IMDb-BEWERTUNG
5,1/10
11.193
IHRE BEWERTUNG
Zwei Liebende, die auf einer entfernten Basis in den Asteroidenfeldern des Saturn stationiert sind, werden von einem retentiven Technokraten von der Erde und seiner Ladung angegriffen: einem... Alles lesenZwei Liebende, die auf einer entfernten Basis in den Asteroidenfeldern des Saturn stationiert sind, werden von einem retentiven Technokraten von der Erde und seiner Ladung angegriffen: einem bösartigen Acht-Fuß-Roboter.Zwei Liebende, die auf einer entfernten Basis in den Asteroidenfeldern des Saturn stationiert sind, werden von einem retentiven Technokraten von der Erde und seiner Ladung angegriffen: einem bösartigen Acht-Fuß-Roboter.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
Roy Dotrice
- Benson
- (Synchronisation)
- (Nicht genannt)
Stephanie English
- Technician
- (Nicht genannt)
Jill Goldston
- Small Brunette Woman on World Spaceways Ship
- (Nicht genannt)
Vera Goulet
- Technician
- (Nicht genannt)
Douglas Lambert
- Captain James
- (Nicht genannt)
Christopher Muncke
- 2nd Crewman
- (Nicht genannt)
Empfohlene Bewertungen
This movie is about a couple that lives on this outpost in space. They are lovers and their world is carefree and simple. That is until a criminal comes and builds a robot that goes insane. The problem with this movie is that there just isn't enough cast here to make this movie as cool as it should have been. The robot needed people to kill, but there were only three people around so it didn't really get to flex its muscle. On the plus side Kirk Douglas is good, and so is Harvey Kietal as the criminal. Fawcett isn't great, but she does ok. The plot should have included more though as a lot of this movie goes unexplained, like Kietal's character motivations, or why didn't anyone warn Kirk and Farrah that a criminal was out there. In the end this movie has its moments, but tends to become a bit tedious.
Two lovers stationed on a remote moon base of Saturn are intruded upon by a murderous man and his malevolent 8-ft robot.
Its production issues, changing of directors (one of which was the late great John Barry) and budget cuts aside for a film that was made in 1980 it feels like late 60s/70s. That said, the sets that take a leaf from Alien (1979) are partially effective and the blue ominous lighting works but is sadly used sparingly.
The late Farrah Fawcett is still a major draw and although there's a cringe worthy age gap between leads it is fitting to the narratives themes. Acting legend Kirk Douglas is a little inconsistent and not on form possibly due to the script or production woes. Harvey Keitel has been unconventionally re-dubbed which is a shame, but he still is effective as the homicidal sociopath, off beat, boorish Earth Captain Benson. Although choppy, there's some great setups with the interestingly designed Hector robot and Elmer Bernstein's score if fantastic.
It's not purposely ambiguous, but it leaves many questions and loose ends. It's by no means the worst science-fiction movie, John Barry's story offers some great ideas and has clearly influenced subsequent scifi's notably the Matrix (1999) plug-in.
It's flawed and inconsistent but still worth viewing for the concept alone.
Its production issues, changing of directors (one of which was the late great John Barry) and budget cuts aside for a film that was made in 1980 it feels like late 60s/70s. That said, the sets that take a leaf from Alien (1979) are partially effective and the blue ominous lighting works but is sadly used sparingly.
The late Farrah Fawcett is still a major draw and although there's a cringe worthy age gap between leads it is fitting to the narratives themes. Acting legend Kirk Douglas is a little inconsistent and not on form possibly due to the script or production woes. Harvey Keitel has been unconventionally re-dubbed which is a shame, but he still is effective as the homicidal sociopath, off beat, boorish Earth Captain Benson. Although choppy, there's some great setups with the interestingly designed Hector robot and Elmer Bernstein's score if fantastic.
It's not purposely ambiguous, but it leaves many questions and loose ends. It's by no means the worst science-fiction movie, John Barry's story offers some great ideas and has clearly influenced subsequent scifi's notably the Matrix (1999) plug-in.
