Willkommen, Mr. Chance

Hal Ashby has to be one of the most under-appreciated directors there has ever been, and "Being There" is one of his many fine achievements. It has the benefit of fine source material adapted very well for the screen by the writer of the novel, Jerzy Kosinski, but Asbhy's fine work as director and Caleb Deschanel's brilliant cinematography, in addition to some fine editing and Peter Sellers' absolute best performance elevate this film from good tragicomedy to a minor masterpiece, and a criminally overlooked one, though not nearly as overlooked as Ashby's "Bound for Glory".

I liked "Being There" the first time I saw it, but like many truly great films I did not come to appreciate it fully until after a few more viewings, including a revelatory study in a film class of the shot composition in the film, which still astounds me. There are films where nearly every frame is beautiful, and "Being There" is one of those films.

As a piece of writing, the screenplay for "Being There", Kosinski's only film work, is surprisingly effective and does not suffer from any major flaws. The film, like the novel it is based on, moves at a natural, yet surprisingly swift pace and the film never plods. It is a joy to see the thematic content of "Being There" unfold so I won't go into any detail on that, but it is handled beautifully and the film has extraordinary depth.

This film is a beautiful, intelligent, good-natured look at human nature. It's a unique and special film that stands out as one of the best films ever made for its inventive editing, outstanding shot composition, fine photography, and especially its brilliant lead performance.

10/10

This film is an absolute jewel. The main character, played by Peter Sellers, is the exact opposite of the film itself. Chauncey/Chance is simple, vapid, unconcerned and utterly unselfconscious, yet he radiates an image of being ponderous, calculating, and complex. The film is deceptively straightforward and uncomplicated on the surface, but is rich and complex upon reflection. The film is very enigmatic (even the title seems to make no sense, even though it seems like it should) and lends itself to interpretation. This is one of those films that you have to talk about after seeing it, and you'll find endless points of view to consider. More than that, however, this film is historically fascinating. Taken as a whole, the movie, the book, the behind the scenes intrigue, the place it holds in the careers of the Stars, the writers and the directors, makes this an exceptionally interesting and enjoyable film.

Even as a kid I loved this movie and upon seeing it again as an adult I found much to re appreciate in this marvelous sleeper of a film. Sellers is in top form as are the supporting cast--the shear farce of it all makes the improbable seem probable--and as a vehicle for political/social commentary it ranks as one of the best dark comedies ever made. The inclusion of all the 70's TV clips make Being There an invaluable period piece and provide the film with some of it's funniest scenes. The movie also provides an interesting portrayal of the trappings of the super wealthy and it's portrayal of the workings of power and money are reminiscent of some of Kubrick's better work. Check out the all seeing eye of the Illuminati on the apex of the pyramid of "Rand's" mausoleum during the funeral scene. Pretty powerful stuff--makes Being There all the more an important and revealing work--as well as spiritual. Like the protagonist, Chauncey Gardner, there's something about this film that makes you feel better about life and , yeah, even about death. Kosinski's, Ashby's and Seller's gift to us all.

Being There is a film about a simple and mildly retarded gardener, played by Peter Sellers who's entire adult life was gardening for an elderly gentleman and watching television. When the old man dies, Chancey is left homeless and on his own. Due to his past recluse surroundings he is unaware of the every day technology, such as telephone, elevators etc., which leads to some comical situations. He is saved from the streets, by a wealthy woman, Eve Rand, played by Shirley MacLean. When her limo backs into him she takes him home to be treated by her dying husbands physician Dr Allenby played by Richard Dysort. Everyone mistakes Chancey's simple mutterings as profound insight and wisdom. Benjamin Rand played by Melvin Douglas is a wealthy influential business tycoon who is well connected in politics and a personal friend of the President, played by Jack Warden. They also mistake the simple utterance's as insightful.

Although the film is comical at times, it is also very sad, as Chancey lacks awareness of what's going on around him most of the time. He has no reaction, even when Eve Rand, tries to seduce him, which is one of the many humourous scenes.

The filming and directing is good and the film moves along with a good pace, and is very entertaining and a must see for all Peter Sellers fans. Once again Sellers shows the incredible talent, that he was so well known for.

I was amazed after all those Pink Panther films, what a wonderful actor Peter Sellers was. This allows him to stretch himself. He is Chauncy Gardner, a man suddenly bereft of his existence, out on his own. His simplistic view of the world is based on the television that he watches endlessly when he is not doing his job. There is the wonderful scene where he is mugged and he uses his remote control to try to get rid of the muggers. The script gently moves him into a tremendous position of power he doesn't even understand, and yet it keeps him dignified, not a comic buffoon, as he may have been portrayed today. Even when the chariots come crashing down, he has that gentle soul. What we get with him is the genuine article and since he didn't know to exploit, he can't really be seen as anything but the soulful fellow he is. Excellent portrayal of a character.