Alison's Birthday

I spent the first twenty or so minutes of Alison's Birthday trying to figure out where I had seen the lead actress before; I eventually gave up and consulted IMDb, and it's only Joanne Samuel - Mrs. Rockatansky from Mad Max! That sorted, I settled down happily for what turned out to be a very enjoyable occult horror movie in a similar vein to Rosemary's Baby.

At age 16, Alison Findlay (Samuel) and two school friends decide to hold a seance, contacting Alison's dead father, who warns his daughter to not attend her 19th birthday party. Despite her friend Chrissie (Margie McCrae) dying during the seance (crushed by a falling bookshelf), Alison seems to forget about the warning, and, a few days before turning 19, travels to the home of her Aunt Jennifer (Bunney Brooke) and Uncle Dean (John Bluthal) to celebrate her impending birthday. Joining Alison for the trip is her boyfriend Peter (Lou Brown), who, as the party draws nearer, comes to believe that Alison is in danger from her Aunt and Uncle, who might not be who they claim to be.

Yes, we've seen this sort of thing done before, and yes, the story develops as we expect it to, but with likeable leads, a strong supporting cast, and capable direction from Ian Coughlan, plus a neat, downbeat twist ending, what you have is a consistently entertaining 97 minutes of supernatural thrills. Furthermore, zero nudity and gore means that the film is ideal to introduce your kids to the horror genre.

7.5/10, rounded up to 8 for IMDb.

This movie was part of a Down Under horror mini-boom that took place for some reason in late 1970's and early 1980's and included some pretty decent if low-watt films like "The Survivor", "Thirst", and "Razorback". It was kind of a little late therefore in getting into the whole satanic cult craze that started with "Rosemary's Baby" in the late 1960's. The cult in this movie though is not technically a satanic cult, but a Druid cult relocated from the British Isles, and they aren't trying to pass the devil's seed into an oblivious virgin, but some kind of ancient centuries-old spirit.

The movie starts with a Ouija board session, involving "Alison" the teenage protagonist, that goes horribly awry. One of Alison's friends starts speaking in her dead father's voice. She/he warns "Alison" not to "go with them" on her nineteenth birthday. Then a bookcase falls on the possessed friend, killing her. You would think she would heed this very compelling warning several years later on her nineteenth birthday when her creepy "uncle and aunt" invite her out to their country estate for a party, but then we wouldn't have much of a movie, would we? Once there "Alison", who is not the sharpest tool in the garage, is remarkably unperturbed to see that her relatives have a miniature of Stonehenge on their property. And what's up with her dessicated 104-year-old great grandmother?

Her slightly smarter friends eventually find the truth and ride to her rescue, and they turn out to be every bit as effective as Scatman Crothers in "The Shining". The ending is great and ALMOST redeems the occasional absurdities and periodic lulls of the earlier parts of the movie. Still, all in all, this isn't a bad little horror flick from the land of Oz.

One of the best I've seen from the Occult genre of the 70s. Copyright year is 1979, so its not a 80s flick. Reminds me of movies on the CBS Late Night movie I use to enjoy watching when I was a in my late single digits to my early teens. When, as we kids called it, the midnight hour approached, the witching hour, we all knew 'scary' movies may be coming on, but we usually fell asleep at the TV set. I don't recall ever watching this one, but its in the likes of Gargoyles, Beyond the Door, Devil Dog, Devil's Rain, Shadow of the Hawk, and of course Rosemary's Baby; all of which is supernatural horror. If your a spoiled 21st century computer effects lover, then you will be disappointed since you are use to "visual" rather than "psychological" fun.

I first saw this in the late 80s and found the cemetery scene pretty tension filled n scary. Surrounded by satanic cultists in broad daylight in a desolated cemetery n most of em in black ties n one fella with a scythe.

Revisited it recently n found it a bit slow.

The movie doesn't have any gore, nudity or kill scene.

At least they shud have shown the Celtic goddess nude.

Felt sad for Peter.

This movie about a girl STRONGLY/RIGHTFULLY warned to avoid her 19th birthday party started good, got increasingly MST3k-bad and ended exactly how you thought it would and yet.... I LOVED the ending. That saved this entire movie and believe me...it needed it. I was laughing out loud SOOO many times in the second act, I almost turned it off several times. But, I didn't and I even knew how it'd end. It was the ending I'd crave in these creepy movies made in the late 70s. If you like creepy 70s occult films, check this out on Shudder.