IMDb-BEWERTUNG
7,6/10
19.699
IHRE BEWERTUNG
Ein junger Mann erlernt im Shaolinkloster Kung-Fu, um sich gegen die Gewaltherrschaft der Mandschuren zur Wehr zu setzen.Ein junger Mann erlernt im Shaolinkloster Kung-Fu, um sich gegen die Gewaltherrschaft der Mandschuren zur Wehr zu setzen.Ein junger Mann erlernt im Shaolinkloster Kung-Fu, um sich gegen die Gewaltherrschaft der Mandschuren zur Wehr zu setzen.
- Auszeichnungen
- 1 Nominierung insgesamt
Lo Lieh
- General Tien Ta
- (as Lieh Lo)
Yue Wong
- Miller Six
- (as Yu Wang)
Liu Chia-Yung
- General Yin
- (as Chia-Yung Liu)
Norman Chu
- Lu Ah-Tsai
- (as Shao-Chiang Hsu)
Yung Henry Yu
- Hung Hsi-Kuan
- (as Yang Yu)
John Cheung
- Lord Cheng
- (as Wu-Liang Chang)
Wilson Tong
- Tang San-Yao
- (as Tang Wei-cheng)
Hoi-Sang Lee
- Abbot of Justice Office
- (as Hai-Sheng Li)
Kwok-Choi Hon
- Lin Chen
- (as Kuo-Tsai Han)
Empfohlene Bewertungen
This is a Run Run Shaw Brothers classic film and widely considered to be one of the greatest Kung Fu flick of all time . Epic imperial and subsequent upheaval during China's Ching dynasty , being spectacular and colorfully directed . The picture starts with an opening credits showing a demonstration of martial arts against an empty backdrop . The anti-Ching rebels , under the guidance of Ho Kuang-Han, have secretly set up their base in Canton , posing as school masters . During a cruel Manchu attack, the patriot San Te or Liu (Chia Hui Liu) arranges to getaway and devotes himself to learning the martial arts at Shaolin temple in order to seek vengeance . In a short period of time he learns the art of fighting , thanks his expert Bhuddist masters . When his learning is completed , he battles the Manchus commanded by his chief , General Tien Ta (Lo Lieh).
This luxurious Kung Fu film was marvelously filmed with good production design , colorful cinematography , a lot of zooms and breathtaking scenes . The flick displays lots of violence, action filled , thrills and fierce combats . This is a colourful, Hong-Kong set and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with frenetic action , surprises ,fierce combats and groundbreaking struggles . Amid the glamour and grandeur of the scenarios is developed an intrigue about nasty Manchues and a learning period at famous Shaolin temple , including betrayal , crime and exploring the dark side of Chinese Ching dynasty . Despite the US title for the film ¨The Master Killer¨, the idea of taking a life would be abhorrent to a real Shaolin or Bhuddist monk . Impressive and rousing fights with deadly use of fists , feet and palms , along with such weapons as swords, sticks , and lances . And hundreds of armored warriors reenacted by lots of extras . Overwhelming attacks and exciting combats very well staged , the result is a strong entry for action buffs . Kung Fu training scenes are a direct reference in ¨Kill Bill¨ by Quentin Tarantino , enhanced by the fact that Gordon Liu stars in both movies . Even the faded colours in this scene match that of the Shaolin movie . The movie was well directed By Chia Liang Liu and won the Best Martial Arts Award at 24th Asian Film Festival and was the 1978 Top 10 Box Office Hits in Hong Kong . Chia Liang Liu or Lau Kar Leung made stunts and directed several Kung Fu movies as ¨Legend of drunk master¨ , ¨Shaolin executioners¨, ¨The invincible pole fighters¨, ¨Seven swords¨ and the following : ¨Return to Shaolin¨ with Gordon Liu and ¨Shaolin 3 : Martial arts of Shaolin¨ with Jet Li .
This luxurious Kung Fu film was marvelously filmed with good production design , colorful cinematography , a lot of zooms and breathtaking scenes . The flick displays lots of violence, action filled , thrills and fierce combats . This is a colourful, Hong-Kong set and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with frenetic action , surprises ,fierce combats and groundbreaking struggles . Amid the glamour and grandeur of the scenarios is developed an intrigue about nasty Manchues and a learning period at famous Shaolin temple , including betrayal , crime and exploring the dark side of Chinese Ching dynasty . Despite the US title for the film ¨The Master Killer¨, the idea of taking a life would be abhorrent to a real Shaolin or Bhuddist monk . Impressive and rousing fights with deadly use of fists , feet and palms , along with such weapons as swords, sticks , and lances . And hundreds of armored warriors reenacted by lots of extras . Overwhelming attacks and exciting combats very well staged , the result is a strong entry for action buffs . Kung Fu training scenes are a direct reference in ¨Kill Bill¨ by Quentin Tarantino , enhanced by the fact that Gordon Liu stars in both movies . Even the faded colours in this scene match that of the Shaolin movie . The movie was well directed By Chia Liang Liu and won the Best Martial Arts Award at 24th Asian Film Festival and was the 1978 Top 10 Box Office Hits in Hong Kong . Chia Liang Liu or Lau Kar Leung made stunts and directed several Kung Fu movies as ¨Legend of drunk master¨ , ¨Shaolin executioners¨, ¨The invincible pole fighters¨, ¨Seven swords¨ and the following : ¨Return to Shaolin¨ with Gordon Liu and ¨Shaolin 3 : Martial arts of Shaolin¨ with Jet Li .
