Die Jungfrau und das Ungeheuer

SBS-TV used to screen this film on an annual basis, but it has been missing in action for some years, which is cause for regret. The title may seem obscure, but a look at the alternative English translations ("Maiden and the Beast" and "Virgin and the Monster") should make this clearer. This is quite simply a wonderful interpretation of the classic fairy tale of Beauty and the Beast, produced and filmed in the then Czechoslovakia. Cinematic gems can be found in what may be thought to be unlikely places, and this film is an example.

Students of cinema may be aware that Cocteau did a version of this story in B&W, and there is of course the more recent and rather tame Disney version. This film is a very different proposition. For a start, it is unsuitable for young children because of some fairly graphic violence, including scenes of animal cruelty. The film-makers seem to strive for realism, particularly the scenes in the village where Beauty (here called Julie) lives, all mud and images of earthy rural life before the Industrial Revolution. But even the magical bits are portrayed realistically. The Beast's castle is maintained by an array of goblin-like servants, who skulk in the shadows of the fireplaces and chandeliers. If I have one complaint about this film, it is that the scenes are sometimes so dark that it is difficult to see what's happening. This does heighten tension, but it can be overdone.

The actors are great, especially the two charismatic leads. The Beast (Vlastimil Harapes) is fashioned more as a great bird of prey than Cocteau's leonine creation, and there is great suspense as he struggles with his inner violent nature (a sinister whispering voice) that is urging him to remain in his beastly form and kill the innocent Julie. Julie (Zdena Studenková) in turn is wonderfully portrayed. We can see why she is so obviously her father's favourite.

Fairy tales are expositions of the human condition, and the Beauty and the Beast story is no different. "Every woman has the power the make the one she loves beautiful". It's a simple theme, but this film explores it beautifully. See it if you can.

I saw this film many years ago at Filmex in Los Angeles, and it left a strong impression. It is a truly beautiful version of the fairy tale Beauty and the Beast. It is a real shame that Herz's films are not available today, at least to US cinephiles.

I remember this film as having been done in a very naturalistic way, with (I think) no optical effects at all. The costumes were wonderful, as was the music and the acting. It seems to me there was a situation in which a woman's dress turned to mud (in a simple jump cut). The "Beast" is especially striking, with his bird-like plumage.

Anyone at Facets want to take this one on?

Although I doubt that this film was ever on in the U.S., since I live in the country where it was shot, I can warmly recommend it to anyone who loves fairy tales taken in a harsher and darker manner. The atmosphere of the film is gloomy and the camera is very original - we can see the Beast /who has here gruesome bird-like looks/ only in the middle of the film. In the first part of the film we feel his presence only through his eyes. The beginning of the movie has nothing to do with a fairy tale, it is a pure horror - a dark forest, amazing church-pipe tones, chilling to the bone, mist all around and a sudden sound of hoofs getting nearer and nearer... The dark atmosphere of the whole film is weakend by a dream interlude in which the Monster is shown as a normal human being dancing with the heroine in rooms full of glare and light. Fantastic music again. Perfect acting /best Czech actors whatsover, great choreography/,a super setting /a dark palace of the Monster/. The film will give you a totally different approach to the old well known fairy tale.

The honest merchant Otec (Václav Voska) goes bankrupt when he loses the cargo of dowry for the wedding of his ambitious and envious older daughters Málinka (Zuzana Kocúriková) and Gábinka (Jana Brejchová) with decadent earls. His only chance to raise money is selling the painting of his former wife and mother of the sweet and pure youngest daughter Julie (Zdena Studenková). He travels through the Haunted Wood during the night, but his horse dies and he seeks shelter in the derelict castle of the Beast (Vlastimil Harapes). He is well received by his host that buys his painting by a fair price. When he is leaving the castle, he takes a rose for Julie from the Beast's rosebush and his host tells that he must pay with his life for the theft of the rose. He asks for permission to return home to give the jewels for his daughters, but he would return to the castle since he is a man of honor. The Beast accepts and tells that his life would be spared whether one of his daughters agrees to come to the castle. When Julie learns the proposal, she travels to the castle to save the life of her father. She is forbidden by the Beast to look at him, but along the lonely days, she falls in love with his voice and kindness.

"Panna a netvor" (1978), a.k.a. "Beauty and the Beast", is a dark version from Czechoslovakia of the classic fairy tale. The plot is flawed, since the curse and the magic of the beast are not explained, and ambiguous, since the conclusion is not sure that is the reality or the beautiful view of the ugliness of Julie. The performances, lighting and shadows are magnificent. My vote is seven.

Title (Brazil): "A Bela e a Fera" ("The Beauty and the Beast")

This film noir version of the classic fairytale, Beauty and the Beast, is captivating and magical. In many respects it is closer to the original story than other versions I have seen. I did see it once on television in the US. I have not been able to locate a copy of the video. I highly recommend it.