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2,8/10
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Füge eine Handlung in deiner Sprache hinzuEarth is attacked by an intergalactic villain and his army of robotic androids.Earth is attacked by an intergalactic villain and his army of robotic androids.Earth is attacked by an intergalactic villain and his army of robotic androids.
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Well, as an Italian American, I am obligated to at least try to see the myriad of Italian space flicks; this being one of the worst.
I LOVED Mario Bava's Planet of the Vampires, and his other very hip and "neato"(as in "gee that's real neato, Batman!") BUT this one is watchable only for the costumes, the babes, and the pretty good ships effects.
I DID love(and still own) War of The Robots", which has a good story and a good "family feeling" among the characters who make up the spaceship crew and their alien allies.
If you like hot Italian babes, post "Space 1999" space uniforms, and ships, you will like this film If you want a good story or even a semi-well written one, steer clear of this one!
I LOVED Mario Bava's Planet of the Vampires, and his other very hip and "neato"(as in "gee that's real neato, Batman!") BUT this one is watchable only for the costumes, the babes, and the pretty good ships effects.
I DID love(and still own) War of The Robots", which has a good story and a good "family feeling" among the characters who make up the spaceship crew and their alien allies.
If you like hot Italian babes, post "Space 1999" space uniforms, and ships, you will like this film If you want a good story or even a semi-well written one, steer clear of this one!
I remember when my great great grandfather was on his deathbed he said these words to me 'son, whatever you do, never watch an Italian sci-fi movie'. After receiving this sage advice I sadly turned away, only for him to weakly call me back and say 'especially if it is an Alfonso Bescia space opera, those are particularly crap'.
I have subsequently watched several Italian sci-fi films over the years, four of which have been Alfonso Brescia efforts. I should have followed my great great grandfather's advice as watching all four Brescia films has been as much fun as being hit full on the face with a bag full of broken glass. This one like all of them feature space wars in which the villains are androids who look like Brian Jones of the Rolling Stones circa 1968. In this one we have an evil despot called Kress who uses his android army to enslave mankind; he is opposed by a small group of stereotypes and robots, who save the day. The date of this film should give you a clue that it is surfing the wave of Star Wars and to that end there is a light-saber battle where the Brian Joneses fight our heroes. Well, I say 'light-saber' but given the origins of this film, it should be no surprise to learn that technically it is a 'cardboard swords painted with fluorescent paint' battle. Interestingly the technology magazine Popular Mechanics reviewed this movie back in the day declaring it a 'dreadful trashpile'. A final note for film academics, the title this one went under in West Germany was 'Metallica'.
I have subsequently watched several Italian sci-fi films over the years, four of which have been Alfonso Brescia efforts. I should have followed my great great grandfather's advice as watching all four Brescia films has been as much fun as being hit full on the face with a bag full of broken glass. This one like all of them feature space wars in which the villains are androids who look like Brian Jones of the Rolling Stones circa 1968. In this one we have an evil despot called Kress who uses his android army to enslave mankind; he is opposed by a small group of stereotypes and robots, who save the day. The date of this film should give you a clue that it is surfing the wave of Star Wars and to that end there is a light-saber battle where the Brian Joneses fight our heroes. Well, I say 'light-saber' but given the origins of this film, it should be no surprise to learn that technically it is a 'cardboard swords painted with fluorescent paint' battle. Interestingly the technology magazine Popular Mechanics reviewed this movie back in the day declaring it a 'dreadful trashpile'. A final note for film academics, the title this one went under in West Germany was 'Metallica'.
The film begins with what might be the crappiest electronic music in the history of movies! Is this is shade of things to come? You betcha! "Star Odyssey" is an Italian film that features really bad acting and amazingly low production values for a sci-fi movie. I saw a dubbed version and perhaps the original was a bit better--but it's still filled with weird and cheap costumes as well as bad camera-work and these are obvious no matter the language. Additionally, the sets look like very simple rooms adorned with just a few trinkets to make it look 'space-agy'. And, one of the few outdoor sets was in a junkyard! The net effect is a film that just almost always looks really cheap--almost like an amateur production (though I did like the villain with the face that looked like a waffle). My favorite bad special effect were the weird glowy eyes--you just have to see them to believe 'em.
The plot involves some intergalactic baddie coming to attack the earth with his silly looking robots. Much of the plot frankly confused me--probably because it was so silly and dull I had difficulty staying awake. Plus, I think the film lost a bit in translation.
The plot involves some intergalactic baddie coming to attack the earth with his silly looking robots. Much of the plot frankly confused me--probably because it was so silly and dull I had difficulty staying awake. Plus, I think the film lost a bit in translation.
Winner, Academy Award, Category: "Worst Robot in a Sci-fi Film"
Believe it or not, but I've managed to stay awake long enough through three of these Alfonso Breschia sci-fi crapfests to notice that each one of them does have a different angle. Cosmos: War of the Planets had a slight horror angle, War of the Robots was a straight forward sci-fi action flick and Star Odyssey tries to include a lot of humour. I have seen the Beast in Space but we all know the angle there is Sirpa Lane's nipples.
It does matter how he approaches these films, they are all miserable failures featuring the same sets, the same extras in blonde robot wigs, the same uniforms for the good guys (I hope they at least washed them - I wouldn't fancy getting Antonio Sabato's sweaty hand-me-downs), the same Yanti Somer, the same space battle footage and the same sense that even Breschia himself was not remotely interested in what he was creating. Let's dive in!
Or not, as the whole first half of the film seems to have been cut and pasted together as some key scenes seem to happen after other stuff has occurred. Basically, an alien that looks like he's fallen asleep on an electric fly swatter has bought Earth, and instead of making contact he just starts gathering together loads of humans for slavery. This enrages campy Earth leader Franco Rassell, who orders a crack team of human jerks to get together to sort out this intergalactic chugnut.
This lot includes Han Solo type Gianni Garko, who can hypnotise people and gets into a fistfight with Nello Pazzafini (in the confusing footage we see the fight first, then the reason it started later), Yanti Somer, ex-lover of Garko and niece of elderly scientist Ennio Balbao, who is trying to figure out some way to penetrate the weird substance surrounding the enemy spaceship (more confusing footage). There's Han Solo type Chris Avram and Melissa Longo, who is guess is supposed to be Chewbacca? Throw in a guy with ADHD and a pompous military guy and we're good to go...except for the two suicide-pact robots they pick up from a seventies scrapyard.
The fact that Tilt and Tilly have more character than everyone else shows you how bad this film is. They had a suicide pact but can't remember how (it's because they couldn't shag), and they bicker, complain, write poems to each other and wonder how the blonde-wig robots aren't attacking them. There's also this other robot which is like some child in a Halloween costume wandered on set or perhaps is a dwarf slave Breschi was humiliating for sexual purposes.
All this crapness is lost like tears in rain as the whole things just devolves into the same endless laser battles, light-sabre (pound shop version) battles, and worst of all, the interminable space battle at the end. That battle doesn't quite last as long as the one in War of the Robots, but...that's about the only good thing I can say about it.
The version I watched did have an ending, although it did cut off a guy at the end mid-sentence, so that was good.
What happened to you Gianni Gark - you used to be Sartana! What happened to you Ennio Balbao - you used to be a Mafia Don! Yanti Somer - you have no excuse - you were in the last two as well!
Believe it or not, but I've managed to stay awake long enough through three of these Alfonso Breschia sci-fi crapfests to notice that each one of them does have a different angle. Cosmos: War of the Planets had a slight horror angle, War of the Robots was a straight forward sci-fi action flick and Star Odyssey tries to include a lot of humour. I have seen the Beast in Space but we all know the angle there is Sirpa Lane's nipples.
It does matter how he approaches these films, they are all miserable failures featuring the same sets, the same extras in blonde robot wigs, the same uniforms for the good guys (I hope they at least washed them - I wouldn't fancy getting Antonio Sabato's sweaty hand-me-downs), the same Yanti Somer, the same space battle footage and the same sense that even Breschia himself was not remotely interested in what he was creating. Let's dive in!
Or not, as the whole first half of the film seems to have been cut and pasted together as some key scenes seem to happen after other stuff has occurred. Basically, an alien that looks like he's fallen asleep on an electric fly swatter has bought Earth, and instead of making contact he just starts gathering together loads of humans for slavery. This enrages campy Earth leader Franco Rassell, who orders a crack team of human jerks to get together to sort out this intergalactic chugnut.
This lot includes Han Solo type Gianni Garko, who can hypnotise people and gets into a fistfight with Nello Pazzafini (in the confusing footage we see the fight first, then the reason it started later), Yanti Somer, ex-lover of Garko and niece of elderly scientist Ennio Balbao, who is trying to figure out some way to penetrate the weird substance surrounding the enemy spaceship (more confusing footage). There's Han Solo type Chris Avram and Melissa Longo, who is guess is supposed to be Chewbacca? Throw in a guy with ADHD and a pompous military guy and we're good to go...except for the two suicide-pact robots they pick up from a seventies scrapyard.
The fact that Tilt and Tilly have more character than everyone else shows you how bad this film is. They had a suicide pact but can't remember how (it's because they couldn't shag), and they bicker, complain, write poems to each other and wonder how the blonde-wig robots aren't attacking them. There's also this other robot which is like some child in a Halloween costume wandered on set or perhaps is a dwarf slave Breschi was humiliating for sexual purposes.
All this crapness is lost like tears in rain as the whole things just devolves into the same endless laser battles, light-sabre (pound shop version) battles, and worst of all, the interminable space battle at the end. That battle doesn't quite last as long as the one in War of the Robots, but...that's about the only good thing I can say about it.
The version I watched did have an ending, although it did cut off a guy at the end mid-sentence, so that was good.
What happened to you Gianni Gark - you used to be Sartana! What happened to you Ennio Balbao - you used to be a Mafia Don! Yanti Somer - you have no excuse - you were in the last two as well!
Out of boredom, my friends and I decided to have ourselves a "worst movie marathon". Among the titles we rented were "la guerre de l'espace en l'an 3000", "La soupe au chou", " Como rubare la corena de Ingleterra" and "Space Oddysey (english title of this movie)". Although all the movies were disgusting and hard to watch, this one had to be the worst...
Here are a few things that stood out...
The characters are not developed, ( some seem to come out of thin air) and the villain is laughable.
The thing that got me the most, though, is the fact that this movie has no end, literally; Music covers the dialog in the last scene, were everything unfolds.
Really, this is something you should try to find at your local videostore.
-1,5 * :)
Here are a few things that stood out...
- A male and a female robot ( she has metal eyelashes) in love!
- A woman scientist working in a tight leather "swim suit"
- A gymnast fighter ( we dubbed him "mr exercise" ) who jumps around during the movie
- A hero who walks around like he is constipated
- An army of evil "droids" with blond wigs and silver suits
The characters are not developed, ( some seem to come out of thin air) and the villain is laughable.
The thing that got me the most, though, is the fact that this movie has no end, literally; Music covers the dialog in the last scene, were everything unfolds.
Really, this is something you should try to find at your local videostore.
-1,5 * :)
Wusstest du schon
- WissenswertesStar Odyssey is one of the four low-budget Italian space opera movies produced in the wake of Star Wars by Italian director Alfonso Brescia (under the pseudonym Al Bradley). This is the fourth and final film in Alfonso Brescia's sci-fi series, with the others being Cosmos: War of the Planets (a.k.a. Year Zero War in Space), Battle of the Stars (a.k.a. Battle in Interstellar Space), and War of the Robots (a.k.a. Reactor).
- PatzerDuring the opening credits, a list of cast members with lesser roles states "In alphabetical order". The names are not in alphabetical order, by either first or last name.
- Zitate
Tilk (Male Robot): Great integrated circuits! What's that thing? Look Tilly! A prehistoric cave robot!
Tilly (Female Robot): I've never seen anything so ugly.
Tilk (Male Robot): They say creatures like this shouldn't be allowed to run around loose. They ought to be kept in zoos.
Tilly (Female Robot): Now Tilk, that's just prejudice. He has as much right to activate as we have, even if his tin is a different color.
- VerbindungenEdited into Muchachada nui: Folge #2.13 (2008)
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Details
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Sound-Mix
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