Firstly, let me say that Chia Hui Liu (aka Gordan Liu) "MAKES" this movie. It would not be what it is without him. To be fair, I have to give notice that every movie with him and the director (who I understand is a relative) is good. Now, let me tell why. Liu gives effort and emotion to his parts. Every part and every movie I have seen him in, this has been the case. When there is anger, you see it in his face. When there is despair, you see it. He makes it almost tangible. Plus, he has "skills". Also, this movie has plot and believability. It's interesting and "absorbing". The one I watched was "English" dubbed, but the dubbing was good. Even the sound track was complimentary for the scenes.
I's unfortunate that the asian movie industry has been in the past just like the American sports industry was. The take talented young people, chew up their juices, and then spit them out all used up.
I wonder if Liu even suspected that he had attained "Classic" status with this movie as far as "old school Kung-Fu fans" in the North-east USA are concerned?
I's unfortunate that the asian movie industry has been in the past just like the American sports industry was. The take talented young people, chew up their juices, and then spit them out all used up.
I wonder if Liu even suspected that he had attained "Classic" status with this movie as far as "old school Kung-Fu fans" in the North-east USA are concerned?
Wow, I had no idea. Turns out "The 36th Chamber of Shaolin" is one of the best movies I've ever seen.
A simple man, his friends and his father are victimized by a brutal Manchu dictator and he is run out of town. Injured, he makes his way to the Shaolin Temple where he is determined to learn kung-fu. He starts at the top and works his way down, encountering insane training exercises and rigorous obstacles along the way. He proves to be a worthy candidate and then some in what turns into one of the coolest revenge plots in a movie ever.
Amazing choreography, stunts, violence, fight scenes and much more highlight this wicked cool flick. I recommend seeing it for sure.
9 out of 10, kids.
A simple man, his friends and his father are victimized by a brutal Manchu dictator and he is run out of town. Injured, he makes his way to the Shaolin Temple where he is determined to learn kung-fu. He starts at the top and works his way down, encountering insane training exercises and rigorous obstacles along the way. He proves to be a worthy candidate and then some in what turns into one of the coolest revenge plots in a movie ever.
Amazing choreography, stunts, violence, fight scenes and much more highlight this wicked cool flick. I recommend seeing it for sure.
9 out of 10, kids.
for some eight years, Liu Chia Liang worked as martial arts choreographer at shaw bros., especially with legendary director Chang Cheh, from whom Liu clearly learned mise-en-scene, as the french call it - a director's skill in using camera, editing and theme to move from one dramatic episode to another. in turn, Liu tried to show Chang Che the possibilities inherent in traditional kung fu, but to little avail - Chang Che really always thought himself a maker of action-adventure films, not primarily a martial arts director. so Liu began making his own films at shaw bros., and demonstrated what he learned from Chang Che, while developing his own themes concerning the the traditional arts we've come to call kung fu.
one decided difference between Liu and Chang - indeed, between Liu and most of the other shaw bros. directors of the period - is that Liu believed that if the fundamental message of kung-fu - which is really about good health and spiritual growth - is to be carried over to the audience, the arts involved would need to be presented in as realistic a fashion as possible - no wire works, no unnecessary leaping over walls, no mythical 'iron fist' technique of jamming one's hand through someone's chest. and once that decision was made, clearly it would also be necessary to develop plots and characters as equally realistic, or the effort would be for nothing.
Liu's movies are thus 'about' kung fu in the purest sense; they are not about fighting, but about discipline. they are not about revenge, they are about using one's training to get beyond revenge.
although the heavy tone of this film obscures it a little, the fact remains that the characters in this film are all very believably human in a way that Chang Che's characters never were. and they don't learn their skills all that quickly - the time frame of the shaolin episode is at least three years - but by doing the same excersizes over and over again until they are perfectly comfortable with them. at which point, of course, they can perform with almost no show of effort.
by the way, there are documentary films of real performances of real shaolin monks demonstrating real martial arts - Liu is pretty close to the real thing, here.