It's flawed and inconsistent but still worth viewing for the concept alone.
Saturn 3 (1980)
** 1/2 (out of 4)
Adam (Kirk Douglas) and Alex (Farrah Fawcett) are lovers who are working on a space station right outside of Saturn. The two of them spend their times working as well as messing around but they're thrown for a loop when Benson (Harvey Keitel) shows up. What they don't know is that Benson has killed the real Captain that they were expecting and he's brought on board a new robot that can think and act for itself.
SATURN 3 is a film that was released to some really awful reviews with most critics calling it one of the worst films of the year. Even worse for the filmmakers was the fact that people believed the critics and stayed away from the pictures making it a huge disaster at the box office. The film eventually gained a cult following on video but there's no question that this is one of the weirdest movies released from this era.
The film was released early in 1980 but there's no doubt that it has a 70's vibe to it. The film is without a doubt one of the dumbest science fiction movies ever made. You can read Roger Ebert's review where he points out countless flaws with the scientific aspect of the film including such easy stuff as gravity. I will admit that the film is really dumb and there's an even bigger problem with the screenplay and that's the fact that we don't really know why Benson wanted on the spaceship and we really don't know why the robot goes crazy.
Speaking of the crazy robot, the final twenty-minutes of the movie are basically like a slasher as Alex and Adam must run, hide and try to fight the robot that is after them. What's even stranger is the three-way love story that blossoms and the fact that the robot wants to join as it falls for Fawcett. Douglas, for the most part, gives a good performance and Fawcett does what she was paid to do and that's look sexy. Her role doesn't really allow her much to do but the two stars do show off some nudity. I think Keitel was good in the part but the awful dubbing really hurts the film. I'm familiar enough with his voice where I could picture it saying the lines in the movie and I can't help but think things would have played out better with it.
SATURN 3 has a lot of bad things in it but at the same time it's weirdly watchable. Some of the special effects are good, although quite dated. Some are really lousy looking but at the same time they're still fun. The film really does play out like a film that tries to be intelligent and thinks that it is intelligent yet most people are laughing. It certainly takes itself way too serious but overall the film is mildly entertaining as a cult film.
** 1/2 (out of 4)
Adam (Kirk Douglas) and Alex (Farrah Fawcett) are lovers who are working on a space station right outside of Saturn. The two of them spend their times working as well as messing around but they're thrown for a loop when Benson (Harvey Keitel) shows up. What they don't know is that Benson has killed the real Captain that they were expecting and he's brought on board a new robot that can think and act for itself.
SATURN 3 is a film that was released to some really awful reviews with most critics calling it one of the worst films of the year. Even worse for the filmmakers was the fact that people believed the critics and stayed away from the pictures making it a huge disaster at the box office. The film eventually gained a cult following on video but there's no question that this is one of the weirdest movies released from this era.
The film was released early in 1980 but there's no doubt that it has a 70's vibe to it. The film is without a doubt one of the dumbest science fiction movies ever made. You can read Roger Ebert's review where he points out countless flaws with the scientific aspect of the film including such easy stuff as gravity. I will admit that the film is really dumb and there's an even bigger problem with the screenplay and that's the fact that we don't really know why Benson wanted on the spaceship and we really don't know why the robot goes crazy.
Speaking of the crazy robot, the final twenty-minutes of the movie are basically like a slasher as Alex and Adam must run, hide and try to fight the robot that is after them. What's even stranger is the three-way love story that blossoms and the fact that the robot wants to join as it falls for Fawcett. Douglas, for the most part, gives a good performance and Fawcett does what she was paid to do and that's look sexy. Her role doesn't really allow her much to do but the two stars do show off some nudity. I think Keitel was good in the part but the awful dubbing really hurts the film. I'm familiar enough with his voice where I could picture it saying the lines in the movie and I can't help but think things would have played out better with it.
