Die Todesbucht

This is a great movie for the cinematography alone- it features some of the most gorgeous scenes i've ever seen in a film, ever. Hands down. THe locations, the decor, everything! It's just so luxurious and opulent and beautiful. I guess this is what Howarth meant when he wrote that 'giallo often confuses or replaces the plot with the mise en scene itself'; If only the pacing had been a little tighter to create more tension and the dialogue a little less trite this could have been a truly top tier film. It's sad to see what could have been a phenomenal film reduced to merely pretty damn good but at the end of the day it's one I really enjoyed and will surely watch again.

Two sisters (Barbara Magnolfi and Stefania D'Amario) check into a sea-side resort hotel, hoping for some peace and quiet. Ursula (Magnolfi) seems unable to relax, feeling as though something terrible is going to happen. Meanwhile, a mad killer is on the prowl, preying on unwary lovers.

THE SISTER OF URSULA is a solid giallo with strong horror elements. Ursula appears to have a psychic ability / clairvoyance, as well as an empathic sense. She's a very interesting character. Her sister, Dagmar (D'Amario) is generally annoyed by her episodes.

As with many of the later giallos, there's a lot of sexual content, in the form of simulation. So, if you're a fan of the female form, this movie certainly has its share of full-on, heavenly bodies on display! Yep, there's a rich vein of sensuality running through this one. As a matter of fact, the killer has quite an unusual trademark, er... weapon. Let's call it the "torpedo of death".

There are some nice twists toward the end, leading up to a terrific finale...

Looking for some interesting Giallo and found this. Boy was i disappointed.

If you like smooth skin, silicone-less bobbies, and lots of bush, then you will enjoy the show.

The scenery was spectacular, the sets were exquisite, and the music was delightful, but that was it.

The attacks were really few and far between, as was the sex. It was a lot of talking, and I mean a lot.

Well, I got to see the murder weapon at the end, but it wasn't used in that scene.

Well, it's safe to say that The Curse of Ursula isn't the greatest Giallo ever made, but there's plenty of sex and sleaze, and the whole thing is at least enjoyable. The Curse of Ursula came rather late on in the Giallo cycle - in fact, it had pretty much dried up by the time this film came along, and as such; it would seem that writer-director Enzo Milioni was extremely keen to put as much sex and nudity into the film as possible to ensure that people would watch it; and while this sort of stuff isn't really what I watch Giallo for, it doesn't go amiss in a film such as this, which has little in the way of a plot. As the title suggests, the film focuses on a woman called Ursula. Along with her sister Dagmar, she finds herself at a hotel, where the sisters are looking for their mother, believing she has a right to some inheritance left by their father. However, a vicious psychopath, who uses a dildo to murder his (female) victims has also taken up residence at the hotel, and begins dispatching of everyone who has sex...

I had heard that this film was particularly sordid, and while I can certainly see why that is said, I have to say I was expecting more from it...though admittedly, I probably do watch a bit too much of this stuff! Sex fuelled Giallo's got more common towards the end of the cycle, which is unfortunate as the style of the earlier films was lost. As well as the sex, this film also features some pretty gruesome death scenes, which is nice but it does seem like director Enzo Milioni (with his first feature) is trying to force the film down the audiences throats a little bit as everything is completely over the top. The plot takes a backseat to the sex and gore, and typically it is a rather dull affair. There isn't much to it after the foundations are laid down, and while the twist ending isn't too bad; I have to say I didn't really care about it. There is some style in the film, the way we only see the killer's eyes, for example, shows some attempt to build atmosphere, but overall; if you're looking for a great Giallo, you really shouldn't track this one down!

Hey, aspiring filmmakers, here's a tip: If you want to give your picture an automatic 2 stars right out of the gate, shoot it on Italy's Amalfi Coast, a district so incredibly gorgeous that it makes any film look good! Case in point: the sleazy giallo "The Sister of Ursula" (1978), an otherwise tawdry, far-fetched affair whose stunning backdrop (the area between Positano and Amalfi, and nearby Ravello) is its main selling point. In the film, the two Austrian sisters of the title--randy, normal Dagmar (Stefania D'Amario) and fey, unpleasant Ursula (Barbara Magnolfi)--come to a luxurious hotel after the recent death of their father, but at an unfortunate time. It seems that a local whackjob has taken to killing nubile ladies using an enormous, phallus-shaped...oh, I guess I'd better not say...on the gals' northern Virginias (shades of 1971's "What Have You Done To Solange?"). Many suspects abound, including the hotel's handsome manager (Vanni Materassi) and the resident smack-addicted stud (played by giallo vet Marc Porel, a real-life addict himself). The film features copious amounts of male and female full-frontal nudity; tepid, simulated sex scenes (straight couples, lesbians, female masturbation); and even a surprising glimpse of pudendum. As far as violence is concerned, the dastardly deeds are blessedly done offscreen, with only the gory aftermaths on display. The picture also gives us a lush, catchy theme song in Mimi Uva's "Eyes," stylish direction from Enzo Milioni, and very decent acting by the four leads, but the killer's motivation and demise ultimately seem forced and unsatisfying, somehow. In all, a great-looking mixed bag, nicely presented on this Severin Films DVD, with excellent subtitling and a fascinating, 30-minute interview with Milioni himself.