Das Korn ist grün

I usually hate remakes...particularly of movies that were well done in the first place. This is why I resisted watching the 1979 version of "The Corn is Green" for many years. After all, the Bette Davis version is terrific. However, in hindsight, I am thrilled I saw both films...and both are about equally exceptional.

Lilly Moffat (Hepburn) has just inherited her uncle's home in rural Wales. After witnessing the hard life of a typical resident, she feels a burning passion to educate these illiterate folk. So, she turns her home into a school and soon kids come flooding to the school. However, she soon meets an adult who, despite no formal schooling, shows lots of promise.

The rest of the story is about their relationship and her drive to get Morgan to strive for something more out of life.

The acting is THE major reason to see this film. Like Bette Davis, Hepburn is a treasure to watch and the lovely Welsh countryside (something not in the original film) is a major plus. Well worth seeing and a truly unique story that is really something special.

If you've seen the 1945 version of The Corn is Green, you haven't really seen it in its full potential. Bette Davis can play a spinster extremely well, but she can't get enthused like Katharine Hepburn can. In Emlyn Williams's story, a strong woman sets up a school in a Welsh mining town. She finds potential in one particular young boy and hopes an education will give him a chance at a different life. When Katharine Hepburn encourages her student, she raises her fists in the air and grins triumphantly. It's a much more understandable interpretation of her character; the woman obviously has passion enough to educate lost-cause mining children, so she should show her passion in her delivery and mannerisms. Kate was nominated for an Emmy that year, but was ironically beat out by Bette Davis for Strangers: The Story of a Mother and a Daughter.

In his first film, Ian Saynor gives a wonderfully emotive performance as the conflicted student. From start to finish, the audience sees his growth and maturity, and we learn to put as much faith and hope in his character as Kate does.

While David Walker's costumes are beautiful, John Barry's music cheapens the quality of the film, making it obvious that it was made for television. If you can get past the soundtrack, though, you're in for a very well-acted and interesting story.

I remember watching this many years ago and to this day I am quite taken by the performances given. While it was a "Made for TV" movie, to this day it still leaves an impression. The musical score by John Barry was quite good and added to the film in a superb way as well.

Kate Hepburn is surely missed as she was a great actress. She led up an overall fine cast of actors that provided a lasting impression. The young man who she tutored out of an otherwise menial existence was a great actor too.

I only wish that more such productions were still made today.

I guess that the only thing that gets the green light are reality shows that are soon forgotten.

As an Englishman who lived and worked in Wales for a decade, I was attracted to this period TV movie, showing on cable TV 33 years after it was made. I haven't seen, or heard of the Bette Davis original, from 1947 and now wish I could see it at some point.

Undoubtedly, it is Katherine Hepburn's spirited and strong-willed performance that makes it so watchable and entertaining. Along with the genuine Welsh locations, nicely filmed and assuredly directed by veteran George Cukor (he was 80). The production values are far above of the typical TV movie of its period, with good colour and brightness.

Hepburn herself was 72 and can hardly conceal her impending Parkinsons disease but despite that, we are reminded of her classic performance in The African Queen as a noble stoic and stubborn woman in the face of ignorance and pettiness. As a head teacher, here she's up against the local gentry and squire as well as the villager's in-bred feelings that the local colliery is the only future for its youngsters.

She takes great pride in nurturing one young man and as such pushes him far beyond what both he and the village ever thought he could attain - but one that his teacher knew he would achieve.

A late career triumph for both Kate and Cukor this marvelous TV version of the play Ethel Barrymore made famous years before feels like it was written with Hepburn in mind so well does the part fit her. High production values give it the feeling of a feature film and the performances are most enjoyable from all. A wonderful story of the value of learning and the quest for knowledge along with the need to temper it with caring and human interest this is a reminder of the superior quality that used to be offered on American television and rarely is today. Beautiful location filming in Wales completes the charm of this fine offering. Well worth seeking out for anyone looking for superior entertainment.