Füge eine Handlung in deiner Sprache hinzuThe working lives of three neophyte lawyers.The working lives of three neophyte lawyers.The working lives of three neophyte lawyers.
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Wilfred W-H in this show is probably one of the top 3 all time best actors ever to appear on a sitcom. Everything about the show is great but he is a standout and it is worth watching just you see his amazing talent.
The Associates was a wonderful comedy with a great ensemble cast that just seemed to mesh from the start of the first episode.
If there are any television producers or network executives out there looking for a prime example of a truly funny show that was dropped for no good reason, this is the show. Any students out there looking for examples of how a network can manhandle and kill good programming should be given the entire run of this show to watch.
If James Burroughs is out there looking for something from his "vault" to bring out on DVD... this is the one!
Martin Short showed what a brilliant comedic actor he was going to turn out to be in this show. His timing, as well as that of the writing, was spot on. No one actor dominated with each one being given lines and situations that just seemed to fit like a comfortable glove. Even the list o guest stars is amazing: John Housman, Cloris Leachman and others.
Wow. How this one ever "got away" is a wonder.
If there are any television producers or network executives out there looking for a prime example of a truly funny show that was dropped for no good reason, this is the show. Any students out there looking for examples of how a network can manhandle and kill good programming should be given the entire run of this show to watch.
If James Burroughs is out there looking for something from his "vault" to bring out on DVD... this is the one!
Martin Short showed what a brilliant comedic actor he was going to turn out to be in this show. His timing, as well as that of the writing, was spot on. No one actor dominated with each one being given lines and situations that just seemed to fit like a comfortable glove. Even the list o guest stars is amazing: John Housman, Cloris Leachman and others.
Wow. How this one ever "got away" is a wonder.
'The Associates' was a short-lived American sitcom, from the producers of 'The Mary Tyler Moore Show' and striving for the same ensemble chemistry as that series, but failing. The setting was a law firm, and the main characters were the firm's new associates: fresh out of law school but already imprinted with the personalities - idealistic or cynical - that they will carry into their careers.
Although an ensemble series, the focal character here was earnest young Tucker, played by Martin Short in a manner that barely hinted at his later success. More interesting is the performance of Joe Regalbuto, who later gave a brilliantly sustained performance as a neurotic balding nerd on 'Murphy Brown'. Here, he plays Tucker's cynical rival, already with an eye towards a junior partnership.
Alley Mills had the thankless role of Tucker's dumpy plain-jane colleague, given few chances to display her skill at physical comedy. In one episode, she caught Martin Short in a flying tackle on the law firm's staircase. If there had been more of this sort of humour, the show might have lasted longer.
Some definite visual appeal was provided by the incredibly sexy Shelley Smith as the incredibly sexy associate Sara James, a blonde ice-princess who is able to get anything she wants (such as a private office) on the basis of her looks. During the brief original Stateside run of 'The Associates', Shelley Smith (a former model) was also starring in some big-budget commercials for Revlon, flogging Lip Quenchers lipstick and other cosmetics. This created the disconcerting effect of the same actress playing a supporting role in the series while starring in the commercials: certainly no visual liability in Shelley Smith's case.
'The Associates' attracted some slight interest in Britain due to the presence of Wilfrid Hyde-White, here playing the law firm's patriarch with a genial touch of senility, in a performance resembling 'young Mr Grace' of 'Are You Being Served?'. In the debut episode of 'The Associates', Hyde-White's character Emerson Marshall tells Tucker a long rambling story about Margaret, the girl he'd loved many years ago in England. The romance ended so embarrassingly that Marshall moved to America and became a successful lawyer. After a long pause, Tucker asks Marshall to tell him what happened to Margaret. He replies: 'She became Prime Minister of England.'
The opening credits of 'The Associates' were accompanied by the distinctive voice of B.B. King singing 'The Wall Street Blues'. a ditty that sounded more appropriate for the Delta than for a New York law firm. (Not least because the name 'Wall Street' evokes the stock market, not a law practice.) Like another sitcom from the same production company - 'Taxi' - this series featured an African-American theme tune for stories about an all-white cast in a white-bread setting ... and in both cases the contrast was a jarring one. There's not much to offer here except an early glimpse of Joe Regalbuto's original hairline, and some (phwor!) eye-catching shots of Shelley Smith in slit skirts.