SATURN 3 has a lot of bad things in it but at the same time it's weirdly watchable. Some of the special effects are good, although quite dated. Some are really lousy looking but at the same time they're still fun. The film really does play out like a film that tries to be intelligent and thinks that it is intelligent yet most people are laughing. It certainly takes itself way too serious but overall the film is mildly entertaining as a cult film.
I first watched Saturn 3 with my father when I was about 12 years old and I remembered liking it and being creeped out by it as a kid. So I revisited the film again last night. Even though it has been over 15 years since I first saw this film, I still really enjoyed it. I was very surprised to see so many negative comments here on IMDb. All in all, the film is a little dated, but it still contains some very striking visuals and original ideas. The sets used for this film were extremely well detailed and thought out, as were the costumes and props. "Hector" is perhaps one of the coolest looking cyborg/robot characters ever conceived. The scene where he is first "booted up" and filled with "cyber-blood" is just vivid and stunning. After watching this film, it was also *quite* obvious that this movie influenced some of the more modern science fiction masterpieces like Robocop, the (1st) Matrix and James Cameron's Aliens. Several of the reviews harshly criticized the acting and the story, but I however found no problems in this department. Nowadays we seldom see good films with a small cast and a simple story. Not every movie has to be as advanced and as complex as films like Minority Report. And I am sorry, but Mark Hamill and Keanu Reeves can't hold a candle to Kirk Douglas and Harvey Keitel when it comes to acting. I think people are trying to compare this film to all the super budget modern sci-fi movies. Or perhaps this movie is regarded as "crap" by many because they think Star Wars is the end all, be all sci-fi movie of all time, which in my opinion, Star Wars is MUCH more cheesy and way too light-hearted to take seriously. If you like serious, dark sci-fi flicks, be sure to check this one out. Don't listen to all those Star Wars nerds who crap on this film. Judge it for yourself. 7/10
There's no point whining about what 'Saturn 3' COULD have been with a script by Martin Amis, direction by Stanley Donen ('Bedazzled'), and the star power of Kirk Douglas and Harvey Keitel. It is what it is, and that is, despite the impressive production values, basically a throw back to a fifties b-grade monster movie. Hector is still one of the scariest movie robots of all time, even if the idea of a sex-crazed machine is a trifle ludicrous and reminiscent of all those horny BEMs on pulp magazine covers and silly flicks like 'The Brain From Planet Arous'. Hollywood legend Kirk Douglas ('Spartacus') must have been in his early 60s when this was made but still exudes charisma and virility. 1970s sex symbol Farrah Fawcett ('Logan's Run') is less convincing as his love interest and is, let's face it, little more than eye candy. Keitel must have been wondering just how he ended up in this silliness so soon after his excellent work in 'Blue Collar' and 'Fingers', but he is creepy enough, though apparently dubbed. I also got a kick out of the very brief cameo by Ed Bishop, star of 1970s cult classic SF series 'UFO'. All in all, an unambitious but generally effective thriller, which has a few dull spots but enough scares to make it some cheesy fun. Just don't expect too much and you will enjoy it all the more.
Wusstest du schon
- WissenswertesOriginal director John Barry had made his name as a set designer, and had been acclaimed for his work on Star Wars: Episode IV - Eine neue Hoffnung (1977) and Superman - Der Film (1978). After he was removed from this movie, he was working as a second unit director on Star Wars: Episode V - Das Imperium schlägt zurück (1980) when he collapsed on-set and died of meningitis.
- PatzerWhen Adam jumps into the wastewater with Hector, it is clearly a stuntman wearing a bad wig.
- Alternative VersionenA scene of Adam and Alex taking a recreational blues pill was cut from the original UK cinema version in order for the film to receive an 'A' (PG) certificate. The scene was restored for the later 15-rated video version.
- Soundtracks33 1/3
Written by Stomu Yamashta
Performed by Stomu Yamashta
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Mörder Roboter
- Drehorte
- Shepperton Studios, Shepperton, Surrey, England, Vereinigtes Königreich(made at Shepperton Studio Centre, Shepperton, Middlesex, England)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.000.000 $
- Weltweiter Bruttoertrag
- 9.000.000 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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