IMDb-BEWERTUNG
6,7/10
669
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA strong-willed teacher, determined to educate the poor and illiterate youth of an impoverished Welsh village, discovers one student whom she believes to have the seeds of genius in him.A strong-willed teacher, determined to educate the poor and illiterate youth of an impoverished Welsh village, discovers one student whom she believes to have the seeds of genius in him.A strong-willed teacher, determined to educate the poor and illiterate youth of an impoverished Welsh village, discovers one student whom she believes to have the seeds of genius in him.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Primetime Emmys nominiert
- 2 Nominierungen insgesamt
Toyah Willcox
- Bessie Watty
- (as Toyah Wilcox)
Robbin John
- Ivor
- (as Robin John)
Empfohlene Bewertungen
As an Englishman who lived and worked in Wales for a decade, I was attracted to this period TV movie, showing on cable TV 33 years after it was made. I haven't seen, or heard of the Bette Davis original, from 1947 and now wish I could see it at some point.
Undoubtedly, it is Katherine Hepburn's spirited and strong-willed performance that makes it so watchable and entertaining. Along with the genuine Welsh locations, nicely filmed and assuredly directed by veteran George Cukor (he was 80). The production values are far above of the typical TV movie of its period, with good colour and brightness.
Hepburn herself was 72 and can hardly conceal her impending Parkinsons disease but despite that, we are reminded of her classic performance in The African Queen as a noble stoic and stubborn woman in the face of ignorance and pettiness. As a head teacher, here she's up against the local gentry and squire as well as the villager's in-bred feelings that the local colliery is the only future for its youngsters.
She takes great pride in nurturing one young man and as such pushes him far beyond what both he and the village ever thought he could attain - but one that his teacher knew he would achieve.
Undoubtedly, it is Katherine Hepburn's spirited and strong-willed performance that makes it so watchable and entertaining. Along with the genuine Welsh locations, nicely filmed and assuredly directed by veteran George Cukor (he was 80). The production values are far above of the typical TV movie of its period, with good colour and brightness.
Hepburn herself was 72 and can hardly conceal her impending Parkinsons disease but despite that, we are reminded of her classic performance in The African Queen as a noble stoic and stubborn woman in the face of ignorance and pettiness. As a head teacher, here she's up against the local gentry and squire as well as the villager's in-bred feelings that the local colliery is the only future for its youngsters.
She takes great pride in nurturing one young man and as such pushes him far beyond what both he and the village ever thought he could attain - but one that his teacher knew he would achieve.
The Corn Is Green seems to be a play for acting legends only. In America it debuted on Broadway in 1940 with Ethel Barrymore starring as Miss Moffat. Then Warner Brothers bought this property for Bette Davis who delivered a powerful performance and yet free from all the shtick that we've come to know from Bette Davis. Strangely enough she did not get one of her 10 Oscar nominations for it. Finally we have this version that stars Katharine Hepburn done in 1979 when she was close to the age of Ethel Barrymore.
I was not around when Barrymore did The Corn Is Green on Broadway and I would love to have seen what she did with it. I do love what Bette Davis invested in Miss Moffat and I would be hard pressed to say whether Davis or Hepburn, which was the better.
I think those two buddies from Boston, Ben Affleck and Matt Damon, might have seen The Corn Is Green and might have come up with Good Will Hunting. Hepburn has been left a nice large house in the Welsh coal mining district and being a person of social conscience she opens a school for the kids who usually go into the mines at the same time they hit puberty. She spots her Good Will Hunting in the person of Ian Saynor and she resolves to make him realize his potential.
It's an uphill battle against cultural conditioning and Saynor's own doubts and fears. And some very human emotions throw up a big roadblock just as he's realizing a scholarship to Oxford.
The Corn Is Green marked the end of a collaboration between actress Hepburn and director George Cukor which began with her big screen debut in A Bill Of Divorcement. For a film director Cukor was far less successful in eliminating the stage origins of the play than Warner Brothers was with Bette Davis. But he and Hepburn after almost 40 years of collaboration were perfectly in tune in her performance.
The Corn Is Green is an autobiographical work from author Emlyn Williams who did lift himself from the Welsh coal mines and gave the world some wonderful writing and acting. It's a timeless story that begs for another remake. I hope Meryl Streep reads this and considers doing yet another revival.
