat menace in the movie was intelligently handled and the film tried as much as possible to keep the supernatural and mystical angle in check making it more real as well as effective. The final sequence of "Nightwing" in the deadly "Bat Cave" as Duran Payne and Duran's girlfriend Anne Dillion, Kathryn Harrold, were working against the clock, or better yet the night, to destroy the giant Vampire Bat colony before it woke up was nail biting and very effectively done. The scenes of the Bat attacks in the movie, there were only three, were believable as well as shocking even though the special effects back then, in 1979, were primitive to what they are in movies today.

All and all "Nightwing"is one of the most unknown, it's almost impossible to find it on VHS today and it's never been released on DVD, and at the same time best movies about "Killer Bats" that you'll ever see.

A group of vampire bats descend upon two Indian reservations that stand as the ground for a feud between honest Deputy Duran (Nick Mancuso) and money hungry Walker (Stephen Macht). Also cruising around the desert is Phillip Rayne (David Warner), a guy who hunts vampire bats. What the heck is going on with this film? What should have been a straightforward "JAWS with wings" gets turned into a bizarre commentary on Indian mysticism, politics and environmentalism. But PROPHECY (1980) this ain't. Anyway, I dig someone trying to do something original and all this would be fine if the film wasn't so boring. The few moments there are bat attacks are so poorly handled by director Arthur Hiller, that you can only dream of how someone with a sense of suspense could have pulled them off. All of the actors are fine, but their motivations are paper thin. "I kill them because they are evil," is how Warner justifies his ridiculous supporting turn as the vampire bat hunter with a state-of- the-art van and no means for financing. On the plus side, there are some stunning locations in New Mexico and a great score by Henry Mancini.

I rather enjoyed this mediocre horror film. It succeeds at doing what it sets out to do -- ratchet up the suspense and provide the viewer with reckless and unthinking entertainment. And on top of that, there is some wonderful New Mexico location shooting, which can't be dismissed out of hand. You have never seen such vast expanses of rugged buttes, sandstone canyons, and pink dunes, all carefully accessorized by the occasional pale green of a shrub.

"King Kong," which set the rules for this genre, featured a gorilla doll that was about two feet tall and contained an armature, which is a brass skeleton of sorts with flexible joints, around which the flesh and hair are modeled.

Narratives in the genre have a kind of metaphorical armature that follows the structure of "King Kong" the movie. At first, everything is innocent and peaceful. Complications are present, yes, but they haven't erupted. But then there are intimations that something is up. The natives kidnap Fay Wray, but for what purpose? A sea gull thumps against a closed door or strikes a pretty blond out of the blue. Cattle and horses are found dead for some mysterious reason. And what ever happened to those two miners with their mule? Suddenly the cause of the disaster is revealed -- crashing out of the forest or striking en masse from the skies or swimming sneakily into the lagoon, it doesn't matter how. Here, there is utter silence while the investigators wait for an attack -- then a cut to a close up of a vampire bat's hideous face zooming into the camera with a piercing shriek. Well, it may be homocentric to describe a bat's face as ugly. After all, they probably find us unattractive too, and they must find each other appealing enough to mate with. I call it bad taste but a vampire bat wouldn't.

The hero is a lawman (Mancuso) representing the tribal council of the fictitious Maski tribe, although the real power brokers seem to be the dozen or so priests who run the reservation. The succulent Kathryn Harrold is his girl friend, a nurse. She was my supporting player in that bright star in the cinematic sky, the sublime and poetically executed "Raw Deal." David Warner plays roughly the same role he did in "The Omen," the researcher who does the leg work and tells the hero what's up. Stephen Macht is the leader of the equally fictional neighboring Pohana tribe, the dilatory unbeliever who wants to sell out the reservation for money. I always enjoy Stephen Macht. Mancuso, the nominal hero, is handsome in the way a TV star is handsome, but Macht's features have character. He could never be mistaken for anybody else. Plus he has a doctorate in dramatic arts and gave up a tenured position to become an actor, which is a pretty dicey thing to do.

The script has its weaknesses, even given any low expectations we might have regarding the movie. Macht's politician claims at one point that half the time the priests go around stoned on Datura williamsii or Jimson weed. They wouldn't do that. Datura isn't a mellow high. It was used in some Southwestern ordeals and initiation rites. It induces often frightening and chaotic hallucinations. It's unclear why Mancuso seems to run around chewing on it and having long conversations with a ghost. One of those conversations interrupts his attempt to save the lives of himself, Harrold, and Warner, just as the plague-ridden vampire bats are about to attack him. He stops his rescue attempts and begins a foggy theological argument with a ghost while the bats whirl around his head. El momento de la verdad -- and he's telling a phantom where to get off.

