Lan tou He

No pun intended - families can be a good and a bad thing I reckon! Also sibling rivalry can obviously go beyond just teasing and be mad at each other. That all being said, we first get to learn the two main characters. Who don't seem to keen of each other ... but we know things can change - will that happen here too? This we will have to see.

What really was interesting: most weapons looked fake in previous movies, but it seems they have used better material for some of the weapons here. Shiny metal and all that - still fake probably, but not as obvious as they were before. Another small note: I had forgotten about how they treat their hair - especially the long ones where they (s)wipe it back, either with their hand or just a small head movement - both looking cool.

The movie also introduces a lot of humor - even making fun of previous Shaw Brothers entries - the one armed series and so many more - pulling back the curtain/fourth wall and all that. You have to dig the comedy/teasing of course. There is also gender based stuff here - they really were ahead of their time in some aspects. And if you like the fighting ... well there is a lot of that too. Plus the training - where fire was away or shot in a way where it probably was not close to any of the actors ... it is different here too ... the stakes are high - the kicks are too! No pun intended.

Felt like it was more concerned with comedy than action, and either the comedy didn't translate well or I'm just a bit out of it, because I didn't really understand a lot of the humour here (what I'm assuming was meant to be funny, that is).

If anyone knows what was up with those scenes where people were sort of sparring while conversing and also trying to make it look like they weren't fighting, I'd love to know. I just didn't get what was going on, truly.

Some of the more traditional martial arts scenes were satisfying, though. The last 20 minutes were particularly great (it even did the normal speed to slow motion back to normal speed technique decades before Zack Snyder popularised it).

Not bad overall, but I'm a little sad I didn't completely get or appreciate what it was going for at points.

Classic Gordon Liu... not only does he wear a mustache, but his fight scenes are excellent.

If you are a Shaw Bros. or Gordon Liu fan, this one is not to be missed. This one is screened as a comedy with Kung Fu, not the other way around, and it is excellent.

This is one of the films that sears itself into your mind forever unless kung fu films are a real turn off. Even when it was only watchable in poorly centered TV prints the brilliance of the action shined thru. Filmed towards the end of the golden age of the Shaw Brothers Studios, Dirty Ho rates as the top of the genre. The way the fights are choreographed is mesmerizing and I have spent hours rewinding the scenes to see exactly how the director orchestrated the camera and actors. It incredible how the movement progresses. I defy anyone to come up with something as subtle yet outrageous as the wine scene or the antique scene. The scenes in "House of Flying Daggers" are quite impressive but everything is computer assisted exaggeration. Here the only tricks are what could be done with editing and camera movement (O.K. maybe a few wires). You can see that most of the work is being done by the highly talented actors.

When this is re-released, buy it!

If anyone thinks that martial arts films are unsubtle escapism, with violence and little else, then Dirty Ho is a shining example of what they can be. Even from the point of view of the fight sequences, the two 'disguised' fights whilst drinking wine and admiring antiques are as well choreographed as any fights before and since.

However, the nature of the relationship between the Prince and Ho is very deliberate and complex. The Prince, a Manchu, and thus regarded with a great deal of suspicion (if not outright hostility) by southern Chinese, is throughout the film the model of a good Confucian, knowledgeable about all manner of fine art, wine and antiques. Ho is uncouth, rude and violent towards him, yet the superior (and distinctly Chinese) virtue of the Prince ultimately convinces him to serve him.

This is not only a obvious difference from a majority of Hong Kong films, in which the Manchu dynasty tends to be portrayed in a very negative light, as foreign, barbaric invaders, Dirty Ho provides a balance, indeed in some ways in represents the way the Manchu (Qing) dynasty, initially a foreign and, to the Chinese, barbaric people, soon was assimilated to become more Chinese than the Chinese.

And besides that, it is a fantasticly crafted martial arts film, with all the usual training sequences and an absolutely brilliant stylised fight sequence during the opening credits.