IMDb-BEWERTUNG
6,1/10
20.010
IHRE BEWERTUNG
Ein Hollywood-Komponist durchlebt eine Midlife-Crisis und verknallt sich in eine frisch verheiratete Frau.Ein Hollywood-Komponist durchlebt eine Midlife-Crisis und verknallt sich in eine frisch verheiratete Frau.Ein Hollywood-Komponist durchlebt eine Midlife-Crisis und verknallt sich in eine frisch verheiratete Frau.
- Für 2 Oscars nominiert
- 12 Nominierungen insgesamt
Sam J. Jones
- David Hanley
- (as Sam Jones)
Empfohlene Bewertungen
"10" is far from a masterpiece, in fact, it's much more of a goofy 70's rom-com than anything else, but there's a little bit more heart and quite a few more laughs than I thought there would be here. The film is about a man (played by Dudley Moore) going through a mid-life crisis as he realizes his age is creeping up on him as he's failing to provide a spark in his relationship with the one and only Julie Andrews. What follows feels like a movie made specifically for sexually deprived teenagers, but there's definitely a little bit more to it than that. George Webber (Moore) is a film composer recognized by everyone for his famous ballads, but he rarely shares an intimate moment with people for various reasons. Spending his nights desperate to find his music again and spying on his neighbor who consistently hosts sex parties, there's not a lot going for Webber. But when he stumbles upon a young newly married woman, things begin to change. The actual plot itself isn't the most interesting, especially as it consistently meanders into slapstick comedy. I mean, George literally has a mid-day fantasy of Bo Derek slowly running on a beach Baywatch style for over a minute. It's not exactly the most tightly written or directed feature. However, I did at least connect to the Webber character in part. His relationship to Andrews is touching at times, and I have a special place in my heart for film composers. Henry Mancini's score is another gem and it's definitely a film that can be enjoyed in the background if you turn your brain off for a few hours.
6.4/10
6.4/10
I'll never forget seeing Bo Derek for the first time in this movie. I was shocked (hated the hair, but it made the character) This is a great movie about a man who is having a mid-life crisis. Dudley Moore, has just turned 42, and is single (dating Julie Andrews.) While driving around in his Rolls, he sees Bo Derek in a Mercedes on her way to her wedding. Hes totally wild over her, and she becomes a sort of obsession. So he finds out where they are honeymooning, and goes there. The movie is great, its funny, and keeps you laughing. This was also Bo's break-through. Shes a total 10, and even though she speaks very little, her character is a HUGE part of the film. Its great, everyone should see this film.
All right, so this isn't a great movie. It just happened to come along at the right moment in my life to have an impact. As a young man not yet turned 20, I could certainly identify with both Dudley Moore wanting to recapture youth through a fling with Bo Derek, and Bo Derek just wanting to have fun (and show her appreciation for Dudley's saving her boyfriend's life.) Add to that the fact that I was working at a record shop and remember selling about 9832 copies of Ravel's Bolero, and it boils down to this; "10" brings back a host of good memories for me. - mps
We all have 'secret pleasure' films - those films that, for some reason, we get immense joy out of, yet might not want people to know. '10' is one of those films.
Of course the humour may have dated, but that doesn't detract from what is still a nicely paced, genteel, well rounded and well performed film. But the real joy in this film comes from the skill of director Blake Edwards in getting his actors to actually act. It seems almost alien in this day and age that actors should perform extended shots in one take, where they react to each other without umpteen cuts. But that was always Blake Edwards' thing. Check out the Pink Panther films and watch how many classic scenes featured only a few cuts. It's almost stage acting on film.
There are many joys to be found in '10', especially if you are of a certain age and can relate to the mid-life crisis of George Webber. But if you are looking for a movie which really delivers on the 70s chic - from 8-track tapes to disco, it doesn't get much better than this.
Approach this film with the right relaxed mindset and enjoy.
Of course the humour may have dated, but that doesn't detract from what is still a nicely paced, genteel, well rounded and well performed film. But the real joy in this film comes from the skill of director Blake Edwards in getting his actors to actually act. It seems almost alien in this day and age that actors should perform extended shots in one take, where they react to each other without umpteen cuts. But that was always Blake Edwards' thing. Check out the Pink Panther films and watch how many classic scenes featured only a few cuts. It's almost stage acting on film.
There are many joys to be found in '10', especially if you are of a certain age and can relate to the mid-life crisis of George Webber. But if you are looking for a movie which really delivers on the 70s chic - from 8-track tapes to disco, it doesn't get much better than this.
Approach this film with the right relaxed mindset and enjoy.
Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.
Wusstest du schon
- WissenswertesBo Derek's cornrow hairstyle took two women ten hours to braid, and required the use of Elmer's glue to stay in place during filming.
- PatzerWhen George is driving past the limo (as Jenny arrives at her wedding), he is driving on the wrong side of the road, having crossed a double-yellow line, and crashes head-first into a police car. The officer gives George a ticket for an expired license, no registration, and reckless driving, yet George is allowed to drive away. The officer even yells at George to "Go on, move it!"
- Crazy CreditsWhen the credits of the cast begins to scroll up and out of the iris of the telescope's view into George and Samantha's penthouse, the members of the cast are listed but not the characters they played.
- Alternative VersionenThe TV print substitutes tamer versions for some of movie's racier moments. In particular, scenes featuring porn star Annette Haven as Dudley Moore's exhibitionist neighbor have been removed, replaced with scenes involving another actress. One scene features Moore's character using a telescope to watch a naked Haven make love. (In the TV version, a substitute actress kisses a man while wearing a robe.) A later nude orgy is replaced by a similar scene, but with everyone wearing bathing suits. In addition, the comedic lovemaking scene between Derek and Moore is played in the dark in the TV version.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 74.865.517 $
- Eröffnungswochenende in den USA und in Kanada
- 3.526.692 $
- 7. Okt. 1979
- Weltweiter Bruttoertrag
- 74.865.517 $
- Laufzeit2 Stunden 2 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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