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The Bell Jar

  • 1979
  • R
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
5,2/10
323
IHRE BEWERTUNG
The Bell Jar (1979)
Psychological DramaBiographyDrama

Füge eine Handlung in deiner Sprache hinzuAs the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.

  • Regie
    • Larry Peerce
  • Drehbuch
    • Sylvia Plath
    • Marjorie Kellogg
  • Hauptbesetzung
    • Marilyn Hassett
    • Julie Harris
    • Anne Jackson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,2/10
    323
    IHRE BEWERTUNG
    • Regie
      • Larry Peerce
    • Drehbuch
      • Sylvia Plath
      • Marjorie Kellogg
    • Hauptbesetzung
      • Marilyn Hassett
      • Julie Harris
      • Anne Jackson
    • 12Benutzerrezensionen
    • 4Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos5

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    Topbesetzung33

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    Marilyn Hassett
    Marilyn Hassett
    • Esther Greenwood
    Julie Harris
    Julie Harris
    • Mrs. Greenwood
    Anne Jackson
    Anne Jackson
    • Dr. Nolan
    Barbara Barrie
    Barbara Barrie
    • Jay Cee
    Robert Klein
    Robert Klein
    • Lenny
    Donna Mitchell
    Donna Mitchell
    • Joan
    Mary Louise Weller
    Mary Louise Weller
    • Doreen
    Jameson Parker
    Jameson Parker
    • Buddy Willard
    Thaao Penghlis
    Thaao Penghlis
    • Marco
    Scott McKay
    Scott McKay
    • Mr. Gilling
    Meg Mundy
    Meg Mundy
    • Bea Ramsey
    Carole Monferdini
    Carole Monferdini
    • Hilda
    Debbie McLeod
    Debbie McLeod
    • Betsy
    Elizabeth Hubbard
    Elizabeth Hubbard
    • Vikki St. John
    Karen Howard
    • Toni LaBouchere
    Margaret Hall
    • Jane McLode
    Dick Carballo
    • Frankie
    David Faulkner
    • Professor Edwards
    • Regie
      • Larry Peerce
    • Drehbuch
      • Sylvia Plath
      • Marjorie Kellogg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    5,2323
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    MOSSBIE

    Almost Every Girl's Favorite at One Point

    Just as all boys who become readers as a result of CATCHER IN THE RYE and later are either discovering Phillip Roth or "rebel" types, the same goes for the adult woman emerging from the BELL JAR....EVERY sort of bright or pseudo intellectual girl is introduced to this book which becomes their stepping stone into the neurotic hormonal changes into WOMAN. That is trite and will annoy most of you, but it has been true for a long time. Even Liz Taylor once was going to do the film when young but could not get anyone to finance the "downer" aspect of this terrific work. Of course, a film with a mental narrative is almost impossible to make into a good film. Joan Didion's PLAY IT AS IT LAYS was a fantastic film of a very little known subject....filmmaking and the "biz", but a good portrait of a woman and Tuesday Weld was mind blowing in it.Just as the boys went on into the literary world to Mailer, Kesey, Tom Wolfe,and others went on to the political savants Vidal etc.;the women did the Virginia Woolf and offshoots of downer hood and independence and the intellectuals of both genders met in the middle with earlier mentioned Joan Didion and John Gregory Dunne, but the bump in the rug was when Erich Segal had such a hit with LOVE STORY and both sexes were now trapped by this silly little book and started reading together because they became "adult" enough to discuss each others' favorites. Now, are new literary heroes are emerging through politics or trash and some heavy handed intellectuals or NO READING at all---compared to the days when one had up to three or four books going at once.There are so many writers from foreign lands who are doing better work because the world is so bizarrely transitioning into a heavy handed place to create and kids are using electronic communication devices which has played havoc with a lot of good storytellers who cannot get a publisher and we almost know what our old "favorites" are going to write about..There are a lot more books and writers than I make it appear....but, it is still frustrating to go into a store and come out empty handed because it is quite a luxury to spend $25-40 when you are having financial setbacks or one struggles to justify not reading a great book they have at their apartment or home bookshelves which are bursting. Try Lorca or some Chinese writers by going to the public library first.
    Adrian-32

