Füge eine Handlung in deiner Sprache hinzuAfter being evicted from his castle in Transylvania, Count Dracula and his assistant Renfield travel to New York to find a woman who the Count believes is the reincarnation of the woman he h... Alles lesenAfter being evicted from his castle in Transylvania, Count Dracula and his assistant Renfield travel to New York to find a woman who the Count believes is the reincarnation of the woman he has loved for all eternity.After being evicted from his castle in Transylvania, Count Dracula and his assistant Renfield travel to New York to find a woman who the Count believes is the reincarnation of the woman he has loved for all eternity.
- Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt
Empfohlene Bewertungen
Susan St. James is okay in the female lead role here but almost all the laughs are produced by three guys: George Hamilton IV, Arte Johnson and Richard Benjamin. This has to be Hamilton's best role by far. He excels with his deadpan humor and restrained style as the famous "Count Dracula." Johnson, as "Renfield," still makes me laugh with his stupid laugh in here and Benjamin added a lot of spark to the film the moment he entered, playing the ultra-liberal psychiatrist who knows who Dracula right off and tries in vain to stop him.
Speaking of "liberal," this film is like something discovered out of a time capsule, if you want to see the most Liberal period in American history - the '60s and '70s - with the too-casual attitude toward sex, drugs and anything of moral value. St. James, as model "Cindy Sonheim," gives us Exhibit A of that, with Benjamin close behind.
Since all four of the major characters in here provide tons of entertainment in this hour-and-a-half, this movie always is fun to watch, no matter what era.
Totally watchable and entertaining flick (which is somewhat MORE than can be said for Hamilton's follow-up, ZORRO THE GAY BLADE). The strength of the film lies in its principals. Hamilton as suave and out-of-the-20th-century-loop Count Vladimir Dracula, Susan St James in what was inarguably her best screen role as NY super model Cindy Sondheim, and ever-funny Richard Benjamin as Dr Jeffrey Rosenberg..a distant relation of Dr Van Helsing no less!
Both are in love with Cindy who is torn every which way emotionally, even allowing for her understandable concern as to the restrictive life of a bat in general. The interplay between Hamilton and Benjamin is often priceless. The film never really aims to be anything more than what it is - a lightweight romantic comedy with bite, and this becomes it well. Particularly cheerful little ending which adds pep!
Always to be remembered for the disco sequence and I LOVE THE NIGHTLIFE which still conjures up for me so vividly those dance-floor scenes. No way a masterpiece - simply a film which holds very pleasant memories for many people I imagine!
*** (out of four)
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- WissenswertesFor many years the picture was one of the highest-grossing independent films of all time.
- PatzerThe magazine the Count is reading in the first scene is shown in close up as "Pizazz", but in longer shots is "Ladies Home Journal."
- Zitate
[first lines]
Count Dracula: [cacophony of wolves howling broke out] Shh! Children of the night, shut up!
- Alternative VersionenAlthough the song remained listed in the closing credits, most home video and DVD editions substituted a cover of "The Man That I Love" for the Alicia Bridges hit "I Love The Nightlife." The original audio remained intact for television airings and it was restored for the 2015 Shout Factory blu-ray release.
- SoundtracksFly by Night
Words and Music by Charles Bernstein, Joe Long, Steve Hines
Performed by Patricia Hodges
Produced by Joe Long and Robbie Adcock for Rolling Coaster Productions
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Love at First Bite
- Drehorte
- Produktionsfirma
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Box Office
- Bruttoertrag in den USA und Kanada
- 43.885.000 $
- Weltweiter Bruttoertrag
- 43.885.000 $