Die Jungfrau und das Ungeheuer

The honest merchant Otec (Václav Voska) goes bankrupt when he loses the cargo of dowry for the wedding of his ambitious and envious older daughters Málinka (Zuzana Kocúriková) and Gábinka (Jana Brejchová) with decadent earls. His only chance to raise money is selling the painting of his former wife and mother of the sweet and pure youngest daughter Julie (Zdena Studenková). He travels through the Haunted Wood during the night, but his horse dies and he seeks shelter in the derelict castle of the Beast (Vlastimil Harapes). He is well received by his host that buys his painting by a fair price. When he is leaving the castle, he takes a rose for Julie from the Beast's rosebush and his host tells that he must pay with his life for the theft of the rose. He asks for permission to return home to give the jewels for his daughters, but he would return to the castle since he is a man of honor. The Beast accepts and tells that his life would be spared whether one of his daughters agrees to come to the castle. When Julie learns the proposal, she travels to the castle to save the life of her father. She is forbidden by the Beast to look at him, but along the lonely days, she falls in love with his voice and kindness.

"Panna a netvor" (1978), a.k.a. "Beauty and the Beast", is a dark version from Czechoslovakia of the classic fairy tale. The plot is flawed, since the curse and the magic of the beast are not explained, and ambiguous, since the conclusion is not sure that is the reality or the beautiful view of the ugliness of Julie. The performances, lighting and shadows are magnificent. My vote is seven.

Title (Brazil): "A Bela e a Fera" ("The Beauty and the Beast")

We've all heard or seen the classic fairy tale of "Beauty and the Beast" but it's probably fair to say that you've never seen a version as beautifully done as this 1978's Czech adaptation. Absurd you say? Like most people who grew up in the 90's, I was long under the impression that the only film version of "Beauty and the Beast" that counted was Disney's 1991 animated classic. But then I came across this version. Directed by Juraj Herz, it sets the tale in a gloomy world where we met a well to do merchant who's expecting a large shipment of priceless jewels, diamonds, the whole works. But unfortunately for him, they are stolen in route by the dreadful beast that haunts the black forest. Desperate to provide for his three daughters, he sets out to the beast's decrypted mansion to sell a priceless painting of his late wife. At first, everything goes well until he makes the mistake of plucking a rose from the beast's garden. Through some creative camera work, we don't see the beast right away but from the father's reaction know that he is hideous and angry . The beast tells him that if he wants to live, one of his daughters must come on her own free will to be with him forever. Julie, his kindest and most caring daughter, volunteers to sacrifice herself for her father despite not knowing the grisly details. When she first meets the beast, she only knows his voice since he only talks to her from behind. Yet, Julie can't help but feel something tug at her heart and what follows is one of the most dark and surreal love stories ever put to screen.

Let me just state that this is probably not the best version to show little kids due to the fact that it may give them nightmares! The director here was clearly going for a creepy and atmospheric take on the legend with the dark lighting, eerie shooting locations, and winding camera angles from the beast's point of view. In other words, it's what a fairy tale is supposed to be before Hollywood waters it down for kids. Also the music score, with its foreboding organ chimes, goes a long way to establishing suspense and apprehension as well as beauty when that organ switches to piano. As for the beast himself, he manages to be both strange and ugly with his bird/beast hybrid look (Considering the time and country it was made in, the costume and make up is fairly realistic). Since this beast is capable of using magic, he has his own goblin servants, including one who sits in chandelier that moves up and down when it's time to serve drinks. But the movie is more than just a horror picture; it's also a love story, one that is told well by its writing and actors. The filmmakers are able to present the beast as a complicated being who is torn between his new found love for Julie and his inner animal, which is presented in the form of a malicious whisper. Despite being under a lot of make up, Vlastimil Harapes is able to shine through and make you care about his plight. As for Julie, she could not be any more lovelier than in the form of Zdena Studenkova, who cuts a fine figure but more importantly, a beautiful personality for her character. Unlike her materialistic sisters, she has an innocent heart and truly cares for her father's well being, not just his money. But can Julie overcome the beast's hideous face and can the beast repress his animal instinct once and for all so they can live happily ever after? It all leads up to heartfelt conclusion that teaches us it's not what's outside that counts, but what is inside. Sadly (Maybe because it was made behind the iron curtain) the movie does not seem to be all that available. The only place I can recommend would be you tube. As far as finding a DVD, it appears to only be available in Europe. But the you tube version does have English subtitles and is in fair viewing condition. With that said, I urge you to check it out this beautifully dark version of the tale while you still can and remember that a woman makes a man she loves beautiful.

SBS-TV used to screen this film on an annual basis, but it has been missing in action for some years, which is cause for regret. The title may seem obscure, but a look at the alternative English translations ("Maiden and the Beast" and "Virgin and the Monster") should make this clearer. This is quite simply a wonderful interpretation of the classic fairy tale of Beauty and the Beast, produced and filmed in the then Czechoslovakia. Cinematic gems can be found in what may be thought to be unlikely places, and this film is an example.

Students of cinema may be aware that Cocteau did a version of this story in B&W, and there is of course the more recent and rather tame Disney version. This film is a very different proposition. For a start, it is unsuitable for young children because of some fairly graphic violence, including scenes of animal cruelty. The film-makers seem to strive for realism, particularly the scenes in the village where Beauty (here called Julie) lives, all mud and images of earthy rural life before the Industrial Revolution. But even the magical bits are portrayed realistically. The Beast's castle is maintained by an array of goblin-like servants, who skulk in the shadows of the fireplaces and chandeliers. If I have one complaint about this film, it is that the scenes are sometimes so dark that it is difficult to see what's happening. This does heighten tension, but it can be overdone.

The actors are great, especially the two charismatic leads. The Beast (Vlastimil Harapes) is fashioned more as a great bird of prey than Cocteau's leonine creation, and there is great suspense as he struggles with his inner violent nature (a sinister whispering voice) that is urging him to remain in his beastly form and kill the innocent Julie. Julie (Zdena Studenková) in turn is wonderfully portrayed. We can see why she is so obviously her father's favourite.

Fairy tales are expositions of the human condition, and the Beauty and the Beast story is no different. "Every woman has the power the make the one she loves beautiful". It's a simple theme, but this film explores it beautifully. See it if you can.

This film noir version of the classic fairytale, Beauty and the Beast, is captivating and magical. In many respects it is closer to the original story than other versions I have seen. I did see it once on television in the US. I have not been able to locate a copy of the video. I highly recommend it.

What a wonderful film it is. Never having seen it before and only the Cocteau, made in 1946, a couple of times. I know there are many other versions but I think these two will be good enough for me when I like to watch this story again. I didn't really think that this one would be very good but it is amazing. Right from the beginning there is a stunning opening with a forest and a terrible ride with many horses and wagons, in the rain and the mud. Then there are the credits, even more wonderful as surrealist like paintings almost animated, unusual and original. Then back to the forest, the peasants have taken the wrong turning and they are lost but there is fire and horror. In the village and the man and his three girls with two of them getting married but he gets word that the wagons and their treasures and spices are lost and he will not make his money. There will be no wedding. He goes into the forest with his painting of his dead wife all seems to be okay and later with the third daughter she has to go into that gothic ruin in the forest and maybe find a husband. We know the story well enough but with this one and the beast or monster or her lover it is really well done and thrilling and beautiful to watch it all the time throughout. Breathtaking.