Giallo a Venezia

This is an extremely rare, hard to find movie which to be quite honest is no bad thing. The version I viewed was in its native Italian tongue and is, as far as i'm aware, the only way anyone's likely to see it. The film begins with the dockside discovery of a murdered man and woman which starts an investigation undertaken by a cop (Jeff Blynn) whose favourite past-time is eating hard boiled eggs! (well Kojak had his lollipops I guess). A series of seemingly unrelated murders start to occur, two of which are very nasty, so nasty in fact that I couldn't possibly describe them on such a family friendly site such as this. An already cheap and cheerful film is cheapened further by endless scenes of a couple participating in various sex games, all backed by a Berto Pisano score which wouldn't seem out of place in one of your dad's "stag" flicks. Needless to say these sub- plots seem to tie up in the end (well...at least I think they do). The term "giallo", is the Italian word for yellow and these thrillers (BIRD WITH THE CRYSTAL PLUMAGE, BLOOD AND BLACK LACE and WHAT HAVE THEY DONE TO SOLANGE? being amongst other examples of this fascinating and addictive genre) have their origins in the mystery books published years ago in Italy, which were distinguishable by their yellow covers. When all's been said and done, I cant really recommend this sleazy, sordid affair (not that it's readily available anyway!), unless your idea of a nice night in is a showing of Lucio Fulci's equally misogynistic (but more fun) THE NEW YORK RIPPER. Happy hunting.....

My god, this film is a piece of work. Rough as a bag of spanners. One of the ugliest and sleaziest giallos you could ever hope to see. Plot wise there is very little to say, the impact in this film comes from its audacious insistence on making everything look as unpleasant as possible.

But let me give you a quick plat re-cap. Two dead bodies are found at the edge of a canal in Venice. The police start asking friends of the late couple for clues, but as soon as they start their investigations, more dead bodies start piling up. What is the connection, and out of all the unsavoury characters that appear on the screen, does any of them have a clear alibi (or conscience)?

Enough of that then, what is really so bad about Giallo A Venezia? Well it's just that the sleaze factor is so high it's off the scale. The dead couple are at the centre of the plot, and the film consists of many flashbacks in which we see how the husband took pleasure in humiliating and sexually abusing his timid wife. The poor actress who plays Flavia (the wife) suffers the indignity of being stripped naked and roughed up in nearly every scene she appears...I hope she got paid well. Worse still, her husband Fabio is not blessed looks-wise, and add this to the fact that the sex scenes between the pair of them are completely devoid of chemistry makes watching them a real chore – and they go on for AGES!! You'll see a lot of Flavia naked which might have looked nicer if things were better filmed but the whole thing is done so sloppily that a lot of the time it's just not that exciting. Especially when Fabio is slobbering all over her (he's a really terrible kisser!) and trying to roll all over the place without showing his private bits, whereas of course there's no modesty allowed for his wife who is shown very graphically naked in several scenes.

The reason why I have had to devote a full paragraph to describing the sex scenes is because that's really all that happens for 75% of the films running time! Other than that, we have to sit through the police force carrying out their investigations which is kinda boring, even with the running gag of the main inspector eating hard boiled eggs in every scene (why? who knows... It must be an Italian thing), and some half hearted attempts by director Mario Landi to spin a web of mystery around the proceedings.

So that just leaves ...the murders. And just as he manages to make all the sex scenes ugly, unpleasant and graphic, Landi cuts no corners with the violence either. So prepare yourself for some very grim scenes of violence. Although the scenes are not dwelled on in loving detail like they are in a Lucio Fulci gore flick, they all seem to have a very nasty flavour to them. Scissor stabbings to the crotch and a human torch are two that spring to mind. Oh wait, did I say the gore is not dwelled on? Sorry I forgot the film's gore "highlight' in which victim has their leg sawed off while tied to the kitchen table. I have seen a lot of graphic gore but I found this intensely unpleasant. I think it's because it's just all sort of...thrown at you. No artistry to speak of, just events.

This film has absolutely no class whatsoever. And if you get a kick out of sleaze, it's almost possible to appreciate it on that level alone, but anyone with any taste in good cinema is likely to be left shaking their head in disbelief. Very hard to find - at time of writing there is no DVD or VHS release in print, so you're stuck with finding bootlegs if you want to track this down, and even then I believe it was originally released in Italian only – so make sure you get a subtitled copy if you must seek this out! A bleak, bizarre and depressing piece of grime, it's very hard to be positive about this movie. Even calling it a giallo is an insult to that genre, as the "whodunnit" value is very weak. Its just 90 minutes of bad simulated sex and some equally badly simulated murders, but if the phrase "in your face" was ever deserved, it is here.

Giallo a Venezia, also known as Giallo In Venice, has a reputation for being one of the sleaziest films produced in an already sleazy sub genre. Giallos, for the uninitiated, are Italian horror films known for their extreme violence punctuated by scenes of explicit sex. They heavily influenced the American slasher films of the late 70s and early 80s, but for the most part these American films were not as extreme as their Italian counterparts.

