Schrei aus dem Jenseits

This 1977 low-budgeter follows a dysfunctional family residing on an Arizona movie ranch/former mission, who have apparently befallen to a curse placed by a Native American woman accused of witchcraft a century prior.

"Haunted" begins in good grindhouse fashion with an inter title prologue and a topless Native American woman being forced to ride a horse into the desert to die. Fast forward a century later, and the mission from which she was ousted is now a movie ranch being renovated by two brothers; their uncle (Aldo Ray) also resides there, along with their widowed blind mother (Virginia Mayo). The arrival of a young woman, Jennifer--who may or may not be the Native American woman, reincarnated--disrupts the already muddied familial waters.

While there is little by way of logic or followthrough here a far as narrative is concerned, "Haunted" at least succeeds for its propensity for the surreal. Completely bizarre elements, such as a phone booth being installed in a cemetery at the ranch, appear in the film with little to no explanation, and their function as plot devices seems shaky and utterly random. The plot itself predates something like the Salem witch trials-inspired "The Devonsville Terror" in that it focuses on an alleged witch returning a century later to avenge her death, but "Haunted" is much less cohesive and much weirder.

There is some great desert cinematography here, and the film is extremely atmospheric. It is all punctuated by a cheapie folk music soundtrack which was written and recorded for the film, and actually released on vinyl(!) The cast here range from inept to serviceable. Aldo Ray is at his most disheveled, while Virginia Mayo leans heavily into a soapy, melodramatic portrayal of the blind mother whose supernatural ravings may not actually be delusion. Brad Rearden, who some genre fans may recognize from "The Silent Scream," portrays the younger of the two brothers.

All in all, "Haunted" is a reasonably amusing oddity whose entertainment value mainly derives from the slipshod production and sheer strangeness that tends to come from B-grade fly-by-the-seat filmmaking of this era. It is certainly the only film I've ever seen in which spirits contact the living via a cemetery phone booth on a movie ranch--and for that, it's at least something. 6/10.

"Haunted" starts with a prologue written on the screen and, immediately after, the same text is processed into a sequence as well. It certainly isn't the biggest blunder you can make, but it does somewhat illustrate the intelligence level of the film. Either you do a written text or you do a sequence, but not both. Then again, the pre-opening credit sequences, taking place during the US Civil War, are undeniably the best parts of the entire film.

A beautiful Indian woman gets falsely accused of witchery by a corrupt priest, and she's sentenced to a very strange and perverse death. The poor girl, named Abanaki, is tied to a horse, stripped naked, and then sent into the dry and hot desert to die. Some say - and I quote the prologue - that her spirit roamed around for more than a hundred years for revenge. And guess what happens a hundred years later!

"Haunted" is also the type of clichéd horror film in which characters reincarnate as exact replicas of their ancestors. The corrupt priest reincarnates as a grumpy ranch owner, and Abanaki returns as a beautiful traveling girl whose car breaks down at that same ranch. This film had the potential to be a simple but effective supernatural horror tale, but writer/director Alessandro De Gaetano stuffs his screenplay with lots of senseless nonsense, dead-end twists, dull sub plots, and insignificant supportive characters. There's a phone booth in the middle of a cemetery, sinister wooden statues without any purpose, an elderly blind lady playing the organ and fantasizing about sex with her deceased husband (while she actually has the plump and hairy Aldo Ray on top of her), and two dorky brothers chasing after the lewd Abanaki-reincarnation.

I can tolerate quite a lot of weirdness, but the complete lack of action and gruesome deaths in "Haunted" is unforgivable. There's one notable highlight, involving spilled petrol and a spark from a light bulb, but it's not enough. De Gaetano put too much time and effort in the dedicated soundtrack, and the casting of Anne Michelle (in a successful attempt to find a girl with perfect breasts).

This film was in most video stores during the 80s but hasn't been seen much in the past few years. Though it's no horror classic, it does have a unique flavor. It was filmed in 1976 but only released 3 years later. It's better than most of the many made-for-video horror fests. Haunted is set in a desert ghost town and features great photography. The storyline is about an attractive female visitor to the town who looks just like a woman who was executed in the same area 100 years ago. Haunted is very low budget. There are only about a dozen people in the cast but the film is still competently made and has some eerie moments. It also has some unusual folk songs (in fact,a soundtrack from this movie was released, how many horror movies can say that?) The film's poster is a bit misleading as it shows a person impaled on the letters in the title. However, the film's body count is very low and the blood and guts is almost non-existent. Not that it matters though as the story will keep viewers hooked. Haunted's chief asset is Aldo Ray. Once upon a time, Ray worked in major Hollywood productions but by this time, he was taking any part that was offered. At the start, Ray's character is nasty. He then gets nastier and nastier while the film goes on. By the end, he is really off the deep end. One may wonder if he is acting or going nuts in real life while the scene is being shot! In any event, Haunted is one of the few obscure horror films that is worth your time!

In Arizona during the Civil War, a Native American woman is accused of witchcraft, tied to a horse and left to die in the desert. One hundred years later, the descendants of the woman's accusers start being killed off, and an Englishwoman becomes convinced that she is the reincarnation of a long-dead Indian priestess. This movie was filmed on location in Arizona over a period of 24 days on a budget of $250,000. According to writer-director Michael De Gaetano, budgeting issues necessitated that portions of the script be un-filmed, resulting in "a good deal of the philosophical depth of the film" disappearing. The result is a boring movie with huge gaps in the story, and plenty of historical inaccuracies. This is all topped with some ridiculous performances by a very visibly drunk Aldo Ray and Virginia Mayo' in a non sensical role who chews the scenery and delivers her lines awkwardly. Ann Michelle ( a white British actress) plays the Apache priestess, and sits atop a horse, topless, wearing a black, braided wig. A soundtrack album was released featuring such songs as You Make Me Feel the Music by Carol Douglas, Indian Woman by Billy Vera, A Distant Time (Love Theme from 'Haunted') by Freya Crane, and How Can I Tell Judy by Herbert Oscar Anderson.

"Haunted" is a crappy, low budget film that, sadly, has the distinction of starring Aldo Ray and VIrginia Mayo--two decent Hollywood stars of the 1950s that were apparently down on their luck and needed work. It's a real shame, as no actors could have made this lousy film watchable.

The story begins with a bizarro 'execution'. A convicted Native American, Abinaki, is stripped naked and made to ride a rorse into the desert to die. It seems like an incredibly uncertain AND gratuitous way to kill her!

The film then jumps to a dying desert town in the present. Instead of showing it in the first scene, one of the characters gives an exposition where he explains that the Indian lady was accused by an evil priest...and she vowed revenge on him and everyone else associated with her death. Additionally, a mentally ill blind woman (Mayo) goes on and on about the death lady....and it's rather embarrassing to watch. Eventually (and it takes a LONG time), bad things start happening...all thanks to a vengeful Abinaki.

This movie had a very low budget and many of the supporting actors didn't seem like actors at all. Their delivery was terrible....though the dialog they were given was awful as well...often coming off as bombastic and self-important. The songs are generally bad as well...with some hilariously bad lyrics.

So is it worth seeing? For most of you, NO!! But, if you like seeing actors committing career suicide as Ray and Mayo do in this one, it's worth a look.