Liu, by the way, appears to be the son of someone who trained with lam sai wing - aka 'butcher' wing, but in no way the country bumpkin he's sometimes made out to be, as in yuen woo ping's 'magnificent butcher'. lam sai wing studied with the legendary Wong Fei Hong, who was taught not only by his classically trained father, but by a well-known former shaolin monk - in short, the Liu credentials are rock solid.
Gordon Liu, star of the film, is Chia Leung's adoptive brother. he is probably the finest performer of traditional kung fu ever filmed, bar none, and utterly fascinating to watch. he also does a solid piece of acting in this film, as well.
shaw bros. quality, Liu bros. skill - don't ask, just see it.
one decided difference between Liu and Chang - indeed, between Liu and most of the other shaw bros. directors of the period - is that Liu believed that if the fundamental message of kung-fu - which is really about good health and spiritual growth - is to be carried over to the audience, the arts involved would need to be presented in as realistic a fashion as possible - no wire works, no unnecessary leaping over walls, no mythical 'iron fist' technique of jamming one's hand through someone's chest. and once that decision was made, clearly it would also be necessary to develop plots and characters as equally realistic, or the effort would be for nothing.
Liu's movies are thus 'about' kung fu in the purest sense; they are not about fighting, but about discipline. they are not about revenge, they are about using one's training to get beyond revenge.
although the heavy tone of this film obscures it a little, the fact remains that the characters in this film are all very believably human in a way that Chang Che's characters never were. and they don't learn their skills all that quickly - the time frame of the shaolin episode is at least three years - but by doing the same excersizes over and over again until they are perfectly comfortable with them. at which point, of course, they can perform with almost no show of effort.
by the way, there are documentary films of real performances of real shaolin monks demonstrating real martial arts - Liu is pretty close to the real thing, here.
Liu, by the way, appears to be the son of someone who trained with lam sai wing - aka 'butcher' wing, but in no way the country bumpkin he's sometimes made out to be, as in yuen woo ping's 'magnificent butcher'. lam sai wing studied with the legendary Wong Fei Hong, who was taught not only by his classically trained father, but by a well-known former shaolin monk - in short, the Liu credentials are rock solid.
Gordon Liu, star of the film, is Chia Leung's adoptive brother. he is probably the finest performer of traditional kung fu ever filmed, bar none, and utterly fascinating to watch. he also does a solid piece of acting in this film, as well.
shaw bros. quality, Liu bros. skill - don't ask, just see it.
This is THE Hong Kong martial arts movie every fan of the genre MUST see. After watching this you'll be in no doubt why Tarantino picked the star, Chia Hui Liu, for two parts in his Kill Bill double.
The Shaw brothers demonstrate their mastery of the martial arts movie in this 1978 classic. Following the fortunes of a young rebel as he escapes from the tyranny of the government to a Shaolin temple where he hopes to learn superior kung fu techniques, we see his development from an inexperienced boy to an unrivalled master.
It is wonderful to see the rigours of training in each 'chamber'. The water crossing scenes are a delight. And some of the pain these students go through to perfect their bodies and art is impressive indeed.
I cannot recommend this enough. Indeed everyone should attempt to snap up any Shaw Brothers movie from around that period. "The 36th Chamber" stands head and shoulders above the rest, and is what all Martial Arts directors should aspire to.
Thanks Shaw's and Chia Hui Liu for a truly great experience EVERY time.
The Shaw brothers demonstrate their mastery of the martial arts movie in this 1978 classic. Following the fortunes of a young rebel as he escapes from the tyranny of the government to a Shaolin temple where he hopes to learn superior kung fu techniques, we see his development from an inexperienced boy to an unrivalled master.
It is wonderful to see the rigours of training in each 'chamber'. The water crossing scenes are a delight. And some of the pain these students go through to perfect their bodies and art is impressive indeed.
I cannot recommend this enough. Indeed everyone should attempt to snap up any Shaw Brothers movie from around that period. "The 36th Chamber" stands head and shoulders above the rest, and is what all Martial Arts directors should aspire to.
Thanks Shaw's and Chia Hui Liu for a truly great experience EVERY time.
Wusstest du schon
- WissenswertesThe movie won the Best Martial Arts Award at 24th Asian Film Festival and was the 1978 Top 10 Box Office Hits in Hong Kong.
- Zitate
Senior monk: The wall may be low, but the Buddha is high.
- Alternative VersionenGerman theatrical version was heavily cut for violence and plot by nearly 30 minutes. Subsequent TV and VHS releases were cut as well. Only in 2004, the film was redubbed and released completely uncut on DVD by MiB. And also in August 2025, the uncut version was re-rated to "not under 12" by the FSK.
- VerbindungenFeatured in Martial Arts Mayhem Vol. 2 (1998)
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