There are few death scenes in Giallo a Venezia but they are quite gory. There's an immolation, a graphic dismemberment, and the usual requisite stabbings. Giallo a Venezia does feature plenty of sex and nudity, but the bare bodies on display do further the plot. After finding a married couple's dead bodies on the Venice beach our main character, a detective, is baffled by the crime's seemingly lack of motive. We spend the rest of the movie inter-cutting between the detective working on his case and flashbacks of the deceased married couple. The film's flashback structure is unique telling the story of the married couple's last days before their death. Their marriage is, to put it politely, very rocky. The husband is a cocaine addict and frequently indulges in kinky sex to debase his wife.

While Giallo a Venezia may lack the social commentary of Lucio Fulci or the swooping camera-work and visual styling of Dario Argento, it is still a giallo that can comfortably stand on merits of its own. Unlike some other giallos that have been loving restored and even presented on Bluray, tracking down a copy of Giallo a Venezia may present quite a challenge. I had to settle for a sub par VHS rip.

Giallo A Venezia opens with a swiftly edited stabbing, then a lady floundering in water. Credits roll and we discover that these two luckless chumps were a married couple, Fabio and Flavia, and its now up to egg eating, bad joke cracking detective De Paul to sort out the mess, a process which involves much delving into the sordid details of their relationship. Meanwhile, things are about to get nastier... Despite the title, this one only just about qualifies as a giallo. It has a mystery, some killings and a whole lot of perversion, but when stacked against the notables of the genre Giallo A Venezia is a terrible example, with little in the way of style (one rather nifty moment aside) and even less in the way of interesting detective work or problem solving. It doesn't matter too much though, the title just about captures the nature of the plot and the film never really tries to compete in the giallo field. The main thing on its mind is sleaze and sleaze is what it serves up in delicious helpings, comparable perhaps to a three course meal. See, our unfortunate Fabio and Flavia had rather an unconventional relationship, he a dominant deviant and she a submissive, if often unwilling partner to his lusts. A lot of the film is spent on their sex lives, delivered as seedy soft-core with a dollop of sadism we get voyeurism, rape and humiliation as the more traditional female masturbation and conventional coupling. Gianni Dei and Leonora Fani are excellent as Fabio and Flavia respectively, he commands just the right air of haughty perversion that knows no sympathy beyond its own satisfaction, and she a tragic figure of the sort who just can't make herself get out. It helps that Leonora Fani has a splendid body and the sort of bush that makes you want to go exploring, gives her degradation an even meaner feel. There's more sexy shenanigans as well, lest you be afraid that this is a two hander, we get Mariengela Giordano nude in the films best loved sequence, and at least one more partly nekkid gal so its all good. The score works wonders for the soft-core side as well, natty porno lounge from Berto Pisano that bursts into indecently rousing loudness when good stuff goes down. For all this, the film doesn't completely forget its title, as the plot does steadily develop with one or two twists and turns and a few possible suspects/motives. It isn't too taxing though, and the mystery serves mostly as a means of joining together the sexual and the violent aspects of the film. As with any giallo worth its salt, there are a few gnarly murders in here, a couple of which have earned the film a deserved infamy. I won't go into details, but one would be better served by higher quality prints than the one mostly available (though it is still pretty sweet), and the other is an absolute ripper, real squirmishly entertaining classick. The finale is a corker as well, wrapping things up nicely just when the film is looking like it might have used up all its steam. There isn't really legitimately redeeming value here, no social themes nor insight into the interesting territory of a sexually twisted relationship, there isn't much style and the cinematography makes Venice look dull. I've never been but apparently its a nice place, not so in this film. This is pretty much aimed straight at the sleaze and nastiness brigade and no one else, seekers after truth and beauty should seek elsewhere and even average giallo lovers will likely be nonplussed. But if you like 'em mean, check this sucker out pronto as it plays a mean game and it plays it well.

This is sleazy. I've seen the English subtitled Luminous print of this film, and it is safe to report that as a giallo it fails miserably on every level. Not only is there a weak plot and zero suspense, but there is also laughably no attempt to conceal the identity of the killer who is in fact revealed in the first ten minutes or so of the film. Clearly Landi was aware of his shortcomings as a giallo director and so therefore decided to make up for it with lashings of jaw-droppingly misogynistic sexual violence, which he again showed a passion for in his later film "Patrick Lives Again".

A couple of scenes really stick out for absolute, grimy nastiness. Firstly, the vaginal stabbing of the prostitute. This scene has more parallels to old hardcore porn loops than it does the giallo genre, with poorly lit and explicit prolonged close-ups, shot on grainy stock. Secondly, the scene where Mariangela Giordano gets her leg sawed up. Even though the effects are poor, the absolute sadism and overall atmosphere makes you feel pretty sordid for watching it. It kinda reminded me of the similar (but more nasty) scene in The Last House On Dead End Street...

But is this enough to make this film good? NO. This is a failure as a giallo, and is only worth anything because of the outrageous violence.