Although an ensemble series, the focal character here was earnest young Tucker, played by Martin Short in a manner that barely hinted at his later success. More interesting is the performance of Joe Regalbuto, who later gave a brilliantly sustained performance as a neurotic balding nerd on 'Murphy Brown'. Here, he plays Tucker's cynical rival, already with an eye towards a junior partnership.
Alley Mills had the thankless role of Tucker's dumpy plain-jane colleague, given few chances to display her skill at physical comedy. In one episode, she caught Martin Short in a flying tackle on the law firm's staircase. If there had been more of this sort of humour, the show might have lasted longer.
Some definite visual appeal was provided by the incredibly sexy Shelley Smith as the incredibly sexy associate Sara James, a blonde ice-princess who is able to get anything she wants (such as a private office) on the basis of her looks. During the brief original Stateside run of 'The Associates', Shelley Smith (a former model) was also starring in some big-budget commercials for Revlon, flogging Lip Quenchers lipstick and other cosmetics. This created the disconcerting effect of the same actress playing a supporting role in the series while starring in the commercials: certainly no visual liability in Shelley Smith's case.
'The Associates' attracted some slight interest in Britain due to the presence of Wilfrid Hyde-White, here playing the law firm's patriarch with a genial touch of senility, in a performance resembling 'young Mr Grace' of 'Are You Being Served?'. In the debut episode of 'The Associates', Hyde-White's character Emerson Marshall tells Tucker a long rambling story about Margaret, the girl he'd loved many years ago in England. The romance ended so embarrassingly that Marshall moved to America and became a successful lawyer. After a long pause, Tucker asks Marshall to tell him what happened to Margaret. He replies: 'She became Prime Minister of England.'
The opening credits of 'The Associates' were accompanied by the distinctive voice of B.B. King singing 'The Wall Street Blues'. a ditty that sounded more appropriate for the Delta than for a New York law firm. (Not least because the name 'Wall Street' evokes the stock market, not a law practice.) Like another sitcom from the same production company - 'Taxi' - this series featured an African-American theme tune for stories about an all-white cast in a white-bread setting ... and in both cases the contrast was a jarring one. There's not much to offer here except an early glimpse of Joe Regalbuto's original hairline, and some (phwor!) eye-catching shots of Shelley Smith in slit skirts.
I would just echo what the first reviewer suggested; I found the combination of Martin Short and Wilfred Hyde White just amazing; Wilfred used to paraphrase his lines and it looked like the actors geniuinely didn't know what he was going to say. Magic stuff. I haven't seen this series in 20 years, shame it's not on DVD or TV.
10bjoice-1
The single funniest scene I have seen in my many years of television viewing took place in an episode of The Associates, a series which died way too soon. The scene featured two magnificent veterans, Wilfred Hyde-White and John Houseman in his Professor Kingsfield persona, alone in a conference room debating the true meaning of the word "crapulence". I will leave the rest to the readers imagination except to volunteer that the word refers to sickness resulting from excessive indulgence or intemperance.
The Associates was a gem featuring a group of very talented up-and-comers, gifted veterans and an impressive array of guest stars. James Burrows directed and the show was written by a staff whose collective resume includes work on many of the elite television comedies including The Mary Tyler Moore Show and spin-offs, The Cosby Show, Taxi, Frasier and many more.
Can anyone tell me why the show ended so soon and so abruptly?
The Associates was a gem featuring a group of very talented up-and-comers, gifted veterans and an impressive array of guest stars. James Burrows directed and the show was written by a staff whose collective resume includes work on many of the elite television comedies including The Mary Tyler Moore Show and spin-offs, The Cosby Show, Taxi, Frasier and many more.
Can anyone tell me why the show ended so soon and so abruptly?
Wusstest du schon
- WissenswertesGulf and Western, which owned the show's distributor Paramount at the time of the original airing, was also the owner of Associates First Capital Corporation, also known simply as The Associates, which would end up being the last non-entertainment asset Gulf and Western sold before becoming Paramount Communications in 1989, selling it to the Ford Motor Company.
- VerbindungenFeatured in The 32nd Annual Primetime Emmy Awards (1980)
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