I was not around when Barrymore did The Corn Is Green on Broadway and I would love to have seen what she did with it. I do love what Bette Davis invested in Miss Moffat and I would be hard pressed to say whether Davis or Hepburn, which was the better.
I think those two buddies from Boston, Ben Affleck and Matt Damon, might have seen The Corn Is Green and might have come up with Good Will Hunting. Hepburn has been left a nice large house in the Welsh coal mining district and being a person of social conscience she opens a school for the kids who usually go into the mines at the same time they hit puberty. She spots her Good Will Hunting in the person of Ian Saynor and she resolves to make him realize his potential.
It's an uphill battle against cultural conditioning and Saynor's own doubts and fears. And some very human emotions throw up a big roadblock just as he's realizing a scholarship to Oxford.
The Corn Is Green marked the end of a collaboration between actress Hepburn and director George Cukor which began with her big screen debut in A Bill Of Divorcement. For a film director Cukor was far less successful in eliminating the stage origins of the play than Warner Brothers was with Bette Davis. But he and Hepburn after almost 40 years of collaboration were perfectly in tune in her performance.
The Corn Is Green is an autobiographical work from author Emlyn Williams who did lift himself from the Welsh coal mines and gave the world some wonderful writing and acting. It's a timeless story that begs for another remake. I hope Meryl Streep reads this and considers doing yet another revival.
10connimac
One of the great Kate's best performances of her later years. I liked the Bette Davis version very much, but Hepburn does so much more in the character. The story is hopeful and the ending not "pat". The characters are fleshed out nicely and the direction is truly fine. I am a big fan of Katherine Hepburn and she truly comes alive in this character. The supporting cast manage not to be overwhelmed by their leading lady's performance and round out their characters as I believe the author intended them to evolve. I find it sad that really good made for television movies are dismissed out of hand and forgotten so easily, there are so very FEW of them, but the GOOD ones deserve a place in film history. This is one of the best I have ever seen! I beg the powers that be to release it on DVD!
I remember watching this many years ago and to this day I am quite taken by the performances given. While it was a "Made for TV" movie, to this day it still leaves an impression. The musical score by John Barry was quite good and added to the film in a superb way as well.
Kate Hepburn is surely missed as she was a great actress. She led up an overall fine cast of actors that provided a lasting impression. The young man who she tutored out of an otherwise menial existence was a great actor too.
I only wish that more such productions were still made today.
I guess that the only thing that gets the green light are reality shows that are soon forgotten.
Kate Hepburn is surely missed as she was a great actress. She led up an overall fine cast of actors that provided a lasting impression. The young man who she tutored out of an otherwise menial existence was a great actor too.
I only wish that more such productions were still made today.
I guess that the only thing that gets the green light are reality shows that are soon forgotten.
A enlightened story that began with Bette Davis's 1945 first version in a near masterpiece in my point of view, this remake with the classy Katherine Hepburn as TV movie stays few steps behind, but it isn't necessarily far away from of his predecessor at all, Kathy overcame fulsomely a putative weak points, with a masterful performance, she plays an unmarried wise old woman who moved to north Wales and decided open a small school for miners boys who were send to coal mines at tender age without any kind of study or future at sight on those hard times, Mrs. Moffat (Hepburn) realizes that a rough teenage Morgan Evans (Ian Saynor) has a special gift to write prodigal poems, she foresees on the boy a glittering future if her coax him an extensive study, Morgan under a extreme pressure stays drained and willing to quit, Mrs. Moffat doesn't give up and she gets to him run for a scholarship at Oxford University, somehow Mrs. Moffat being a spinster, wager all her hopes in this orphan gift boy as was your own son, moreover although she treats Morgan harshly ,actually she intents that him has a opportunity to be someone, that it's her main target, if he got, she made something for yourself, a movie that letting us to think that nothing was lost for mankind in this vale of tears!!
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 8.25
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 8.25
Wusstest du schon
- WissenswertesThe scene in which Katharine Hepburn's character is riding up a hill on a bicycle was intended to be shot with a stunt double, but Hepburn insisted on doing it herself. After she fell off the bicycle several times, she overheard a crew member say, "God, she got old." She approached him, said, "You're right. I have", signaled for the stunt double to take over, and went back to her hotel.
- VerbindungenFeatured in The 31st Annual Primetime Emmy Awards (1979)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen