IMDb-BEWERTUNG
4,8/10
2106
IHRE BEWERTUNG
1953 ist der stalinistische Gulag 14, tief in der unversöhnlichen sibirischen Tundra eingebettet, ein Fegefeuer unter dem Kommando des brutal verführerischen Peinigers Isla. Mehr als zwei Ja... Alles lesen1953 ist der stalinistische Gulag 14, tief in der unversöhnlichen sibirischen Tundra eingebettet, ein Fegefeuer unter dem Kommando des brutal verführerischen Peinigers Isla. Mehr als zwei Jahrzehnte später dürstet der einzige Überlebende des Lagers nach Vergeltung.1953 ist der stalinistische Gulag 14, tief in der unversöhnlichen sibirischen Tundra eingebettet, ein Fegefeuer unter dem Kommando des brutal verführerischen Peinigers Isla. Mehr als zwei Jahrzehnte später dürstet der einzige Überlebende des Lagers nach Vergeltung.
Empfohlene Bewertungen
I don't see what the big deal is here...Almost all the other reviewers seem to hate this film, and I don't really get it. After the goofy, uninspired HAREM KEEPER, and the pretty dull sleaze-fest WICKED WARDEN, I was pleasantly surprised with TIGRESS. It's no masterpiece by any means, but this one had some inventive torture and a decent amount of tits-and-ass. This one has the mammoth-mounded Ilsa playing baby-sitter to a bunch of Russian traitors in the first half of the film, and a Canadian whorehouse madam in the second half. Yes, the story is definitely a little disjointed, almost playing like 2 different films, but I think this one had a good balance between sex and gore, and enough sleazy humor to make it an all-around worthwhile and entertaining entry. Definitely worth checking out if you like the series (or sleazy exploit cinema in general), but you may have a hard time finding it - I don't believe that there is a DVD release as of yet (at least not in the States), so start scouring those old mom-and-pop video stores. Regardless of what the other guys say, I like this one - 8/10
Dyanne Thorne returns for the fourth and final movie in the Ilsa series but she doesn't exactly go out on a high.
Ilsa once again tortures, maims and torments innocents for her own peverse degenerate and evil reasons, all while under the guard of loyal troops whom she keeps in check with her womanly wiles. Arguably all four movies have the same plot, if not they are remarkably similiar.
The previous movies weren't great and this isn't the worst of the bunch, but it's a shame to see a franchise end on a very underwhelming note.
The plot is certainly not polished, the cast are hit and miss, Ilsa never really comes into her own like previous additions and in many respects it feels like it's been downgraded from an exploitation flick to something desperate and unnecessary. Sure you have the customary nudity and quite graphic sex scenes but they feel tacked on, almost pornlike and have no purpose in advancing the plot.
Dyanne Thorne does her best once again but I'd say this is for fans of the series only and even then you're likely to feel a bit let down.
The Good:
Great practical effects
Dyanne Thorne
The Bad:
I still don't get the Ilsa timeline (Or lack thereof)
Much of the technology is plain silly
Very weak finale
Things I Learnt From This Movie:
An electric whisk to the groin is truly the next level of torture
One day someone needs to explain to me what Ilsa is and how she keeps returning throughout different generations
Ilsa once again tortures, maims and torments innocents for her own peverse degenerate and evil reasons, all while under the guard of loyal troops whom she keeps in check with her womanly wiles. Arguably all four movies have the same plot, if not they are remarkably similiar.
The previous movies weren't great and this isn't the worst of the bunch, but it's a shame to see a franchise end on a very underwhelming note.
The plot is certainly not polished, the cast are hit and miss, Ilsa never really comes into her own like previous additions and in many respects it feels like it's been downgraded from an exploitation flick to something desperate and unnecessary. Sure you have the customary nudity and quite graphic sex scenes but they feel tacked on, almost pornlike and have no purpose in advancing the plot.
Dyanne Thorne does her best once again but I'd say this is for fans of the series only and even then you're likely to feel a bit let down.
The Good:
Great practical effects
Dyanne Thorne
The Bad:
I still don't get the Ilsa timeline (Or lack thereof)
Much of the technology is plain silly
Very weak finale
Things I Learnt From This Movie:
An electric whisk to the groin is truly the next level of torture
One day someone needs to explain to me what Ilsa is and how she keeps returning throughout different generations
The first half of the movie is set in Gulag 14 in Siberia.Here,Ilsa(Dyanne Thorne)devises grotesque tortures for the prisoners,feeds their pieces to her pet tiger,and gets friendly with the guards.For the second half,it is 24 years later and she is running a chain of high class whore-house with the emphasis on torture."Tigress" is pretty lame-not as nasty as previous installments-and also quite dull.There's some gore,plenty of soft core sex and silly dialogue to keep the viewer entertained,but this is nothing in comparison to "Cannibal Holocaust","Forced Entry" or even "Ilsa-She Wolf of SS".However if you consider yourself a fan of low-budget sleaze you can give this film a look.5 out of 10.
Tigress starts out promising enough with Ilsa as the kommie kommander of a Siberian gulag. Between torturing political prisoners and feeding them to her tiger, the buxom goddess still finds time for some nightly romps with her rowdy guards and the results are often hilarious. Alas, proceedings take a turn for the worse when the scene shifts to a bordello in Montreal. I mean, when you think of all the gruesome settings in the Ilsa series: a Nazi P.O.W. camp, a Middle Eastern slave harem, an asylum in South America and said gulag, a Montreal bordello really pales in comparison. Furthermore, Ilsa's torture techniques are now performed via a (yawn...) mind control chamber. Instead of physically tormenting her victims, she inflicts psychological torture which results in several highly forgettable hallucinatory sequences. But the producers really missed the boat when they decided to play the latter half as a straight action drama with very little of the campy flair which made the series (and the first part of the movie) so entertaining. Another big mistake was to forego Ilsa's classic transformation from cold-hearted vixen to vulnerable lust-bunny. One of the most appealing (and humorous) aspects of her character was the fact that this femme fatale could be brought to her knees and made a love slave when the right "stud" came along. In Tigress, she's just a one-dimensional sadist from beginning to end. Also missing in action are Ilsa's prerequisite pair of lesbian henchwomen, which makes one wonder if the producers even bothered to watch the first two movies! Even the ending, when Ilsa gets her usual comeuppance, seems largely uninspired and comes across as if they simply ran out of ideas. All in all, Tigress is worthwhile viewing only for true fans of the series. To the uninitiated, I'd suggest Harem Keeper or She Wolf for your first taste of Ilsa's whip.
I loved the other three, but it's easy to see why Jess Franco's Ilsa the Wicked Warden was picked as the third movie in the trilogy, and this one was forgotten. Nowhere near as shocking as any of the others. The best part of the movie is the starting when they're actually in Siberia (most of the movie takes place in like Canada or something). The deaths at the Siberian camp are entertaining, but the chainsaw/arm-wrestling scenes is cut under the title, The Tigress. Over all its a pretty boring action movie.
Wusstest du schon
- WissenswertesAnchor Bay Entertainment tried to obtain the rights to this film when they re-mastered and released the first three films in the series, but the current owners wouldn't sell.
- Crazy Credits" you have also seen " , followed by the actors' names.
- Alternative VersionenThere is a tape in Belgium which presents the movie in a very bright transfer and full uncut in French language
- VerbindungenFeatured in Nazithon: Decadence and Destruction (2013)
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Details
Box Office
- Budget
- 250.000 CA$ (geschätzt)
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