Die Liebeshexen vom Rio Cannibale

Naked helpless babes trapped on an island where they are brutalized and used by the powers that be. What more could an exploitation fan ask for? It's just a notch above your average babes in prison movie since the characters are believable in their desire to get out. Also, When the setting says tropical island they are not kidding. The island our beauties are stranded on looks about as tropical and steamy as you can get. Not for the squeamish!

Anthony Steffen trades in his Western poncho for a whiskey bottle in this sleazy Italian W.I.P. film. He plays a drunk Doctor in a jungle prison for women only. This leads to all sorts of depravity by the male guards. Everything is as you would expect, with rape, torture, lesbian groping, and of course that old standby implied bestiality. The movie is grainy, dark, and the acting marginal high school caliber. You have to ask yourself this question, why would anyone want to sit through this train wreck of a film? The dubbing alone is so atrocious that lips are moving before and after the over dub, but none of that matters because the intended audience will be totally fixated on the grimy writhing screen images. One other thing, I just hope no snakes or leeches were harmed during filming? - MERK

Great family entertainment! OK, maybe not.... But, man, what an excellent piece of sleaze. Great sex scenes (in the first sex scene you can see that the girl is actually performing REAL oral sex on the male guard),the stand-out being the sweaty lesbian scene in the jail cell... very steamy. The rape scenes are a little too rough and suprisingly realistic (one guard holds the lead actress while the other gropes and performs REAL oral sex her) but my guess is that the cast is probably of the hardcore background due to the scenes they perform in this film. It may not have the wit of Caged Heat or the originality of The Big Bird Cage but it sure does know the right parts to imitate. While this may not be the "watch with the girlfriend" type movie it's a great guilty pleasure... and one hell of a Sleazy/Trashy/Morally devoid piece of filth!!! GOD, I LOVE IT! 9/10.

For my money, this the best WIP flick I've come across. Or at least the most watchable. Being a WIP flick, however, means it's a trashy exorcise in sleazy cinema.

The story...well...gee whiz, there isn't much of one. In an all women prison camp located in the steamiest jungle on earth, guards regularly abuse the poor inmates. They decide to do something about it. Can you guess what? It's a prison movie...it's called "Escape from Hell"...do the math.

It's nice to see lost 'gems' like this can still turn up in the age of the PC movement. The goings on are what would be expected: gang rape by guards, lesbian hook ups by inmates, sadistic wardens, a sympathetic doctor, violent revolt, etc. What made this work for me was the setting, it really seems like a plain nasty place to be stuck. Seeing where they are, it's no wonder guards and inmates alike are hostile toward each other.

As far as the violence goes, it's bloody, but not excessively so. The sex, on the other hand, is really graphic. In several of the encounters it is clear as day that the action is not simulated. One rape scene in particular features a guard obviously performing actual oral sex on an inmate. There are no 'hard-core' shots however, for better or worse.

The picture is really grainy and often so dark as to obstruct the action. Also, the sound is pretty poor with some laughter inducing dubs. But, again, it's about what would be expected.

If one is thinking about watching this, then they should already know what they are getting into. Otherwise, this probably won't be your cup of tea.

6/10

Femmine infernali is a lurid slice of jungle-set exploitation cinema that leans heavily into the atmosphere of confinement, tension, and heat. On the surface, it delivers exactly what it promises: a women-in-prison fantasy wrapped in tribal danger and raw survivalism. But beyond the genre's standard provocations, there's a surprisingly effective moodiness to the visuals. The cinematography, while clearly hampered by budget, captures the oppressive humidity and isolation of the jungle setting with grit and purpose. Sunlight filters through overgrowth, smoke wafts in slow curls, and the camera often lingers just long enough on bruises, sweat, and fear to create an unsettling tone. It's never beautiful, but it is effective.

Where the film falters is in its pacing and uneven tone. Moments meant to titillate often undercut the seriousness of violence or trauma, leaving some scenes feeling exploitative in the most literal sense. Mulargia seems unsure whether he wants to shock, thrill, or critique, and that indecision creates tonal whiplash. The dialogue, particularly in dubbed versions, ranges from serviceable to unintentionally hilarious, which may entertain cult fans but diminishes any genuine emotional impact.

Performance-wise, Cristina Lay manages to ground her role with more nuance than the film often deserves. Her restrained expressiveness and steady presence add a thin but welcome layer of realism to a story that often veers into caricature. Cintia Lodetti leans more into the genre's flamboyance, delivering an exaggerated but undeniably magnetic performance that plays well within the film's exploitative framework. Most of the supporting cast serve more as visual props than fully realized characters, but that's par for the course in films of this stripe.

In the end, Femmine infernali is neither a total misfire nor a forgotten gem. It's a pulp concoction with moments of surprisingly competent craft. For fans of grindhouse-era sexploitation, it scratches a specific itch, but casual viewers will likely be more puzzled than engaged.