Bugs Bunny erinnert sich an Daffy Duck, Marvin the Martian, Porky Pig, Willi Kojote und alle seine anderen Gefährten. Dabei gibt es Verfolgungsjagden wohin man nur sieht...Bugs Bunny erinnert sich an Daffy Duck, Marvin the Martian, Porky Pig, Willi Kojote und alle seine anderen Gefährten. Dabei gibt es Verfolgungsjagden wohin man nur sieht...Bugs Bunny erinnert sich an Daffy Duck, Marvin the Martian, Porky Pig, Willi Kojote und alle seine anderen Gefährten. Dabei gibt es Verfolgungsjagden wohin man nur sieht...
- Auszeichnungen
- 1 Nominierung insgesamt
- Bugs Bunny
- (Synchronisation)
- …
- Elmer Fudd
- (Archivfilmmaterial)
- (Synchronisation)
- Road Runner
- (Archivtonaufnahmen)
- Giovanni Jones
- (Archivfilmmaterial)
- (Gesang)
- Cavewoman
- (Nicht genannt)
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But it never gets old. I have loved this movie since I was a little boy, and have viewed it, literally, hundreds of times. That's the genius of Chuck Jones (animator) and Mel Blanc (voices).
The many shorts featured in this compilation include Daffy's battle with an off-screen animator, Bugs fighting a bull and getting revenge on a grumpy opera singer, two intergalactic run-ins with Marvin the Martian, "What's Opera, Doc?" (which is, as Bugs describes it, "the entire 18 hours of Richard Wagner's 'Ring of Nibaloone--Nibalane--Nibalu--Nibalung' ... squashed ... down to seven minutes") and a 20-minute segment of classic roadrunner gags.
I've often seen these compilation films criticised for cutting/shortening the original cartoons. I admit it, they do, however I don't personally see this as a problem as such. Besides, I was busy being delighted at how many cartoons and Looney Tunes characters there were to savour.
Bugs is the star of the cartoon, and a wonderful job is done to keep him true to the characterisation immortalised in the original cartoons. And fans of either Daffy and Porky, I am of the former and quite like the latter although he is often sidelined, will be delighted to know they have plenty of screen time. Elmer is a delight to watch in the cartoons he's featured in, and likewise with the Road-Runner and Wile E.Coyote.
Spotting the original cartoons are a sheer delight. A vast majority of them are masterpieces, Operation:Rabbit, Long-Haired Hare, What's Opera Doc, Duck Amuck and Duck Dodgers in the 24.5 Century to name a few, and there are some very, very good ones like Bully for Bugs, For Scent-imental Reasons(possibly my personal favourite of the Pepe Le Pew cartoons) and Ali Baba Bunny. The Road-Runner and Coyote cartoons as an overall series is uneven but when they are good they are really good, some of the ones featured are so to speak Zoom and Bored and Zip N Snort spring to mind. The highlight of the film though is the long but very energetic and spirited chase that thankfully does have the classic feel of the originals.
The story is fast-paced and entertaining with seldom a dull spot. The animation is spot on both in the original cartoons and the links, which is an achievement because I remember 1001 Rabbit Tales and Looney Looney Looney Bugs Bunny Movie having animation that was somewhat inconsistent in comparison.
The music is full of energy and liveliness, the writing is witty, fresh and hilarious very often and the sight gags are inventive. Not to mention the voice work, Mel Blanc voicing all the Looney Tunes characters except for Elmer gives a truly bravura performance here. Overall, hugely entertaining. 9/10 Bethany Cox
The Bugs Bunny/Road Runner Movie is a 1979 compilation film directed by Chuck Jones consisting of repackages of classic Looney Tunes shorts. Made for approximately $500,000, the film was a combination of original footage directed by Jones to serve as linking material between the shorts as a celebration of Bugs Bunny's then 40 year anniversary. While Warner Bros. Was initially uncertain whether or not the film would be released directly to television, the movie was given a theatrical release upon completion and while exact box office records are unavailable it did do reasonably well at Guild Theatre in New York City where it set a house record opening day. The movie in the era of streaming where the individual cartoons are widely available doesn't quite pack the punch it once did, but there is a sense of reverence and history that comes from the film that makes it worth viewing especially for Looney Tunes completionists.
The movie is framed with Bugs lounging around his luxurious mansion (a parody of Frank Lloyd Wright's "Fallingwater" house in Bear Run, Pennsylvania) wearing a smoking jacket as he takes us through the various paintings adorning the walls of his home which serve as springboards into the various cartoons interwoven into the plot. Following an amusing tongue in cheek explanation on the history of comedy that goes from the Universes origin of the big bang, to prehistoric times and eventually the silent film era, Bugs Bunny then goes through various points of history such as discussing his "many fathers" which was made by Jones as a way of rebuking Bob Clampett's claims of him having been solely responsible for Bugs Bunny's origin all the way through to Bugs Bunny regaling us with the greatest adventures with his co-stars. In a way the movie feels like you're catching up with an old friend who's telling you what you may have missed in the interim and it's a pleasant experience to say the least. The final stretch of the film is fifteen minutes of Wile E. Coyote/Road Runner shorts tied end to end from different cartoons and largely abandons the Bugs Bunny framing device as we just go from backfiring Road Runner trap to backfiring Road Runner trap and this is probably the weakest part of the film as the Wile E. Coyote cartoons while good do follow a predictable rhythm that works best in small doses and it becomes rather tiresome when it goes on for three times longer than it was intended to.
The Bugs Bunny/Road Runner Movie is an interesting time capsule of a film that works as a celebratory milestone of the endearing appeal of the Looney Tunes characters and a reflection upon their storied history. Following the advent of Home Media and especially streaming making individual shorts more widely available the point of this film and others of the same genre has largely been left extinct and by the cultural wayside, but there's an endearing charm to this first film.
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- WissenswertesThe scene in which Bugs discusses his "several fathers" was written by Chuck Jones as a way to debunk fellow animation director Robert Clampett's claims throughout the 1970s that he alone created Bugs. Clampett's name is notably missing from Bugs's list. Also missing is Ben Hardaway, who created the earliest prototype of Bugs and was in fact the originator of the name "Bugs Bunny" (Bugs being Hardaway's own nickname), though in this case Jones later confirmed that the omission had simply been an oversight, and that he would have had no qualms about including Hardaway in the gallery.
- PatzerDuring the space text-crawl, a space appeared in the word "ago" (i.e. a long [...] time a go).
- Zitate
Daffy Duck: [demanding the unseen animator to show himself] All Right! I've had enough of this. This is the final, final Straw-WHO'S RESPONSIBLE FOR THIS! I DEMAND THAT YOU SHOW YOURSELF! WHO ARE YOU? HUH?
[the animator draws a door in front of Daffy and shuts it, then he reveals himself as BUGS BUNNY!]
Bugs Bunny: Heh!Heh! Ain't I a stinker?
- Crazy CreditsThe "That's All Folks" card keeps appearing at the beginning and end. In the beginning, after they show the Warner Communications logo, they show the traditional "That's All Folks" card that is usually shown at the end. Bugs Bunny appears in front of it and sniffs and gets rid of the background and sniffs again then he pushes the words "That's" and "All Folks" separately and down comes the word "NOT" in red capital letters underlined. Then it reads, "That's NOT All Folks!" Then Bugs pulls the traditional opening Warner Bros. logo shown at the beginning.
- Alternative VersionenLater cut to 78 minutes for Cable TV and 48 minutes for network TV.
- VerbindungenEdited from Mein lieber Herr Gesangsverein (1949)
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