    Disappointing at best

    When they say that a book is always better than the film adaptation, "The Bell Jar" is a movie that can support that opinion to its highest degree. Sylvia Plath`s American classic, "The Bell Jar", is a vivid, disturbing and brutally honest depiction of a young woman`s plunge towards insanity in the 1950`s, and it has become my favourite book of all time. The film version, however, failed miserably in trying to tranfer the book onto the big screen. The original story was cut up so badly for the film, you sometimes can`t even tell if they`re the same story. The acting by the main character`s was mediocre at best, and worst of all, the movie completely lacked the poetic and evocative spirit that made the book special. Watching "The Bell Jar" just isn`t the same as reading the book, trust me when I say the book is much better.
    FORREST136

    Marilyn Hassett Gives A Great Performance!

    Remember seeing this film years ago and it had a lasting impression on me! I remember the wonderful performance of Marilyn Hassett as Esther and Julie Harris as her mother! The breakdown of the main character was horrorfing and so well acted! I wish this was on video! Whatever happened to Marilyn Hassett she had a real promising career and what beautiful hair!
    lanyac

    what a horrible movie..

    i saw this a few months ago and i hope i never will have to again...i was not expecting something so hideously bad and corny....julie harris couldn't even save it...she was the only one who acted with some dignity...everything in the movie is jumbled and done wrong...the book is amazing, don't get me wrong, i love it to death..it's one of my all-time favourites, absolutely brilliant...but i find it sad how terrible the only movie it was made into is....i could've done a better job with the idea and i don't even know the first thing about moviemaking
    9MarieGabrielle

    Instead of "Sylvia" see this original movie about Plath

    This movie is one of the few I actually bought several copies of. Though it is circa 1979, it is not dated, and so much more effective than the recent "Sylvia" film, which is dominated by Gwyneth Paltrow's persona.

    Marilyn Hassett plays the principal role, and does an excellent job. She does not overshadow the personality of Sylvia Plath, who was an interesting, conflicted and brilliant individual.

    The story follows Sylvia at Smith College, where a young Donna Mitchell ("Mona Lisa Smile" mother to Kirsten Dunst), plays her best friend. The scenery invokes New England autumn, promise and hope. Julie Harris is perfect as Aurelia Plath, Sylvia's mother. We can almost feel Sylvia's disdain, as her mother reminds Sylvia ...""you got nothing but straight A's....oh, except for deportment"... Her mother is always at her, and this mirrors Sylvia's eventual faltering self-image.

    The story progresses as she wins a scholarship to NY where ..."ëvery one envied me that summer"... However, there is the fateful backdrop of the Rosenbergs, the Eisenhower era, and Sylvia's doubts about her future. We see fashion shows, jewelry, cosmetics, and the fear Sylvia has of what awaits her. One should also read the book to get her true impressions, which are quite astute, reflecting women's roles in the late 1950's.

    Since it was the late 50's Sylvia was expected to marry, but does not see this as a viable solution, indeed it is a hindrance to her writing career. She is on the brink of decision, when she has the ultimate breakdown; I will not delineate the detail, you must watch the brilliantly constructed story, which leads her to her decision. The main issue I liked was that her life was shown, not in conjunction with a man (like the more recent movie) but how SHE was affected, and what life meant to her.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Director Larry Peerce and star Marilyn Hassett were married at the time of production.
    • Patzer
      Early in the picture an early-'50s New York cab has a telephone number on it beginning with "555". The all-numeric phone numbers were not put into use for another decade.
    • Zitate

      Esther Greenwood: To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.

    • Alternative Versionen
      CBS edited 16 minutes from this film for its 1983 network television premiere.
    • Verbindungen
      Featured in Sneak Previews: The Bell Jar, Picnic at Hanging Rock, Dreamer, Old Boyfriends, Hurricane, Beyond The Door 2, Circle of Iron (1979)
    • Soundtracks
      Here Comes The Night
      Written and Performed by Janis Ian

      Produced by Janis Ian and Ronald Frangipane

      Arranged and Conducted by Ronald Frangipane (uncredited)

    Top-Auswahl

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    FAQ16

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. Oktober 1979 (Dänemark)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Glaskupan
    • Drehorte
      • New Jersey, USA
    • Produktionsfirmen
      • Brandt-Todd Company
      • La Marca Productions
      • Bonime Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 47 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono

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