Ein entlaufener Verbrecher bricht in ein unheimliches Schloss ein und nimmt die beiden verängstigten Zimmermädchen als Geiseln. Als die Nacht hereinbricht, trifft eine Gruppe mysteriöser ari... Alles lesenEin entlaufener Verbrecher bricht in ein unheimliches Schloss ein und nimmt die beiden verängstigten Zimmermädchen als Geiseln. Als die Nacht hereinbricht, trifft eine Gruppe mysteriöser aristokratischer Frauen ein.Ein entlaufener Verbrecher bricht in ein unheimliches Schloss ein und nimmt die beiden verängstigten Zimmermädchen als Geiseln. Als die Nacht hereinbricht, trifft eine Gruppe mysteriöser aristokratischer Frauen ein.
- Elisabeth
- (as Franka Mai)
- Sylvie
- (as Sophie Noel)
- Self
- (as Agnes Bert)
- Un Apache
- (as Joe de Lara)
- Le docteur
- (Nicht genannt)
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*** (out of 4)
Marc (Jean-Marie Lemaire) is a thief on the run from the people he stole from. He ends up taking shelter in a castle where he soon meets Eva (Brigitte Lahaie) and Elisabeth (Franca Mai). The two women come off as incredibly strange but they keep referring to a party later that evening that Marc can't see.
Jean Rollin's FASCINATION is without question one of the director's better films, although the final act does take a bit too long to get where it's going. If you're not a fan of Rollin's work then I'd probably recommend that you start with THE LIVING DEAD GIRL or one of his vampire films but once you're used to his work this film will have so many of the director's touches.
As you'd expect, there's all sorts of sexuality between both the two women as well as their seduction scenes with Marc. It's really amazing how the likes of Rollin and Jess Franco could milk any scene for all the sexuality that it's worth and it happens here as well. One of the highlights is a sequence where Lahaie goes after one of the men trying to kill Marc. This entire sequence is perfectly directed and contains both the sexuality and violence that you've come to expect from Rollin.
Speaking of Lahaie, she easily steals the film with her raging beauty that just leaps off the screen. I've seen several of her movies but the way she looks here is just terrific and I'd argue she's never looked better in any other movie. Both Mai and Lemaire are also good in their roles. FASCINATION has a terrific visual quality and there's no doubt that the locations are put to good use. Fans of Rollin will certainly enjoy this one.
So yes, largely nonsense in conventional terms, here about a man who is stranded in a secluded château with a host of beautiful women who are waiting for midnight to perform a mysterious ritual, but attached to a poetry of images.
The frequent comparison is to Jess Franco; but whereas Franco at his best intuited feverish images that always seemed to zoom at the verge of cacophony, Rollin exhibits painterly control over his. His gaze is methodical, attuned with the aural qualities of film; notice here for example how the winds howling outside the mansion stop and start every time someone opens a door.
It's simple really, the ritual a tone poem about the unveiling of naked beauty. The twist, if it can be called that, is that what we expect to be vampires imbued with some supernatural capacity are only women lusting for blood. The man - our surrogate viewer in the midst of beauty - is lusting himself and so concedes to be part of the dream.
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- WissenswertesAt one point, Marc the thief asks if there is a back way out of the chateau even though in actuality, filming really does take place at the rear of the building.
- PatzerAt one point, Marc the thief asks if there is a back way out of the chateau even though in actuality, filming really does take place at the rear of the building.
- Zitate
Le docteur: [to patient caught playing with her fingers in a glass of freshly slaughtered cow's blood] This is not a game! It's therapeutic.
- VerbindungenFeatured in Eurotika!: Vampires and Virgins (1999)
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