Watership Down - Unten am Fluß

The first great animated film to come around in the entire history of motion pictures! It's not only original(shying away from the traditional "Disney" formula), but it's the first animated film to ponder the meaning of life itself! I was really moved by it! With "Disney" films, you know what to expect. This was like watching a Terrence Malick film; beautiful, subtle, spiritual, and important for our lives. The only difference is that it's animated with "cute & cuddly" cartoon characters. This is a film both adults and children alike will enjoy and learn from, because it is a social commentary on facism, and it is a spiritual film. It's spirituality lies in it's initial message, which is about facing death, and avoiding it as well. Not that you can avoid death, but that you can have a sense of self preservation, purpose, and a place in life. The most inspirational line of the movie is "All the world will be your enemy. And when they catch you, they will kill you. But first they have to catch you.". All of your life, you will continue to meet people who like you, and those that will attack you. Be strong, stand tall, "and your people will never be destroyed.". That is basically, in a few words, what the world and the meaning of life is really all about!

I would never spoil the wonder that is "Watership Down". The book and the film are timeless classics. I think it is the greatest adaptation of a novel (any genre) ever made and one of the most under-rated movies of all-time. They managed to capture more of a long novel (nearly 500 fantastic pages) than most films can compile from a 200 page source work. The soundtrack is beautiful (I'll be getting one for a Christmas present--thanx for the info IMDb!!) and matches the mood of the scenes perfectly.

Viewers will recognize someone they know in nearly every rabbit and, with unbiased observation, probably see themselves. It is at once gripping and gentle, heart-rending and endearing. You will find yourself humming the tunes incessantly for months afterward. I recommend reading the book first (also try "Traveler" by Adams, another classic), then purchasing the film, then the soundtrack--wait, better yet, write your Congressman and demand a DVD release. I long for another wide-screen viewing (hint, hint)!

I have noticed multiple comments that state the movie is too violent for children (it is somewhat graphic--to it's credit). For very small children, I would whole-heartedly agree, however, I think it depends on the individual. I was lucky enough to have a Father who took me to see it at the theatre when I was a youngster (about 5) and it did not scar me or give me nightmares--rather I learned the importance of the symbiotic circle of existence and the reality and necessity of life and death. It is still a comfort to me in times of sadness. In addition, the movie is highly layered and something new can be gleaned with nearly every viewing.

I enjoyed it for years and only later realized many people had never even heard of it...I take every opportunity to recommend it and not once, not once, have I heard anything but thanks for the suggestion. Most of them end up owning the film. Both symbolic and blunt, "Watership Down" is a triumph of emotional proportions and is exemplary of what adaptations, animation, scoring and good film-making should be about. This wonderful adventure is an asset to any collection...10/10.

I saw this film initially when I was about six or seven years old and have seen it several times since. Of all the films I saw during my early childhood, none captivated me as much as Watership Down. I am now twenty eight years old and, despite the violence and sadness of the film, I have somehow turned out to be a fairly normal bloke rather than a murderer or manic depressive. Funny that.

It is a complete fallacy to suggest that we must shield our children from anything that hints of the injustices that may exist in the real world. In fact, seeing a film such as this may help them in dealing with issues in their own lives or perhaps teach them lessons in understanding and appreciation of the world around them. Watership Down had that effect on me.

Being an Australian, it's rather difficult to sympathise with the plight of rabbits. Following their introduction to our continent in 1859, the European Rabbit population has multiplied at an absolutely phenomenal rate, destroying the natural environment and helping to drive numerous native marsupial species to extinction. They've survived countless attempts to eradicate their numbers, and are now largely resistant to both Myxomatosis and calicivirus. At home, I'm always sure to congratulate my pet dog, Cassie, whenever she trots into the backyard with a rabbit clutched between her teeth. You'll forgive me for launching into a tirade about a troublesome Australian pest, but I'm just trying to convey my general abhorrence towards the species. It would have taken a mighty piece of film-making to make me forget that I hate rabbits, and yet 'Watership Down (1978)' had me utterly engaged from the opening moments. Not only did I care about Hazel, Fiver and Bigwig, but I genuinely fell in love with them, and for 100 minutes I was completely absorbed in their strenuous but noble struggle for survival.

