The Playbirds

This is an absolutely terrible British stab at the giallo genre, crossed with more traditional "skin flick" elements. Pedestrian, nonsensical, endless, with lots of horseracing footage (if you're an enthusiast). (Barely) escapes a zero-star rating because of some nice stripping / posing scenes, as well as an all-too-brief lesbian interlude.

This is a strange one ...whoever was in charge of directorial reins did not know if they were making a carry on style comedy ..a hardcore porn movie...a cop thriller in the style of the sweeney ..or an outright Horror movie replete with Psychopath ...-the end result is a confuse mish mash , not without some appeal --but with a lot of 'Non-appeal' at the same time..adding to the Euston-films cop show feel is Glynn Murphy ( Dave from minder ) as a detective sergeant who actually has the funniest line in the whole movie ( when i say it is 'F off' you will know the overall standard of writing )--his associate is the bloke off 'Thats life' and there are cameos from famous British faces including Derren Nesbitt whose screentime amounts to 2 mins and he looks like a Treacle-sponge ...-Sad spectacle in a way yet remains watchable for its entire duration ..when the 'supposedly shocking ending' comes you think ...yeah , that about makes sense ..-overall worth a watch for the nudity and dodgy performances .

Well, it's one way to build circulation for your porn mag - make an X-rated thriller about it, as David Sullivan did, even hinting that the pornographer in the story could be trying to keep his own magazine (also conveniently called 'Playbirds') in the public eye by arranging for each centrefold model to be brutally murdered, just as the publication hits the street.

We can't name the killer, of course, but we can tell you that the suspects make a colourful line-up, providing an excuse for some varied location scenes, ranging from Speakers' Corner through Newmarket racecourse to a forest where some rather extreme witchcraft rituals look like getting out of hand...

Funniest is the moment when the baffled detectives think it's time to send in an undercover female cop to charm the publisher into giving her a centrefold, so they have to start by holding auditions at Scotland Yard. Mary Millington carries no conviction whatever as a police officer, but she certainly makes one heck of a stripper, and should have exploited the surprisingly common policewoman fetish with plenty of slow peeling-off of the dark blue livery of the law.

Nobody could watch this film without noting the sad irony that two of the young stars committed suicide soon after: first Millington herself, swamped by drugs and tax-bills, and then the alcoholic Alan Lake, unable to cope with the premature death of his wife Diana Dors. This reflects a haunting theme, the mystic link between mating and death - the porn-stars we're conditioned to envy in their little plastic heaven, with every carnal satisfaction laid-on like a tray of snacks, yet forever tainted by elements of the cynical and the criminal. Reminding us in the end that this branch of entertainment promises everything but delivers nothing.

The Playbirds is not as predictable or monotonous as other low-budget soft-porn features, thanks to a number of mainstream actors like Windsor Davies, Gavin Campbell and Dudley Sutton. There are some good dramatic situations too, but they don't really gel, and the scripting and directing by Willie Roe is disappointing.

THE PLAYBIRDS is another late '70s sexploitation effort from Britain, but like most of the others it really isn't much cop. Mary Millington appears as a female police officer who agrees to help some detectives in their hunt for a serial killer, but there are so many characters here she just sort of gets lost in the masses. Familiar faces pop up the cast but don't get very much to do, although it's amusing to see TV presenter Gavin Campbell as the lead. The mystery aspects are very poorly handled and the closing reveal is as uninteresting as they come. Expect wall to wall nudity, as per usual by genre standards, and a particularly angry Alan Lake performance.

If you're British, this movie no doubt has a lot of baggage attached to it. Two of the lead actors committed suicide soon after, and it was made right at a time when the once vaunted independent British film industry basically imploded. If you're not British, however, this movie is. . .well, pretty damn weird actually. A fanatically religious, horse-obsessed maniac is killing the nude cover girls of "Playbird" magazine. The police are frustrated in their efforts to stop him, so they send a sexy police woman (Mary Millington) under the covers to crack her case--I mean, undercover to crack the case. If you just want to see a lot of naked dolly birds, you certainly won't be disappointed. There are numerous scenes of the magazine's photo shoots, most of which involve a hilarious satanic/witchcraft-oriented theme. And the police don't just take the first attractive volunteer for the undercover job--no, they have to have to "audition" ALL their female staff members for the job before settling on Millington. The movie is obviously sexist (which is par for the course), but it's also surprisingly unpleasant and borderline misogynist. All the girls are topless or naked when they're murdered, for instance (except for one girl whose mini-skirt conveniently rides up while she's being strangled). The most disturbing scene perhaps is one particular magazine pictorial of a naked "witch" being "burned" at the stake which goes horribly awry when the killer comes along and (literally) adds fuel to the fire.

What's most amazing about all this is that there really is (or at least, was) a "Playbird" magazine, and its publisher was the producer of this movie! It's certainly hard to imagine Hugh Hefner, or even Larry Flynt, producing a movie where his own centerfolds are slaughtered in such an often unpleasant manner. (Apparently, all the censorship of sex and violence in Britain over the years hasn't resulted in the sexual attitudes there being any more wholesome than anywhere else--perhaps the opposite). I would also guess the publisher/producer owned a race horse or had some great interest in horse racing--how else to explain the killer's bizarre obsession with horses, which otherwise seems pretty unrelated to anything (or maybe this movie was inspired by the Richard Burton film "Equus" the year before?).

The best (and perhaps only) reason to see this is that it is a good showcase for cult actress Mary Millington. Millington certainly had a nice body, and viewers (like numerous male and female characters in the movie) will become VERY familiar with it. Her generally awkward acting, however, gives no indication of why she became a such a cult figure. On the other hard, it's even more difficult to see why the British moral authorities considered her such a threat to society that they had to harass her to an early demise. I definitely would not recommend going through the time and expense I did to see this movie, but if you happen upon it, it's a good chance to see Millington in action and it's KIND OF interesting in spite of itself.