Roots - Die nächsten Generationen

Does anyone ever sit down to watch Part One of Roots without the other? I didn't even know it was separated into two parts until looking up the information online. As is the case with nearly every miniseries saga, the modern era is far less interesting than the historical ancestors. However, The Next Generations spends the vast majority of its episodes still as a period piece, from the 1880s through WWII. So, while Levar Burton is no longer in it, we still get to completely immerse ourselves in sympathetic and determined characters played by Dorian Harewood, Ruby Dee, Debbi Morgan, Marc Singer, Georg Stanford Brown, Avon Long, Irene Cara, and at long last James Earl Jones.

As was the case in the original, tons of Hollywood stars flocked to the small screen to be a part of the life-changing miniseries, and in Part Two, you'll see Olivia de Havilland, Henry Fonda, Marlon Brando, Harry Morgan, Beah Richards, Claudia McNeil, Brock Peters, Paul Winfield, Ossie Davis, Diahann Carroll, Dina Merrill, Richard Thomas, Debbie Allen, Andy Griffith, Paul Koslo, Pam Grier, James Broderick, and Michael Constantine all show up through the seven episodes, adding interesting faces and unique acting styles to an already fascinating story. On a completely unrelated note, I got a kick out of seeing Howard Rollins and Brian Stokes Mitchell both included (though in different episodes) since they both ended up playing Coalhouse Walker Jr. In Ragtime; Rollins starred in the film, and Mitchell was onstage in the musical (one of my favorites).

Without a doubt, this family saga eclipses John Galsworthy's 'The Forsythe Saga' as well as 'The Thorn Birds' and 'North and South'. All of them are dwarfed by Alex Haley's work. This offering features the last three generations after the American Civil War leading up to Alex Haley in the 20th century. He is the benchmark for 'Black Writing', family sagas and period dramas. Even the period dramas that Sidney Poitier and Hattie McDaniels appeared pales into insignificance compared with this work. More than that, this piece of entertainment delivers high quality acting, good dialogue, solid characters and engaging story lines. I had to watch this again and again to absorb it because it was so good.

If you're an instructor of History or Anthropology, as a visual recording of historical facts; viewing the entire Roots collection (including "Queen") is imperative.

It is also entertaining to see how the lives of people in these movies evolved.

This mini series was televised in 1979, at which time, I was only 15 years old. I remember Roots, the original mini series which told the story of an African who was brought to America and was a slave. Although I had read about slavery in the history book, I never imagined how slavery really imprisoned the actual slaves. It's a part of history that we as Americans don't like to discuss, because of the shame. However, it did happen. It's strange how we show rememberance for the Hollocaust, which didn't even happen here, but we shun the topic of slavery, only briefly touch on it in the history books. Watching the series Roots really tears at my very soul for what 100 million slaves had to bear, how they lost their families, their language, religion, and ultimately themselves is heart wrenching. Roots, The next Generations, was also very deep, with an all star cast, and I was truly touched by the story of Alex Haley'

Although Roots is about slavery it is also about family and legacy and as such has a universal message. The superb quality of the first mini- series is carried on in Roots: The Next Generation.

The first series left off at the Reconstruction Era where hopes of legal, economic, and social equality are dashed, most especially during the Populist era of the 1890s. That was when a lot of demagogic politicians especially those in the South linked racism to economic advancement for poor whites. A legacy the South still has to deal with today.

Great Grandson Tom Harvey of Kunte Kinte from Africa and his wife Irene played by Georg Stanford Brown and Lynne Moody carrying on from the first series. Legends of Kunte Kinte renamed Toby here are handed down to the family as he's referred to as 'the old African'. The issues in their different forms are being addressed down to the present generation as author Alex Haley played by James Earl Jones rediscovers and documents the family's African roots.

Marlon Brando won an Emmy and is unforgettable as George Lincoln Rockwell head of the American Nazi Party. You will not forget his performance as the personification of hate and James Earl Jones's extreme uncomfortableness doing an interview. By contrast Jones develops a rough rapport with Malcolm X played by Al Freeman and gets his first acclaim as a writer doing Malcolm's autobiography.

One role I particularly liked was that of John Hancock who is the CPO of the steward's mess in The Coast Guard and mentor to young Alex Haley played by Damon Evans. It's a similar to the non-commissioned officer that Hancock played in A Soldier's Story.

Also in a mentoring role of sorts is Ossie Davis who mentors Alex Haley's father Simon Haley played by Dorian Harewood in the ways of being a Pullman Porter. The issues involving that job and the organization by A. Phillip Randolph of The Brotherhood Of Sleeping Car Porters ares touched on here, but dealt with fully in 10,000 Black Men Named George.

Roots: The Next Generation continues an excellent tradition and will be seen by more generations than the old African Kunte Kinte could have imagined.