The visual effects are adequate, no more than that. Arthur Hiller, the director, might profitably have watched some of Val Lewton's psychological horror movies to learn how to scare the wits out of people while keeping the monster's appearances to a minimum. Still, there is all that majestic scenery, including Kathryn Harrold.

In case you were hoping to sit back and enjoy a schlocky, over-the-top and typically 70's "nature gone wild" creature feature (in the same trend as "Frogs", "Squirm", "Grizzly", "Night of the Lepus" or "Day of the Animals"), don't even bother to watch "Nightwing"! Yes, this movie basically handles about killer bats and features one or two virulent animal-attack sequences, but primarily this is more of a talkative and wannabe-ambitious slice of eco-horror full of pro-Indian gibberish and moralistic messages. It's actually very reminiscent to that other 1979 eco-horror flick "Prophecy", and that wasn't any good either. In an enormous and remote New Mexican reservation, traditional Indian Youngman Duran argues non-stop with progressive Indian Walker Chee. For you see, a lot of severely mutilated cattle cadavers have been discovered lately, but Chee denies the obvious infestation of vampire bats because this negatively impacts his business negotiations with a large shale-oil corporation (indeed, the "Jaws" influences are never far away in horror cinema). So instead, Duran teams up with the rather eccentric professional bat-exterminator Philip Payne. Together they attempt to track down the bats' hideout cave as well as the whereabouts of a local beauty that went missing during a Christian camping trip. My movie-buddy warned me that this wasn't going to be a light-headed trash flick, but – alas – I didn't listen. Arthur Hiller's direction is more than competent, but the screenplay adaptation deep dives too much into Indian folklore and tribal rivalries, while it stupidly neglects the creature-feature potential. A terrible shame, since the nauseating bat critters, partially from the hand of Carlo Rambaldi ("Alien", "Deep Red"), come across as rather menacing when shown in close-up. "Nightwing" isn't at all worthless and features two memorable elements: a grisly attack on a group of campers sitting around a campfire and the performance of David Warner as the skeptical bat hunter. His long speeches about how vampire bats are the embodiment of evil and how this species contribute absolutely nothing to the functioning of the environment are the undeniable highlights of the movie. He sure hates the bats with a passion!

This adaptation of the Martin Cruz Smith novel (scripted by Steve Shagan, Bud Shrake, and Smith himself) is actually pretty faithful to the source material. Ultimately, it's not quite as satisfying as Smiths' story, where the characters were given more depth. But it's still a striking and interesting (if not great) film, an unusual mix of animal horror, human drama, and Indian mysticism. The actors in all of the major roles are pretty good, and director Arthur Hiller - a man known more for mainstream comedies and dramas such as "Love Story" - does his best working within a different genre. It's true that the film doesn't have very much suspense, but the animal attacks are NOT that badly done, despite the presence of some chintzy effects. At the very least, what "Nightwing" has to recommend it is beautiful New Mexico scenery and a solid score by Henry Mancini.

Nick Mancuso stars as Maskai policeman Youngman Duran, faced with sudden and mysterious deaths of animals and humans alike. An Englishman named Phillip Payne (David Warner) knows the score: the culprits are vampire bats, and he's the man to take care of the problem. Apparently eradicating this species is his life's work (one would think that animal rights activists would take exception to such a pursuit), because he believes that they embody evil. Yeah, I know, pretty thin for a motivation. Making life difficult for Duran is local mover and shaker Walker Chee (Stephen Macht), a man who's made it *his* mission to acclimate himself to the white man's world, and who's giving an assist to a mining company.

Overall, this isn't bad, even if lacking in style. It's fundamentally a decent story that's capably told. Mancuso is engaging in the lead, and Warner delivers his lines with total conviction, no matter how silly his character may be; the film benefits from his presence. The lovely Kathryn Harrold is appealing as Youngman's white love interest Anne Dillon, George Clutesi (who was in another Indian themed horror film from the same year, "Prophecy") is memorable in the small part of old priest Abner, and the great Strother Martin, in one of his final film roles, is a joy to watch as always as the bigoted trading post operator Selwyn. Among the supporting cast are character players Ben Piazza, Donald Hotton, Charles Hallahan, Alice Hirson, and Pat Corley.

"Nightwing" is definitely worth a look for the curious.

Seven out of 10.