The film is based upon the 1972 novel of the same name by Richard Adams, and was both adapted and directed by Martin Rosen. What struck me most was how incredibly rich the story was, with Adams having created not only a wealth of multi-layered characters, but also an entire rabbit culture and mythology. 'Watership Down' opens with a fascinating Creation story, as the God-like deity Frith (symbolised by the Sun) creates planet Earth and every creature within it. In a double-edged blessing, Frith condemns the mischievous rabbit prince El-ahrairah to forever be hunted, but also to always have the skill and agility to survive: "All the world will be your enemy, Prince of a Thousand Enemies. And when they catch you, they will kill you. But first they must catch you." The events take place in the English countryside, with the title stemming from a hill at Ecchinswell in the county of Hampshire; despite my initial preconceptions, 'Watership Down' was certainly not the story of a sinking ocean liner!

Hazel the rabbit (voiced by John Hurt) may not be physically-imposing, but he is selfless, intelligent and mature, and this makes him a fine leader. His younger brother, Fiver (Richard Briers), is runtish and neurotic, yet he possesses a sort of mystic flair that means his peculiar "feelings" almost always prove significant. After Fiver foresees danger approaching their warren, a small group of rabbits – including the brutish but noble Bigwig (Michael Graham Cox) – flee their home in search of a safer locale. Their journey is certainly not a walk in the park, and allow me to be the one millionth reviewer to warn parents that many scenes in this film are not suitable for young children. As the group trudge across the English countryside, they are greeted with an assortment of creatures who would be more than happy to make a dinner out of them, including hawks, dogs, cats and humans. However, the rabbits' greatest obstacle before happiness is the nasty, tyrannical Chief-Rabbit, General Woundwort (Harry Andrews), a bloated, domineering lump of a villain who is both reminiscent of George Orwell's Napolean and, oddly enough, Orson Welles' Police Captain Hank Quinlan.

I had absolutely no knowledge of WATERSHIP DOWN was going to be about except that it featured rabbits in some capacity . I had an inkling it was going to be some patronising , juvenile crap that anyone above the age of seven would find nauseating . It says something about the quality of television on the run up to Christmas when a bitter and twisted 39 year old man sits down to watch a feature length about talking rabbits - Talking rabbits ! OMG , it's not like the author Richard Adams meant the story to be some drug metaphor is it ? OMG talking rabbits just how pathetic is that ? And the one thing that I remembered on its initial release - And which I'm still trying to forget to this very day - is that gawd awful song by the guy with the worst hairstyle in the history of pop music . You know the song .... " bright eyes burning like fire " . Bad enough I saw BARNEY'S BIG ADVENTURE the previous day . Now I was going to be watching equally childish sentimental crap with talking rabbits

Oh hold on . I've just seen WATERSHIP DOWN this very minute . Can everyone reading this review please ignore erroneous phrases like " Childish pathetic crap " because this is not how the story plays out . I do confess that perhaps the original story has perhaps been slightly flawed in the adaption with the hierarchy of the original warren somewhat unexplained ( For example why is it treason to leave the warren and search for a new one ? ) but that is my one and only criticism of this superb animated adventure which can be enjoyed by anyone of any age

In a nut shell WATERSHIP DOWN resembles one of those post apocalypse dramas by John Wyndham or more especially John Christopher except instead of humans it features rabbits that talk . No seriously forget all about the characters being humanized bunnies , this is a dark dramatic adventure where survivors of an eco-disaster try and find sanctuary in a bleak , desolate and dangerous world . As crazy as it sounds some people have picked up on the coincidence that the plot resembles 28 DAYS LATER and one can't help thinking that it's a little bit stronger than coincidence . If you've seen one you can't noticing the quite striking similarities between the two especially the climax . Of course it could be that the original novel of WATERSHIP DOWN was influenced by Conrad's HEART OF DARKNESS which seems to have influenced much of Alex Garland's work but even so

A thoroughly enthralling adventure that may have children weeping at the sad bits will certainly keep adults interested as they try and spot analogies . Let me repeat once again that while there's sad scenes there is nothing sickeningly sentimental and is a shockingly sophisticated tale . I certainly rate as being one of the greatest British productions of the 1970s