Das zweite Kapitel

In short, a classic example of an effort where the dialogue runs the film, not special effects, sex, or some other 'popular' innovation. The repartee is bright, witty, and hilarious. Reminds me of the Walter Matthau-Glenda Jackson films.

The main characters' initial phone exchanges are phenomenal and hilarious. Later, the two supporting characters (played by Joe Bologna and Valerie Harper) have a meaningful exchange after being interrupted during a daytime tryst. Great dialogue. Well worth the two hour running time!! Enjoy.

Sappy adaptation of the Simon autobiographical play with Caan horribly miscast in the Simon character (played by Judd Hirsch on the stage). He lacks the timing and precision for comedy. Mason is splendid in an Oscar nominated role as Caan's new love interest who tries to give Caan a sense of hope and deep love. Bologna and Harper add flavor to their key supporting roles.

Shortly after the death of his beloved wife, a witty but man-of-moods writer falls in love with a temperamental and equally witty actress, being encouraged by his full-blooded brother and her romance-hungry best friend who have problems of their own.

This film version of Simon's autobiographical play no doubt rewards his addicts with several bright one-liners and also some permissive, gloomier-than-usual domestic drama, (all sparked by detailed performances), but possibly disappoints others with its thin and slightly uneasy plot, occasional bursts of sentimentality and the unconvincing motivations of its central character.

CHAPTER TWO is a long and rambling film version of one of Neil Simon's best plays. Like BRIGHTON BEACH MEMOIRS and BILOXI BLUES, this story is based on a part of Neil Simon's own life. James Caan plays George Schneider, a fictionalized Simon, a writer who has just returned from a trip around the world after the death of his wife. Sadly, George made the mistake of visiting all of the places he traveled with his late wife and it has apparently not aided his grieving process. At the urging of his brother, Leo (well-played by Joseph Bologna), George agrees to go on a blind date with an attractive divorcée named Jennie McLaine (Marsha Mason). Their first date is actually over the phone but they do eventually come face to face and move into a whirlwind romance which leads to a quick engagement and marriage...perhaps too quick because shortly into his new marriage, George realizes he really hasn't finished grieving over his first wife and begins to push Jennie away. Simon's first wife passed away and he eventually met and married Marsha Mason, so essentially, Mason is playing herself here and not surprisingly does it pretty effectively. However, in attempt to expand the play for the screen, it has become labored and way too long...the scenes of George and Jennie on their honeymoon go on way too long and bring the film to a dead halt. Another problem is James Cann's wooden performance as George. Caan never seems to grasp the rhythm of Simon's writing and makes George a little too melancholy. Bologna is solid, as always, as is an anorexic looking Valerie Harper, who appears as Jennie's best friend, Faye. If you're a Marsha Mason fan, it's worth checking out, others beware...

For the most part I enjoyed this movie. Neil Simon has created many great plays leading to movies such as Brighton Beach, The Odd Couple, Seems Like Old Times and many, many more. Marsha Mason is definitely talented and able to carry off this somewhat difficult role. I also have loved James Caan in other movies such as Godfather, Misery, Kiss Me Goodbye, Gardens of Stone to name only a few. However, his performance as George Schneider seems lacking in content. His wittiness and humor are great and he shines when doing comedy, but with the drama -- such as when conflicted with a new relationship and ultimately, he jumps into marriage not really knowing his new bride. Also Joseph Bologna and Valerie Harper are excellent as the co-stars who ended up pursuing an extramarital affair. I believe it is really Marsha Mason's superb acting that carries most of this film. She was also great in The Goodbye Girl. The only other problem with the dialog is some of Neil Simon's one-liners for Marsha Mason seem trite and overly worn-out. Simon seems to use the same lines over and over again for other scripts he has written. Other than that, I thoroughly enjoyed this movie.