Dark Rider

"Killer's Delight" opens with the familiar statement that the story you're about to watch is based on true events. You don't need to be Hercule Poirot or Sherlock Holmes to figure out the events in question refer to the bloody killing spree of notorious US serial-killer Ted Bundy, mixed with a little bit of Ed "the Co-Ed Killer" Kemper. Like usual, many important details are changed out of respect for the real victims. The modus operandi of picking up hitchhikers and almost exclusively targeting young attractive girls is kept in place, but the locations and names are different. Remarkable here, though, is how the makers also replaced Bundy's iconic beige Volkswagen Beetle with an old yellow Ford Van.

I have a passion for horror/thriller movies based on true crimes, and appreciated "Killer's Delight" quite a lot, but it's obviously a cheap, amateurish, and largely improvised B-movie. There also isn't much of a plot. Crazed killer, with mommy issues, picks up young girls and brutally murders them. Obsessive police detective tracks his down, but he's always too late to prevent another tragic murder.

Just because "Killer's Delight" is so low budget, the film nevertheless comes across as a raw and often shocking thriller. The opening scene immediately sets the right tone, as a ramshackle old Ford van parks at the edge of cliff, and the driver nihilistically throws the naked body of his last victim into the deep. Don't know about you, but I've seen opening sequences that are far less attention-grabbing. There are more shocking moments throughout the film, including the death-struggle of the poor girl who works at the pool and the unexpectedly downbeat finale. Lead actor (and John Saxon lookalike) James Luisi does a decent job as the hardened cop, and receives good support as well, notably from Martin Speer, Susan Sullivan, John Karlen, and many incredibly pretty girls in tiny bikinis. It may not be a great movie, but "Killer's Delight" accurately captures the gritty, shameless, nasty flavors of 70s exploitation cinema, and that's why it comes recommended to my fellow fanatics of this era.

An early example of the serial killer features that would eventually proliferate, "Killer's Delight" takes its inspiration (apparently) from the crimes of the notorious real-life Ted Bundy. A disguise-happy creep (John Karlen, 'Dark Shadows') rides about in a yellow van and regularly abducts, tortures, and slaughters attractive young women. A police detective named DeCarlo (James Luisi, "The Hidden") realizes that these murders are the work of one person, and is coldly determined to stop him, no matter what he has to do.

"Killer's Delight" (also known as "The Sport Killer" and "The Dark Ride") goes through its exploitative paces adequately, with suspense, titillation, and very little in the way of gore. Here, screenwriter Maralyn Thoma and director Jeremy Hoenack try to maintain a balance between following the actions of the psycho, and the actions of the cop. It has time for some humor, as DeCarlo pals around with fellow detective Mike Mitelman (Martin Speer (Wes Cravens' "The Hills Have Eyes"), who was also the art director on this show). The film is sufficiently entertaining, if not exemplary in any way. Its biggest plot twist occurs in the final third when DeCarlo asks his paramour, psychiatrist Carol Thompson (lovely TV veteran Susan Sullivan, 'Falcon Crest' and 'Dharma & Greg'), to act as the bait in a trap for the creep.

With other familiar faces like Hilarie Thompson ("Nighthawks"), Anne-Marie Martin (the original "Prom Night"), and Buck Flower ("They Live"), in a cameo as a distraught witness, it's easy enough to watch "Killer's Delight", especially as it works to create a constant sense of creeping dread. Karlen is a standout as the murderer, the kind of character one feels filthy just watching.

Overall, a decent procedural / body count thriller, somewhat obscure these days but which die hard fans of the genre may want to seek out.

Six out of 10.

I hesitate to mention that this movie was reportedly inspired by the real-life Ted Bundy and Ed Kemper murders because this is actually quite different from the "serial killer biopics" that are so popular today. On one hand, this is kind of one those low-rent crime dramas inspired by "Dirty Harry" (which was itself loosely based on the real-life Zodiac Killer). It is set in the suburbs of San Francisco, not far from where "Dirty Harry" takes place, and the focus is mostly on the two cops investigating the murders. The movie also mines the then-popular "sexy female hitchhiker" movies as pretty much all the victims are young females with tight shorts and loose morals.

In a particular absurdity though, the killer's main hunting ground is a single community swimming pool. This would not only seem to make him very easy to catch, but you would think he'd run out of victims pretty fast since people would STOP GOING SWIMMING AT THAT PARTICULAR POOL. But from a purely exploitation standpoint, of course, the pool locale provides for plenty of scenes of nubile girls in bikinis. The murders are pretty effective, at least while the killer remains a shadowy figure in a sinister yellow van. At one point, he picks up two girls hitchhiking back to the pool (where their mother had dropped off) from their boyfriends' house. One minute the two girls smoking dope in the front seat of the van with the unseen killer and the next minute one of the girls is tied up in the back watching as her friend gets brutally raped. After the killer comes out of the shadows though and turns out to be a short, pudgy John Karlen (from the Euro-fave horror flick "Daughters of Darkness"), the movie becomes significantly less scary.

The movie has some interesting, very 70's touches. The main detective is married (to a woman who's surprisingly understanding when the killer at one point dumps a body on their lawn), yet he's carrying on with a female professor of criminology, who hatches a crackpot scheme to catch the killer using herself as bait. The other detective (Martin Speer, who many may recognize as Dee Wallace's husband in "The Hills Have Eyes") is single, but quite a swinger himself. In one scene he is seriously rebuffed by a female colleague, but in the next scene he is in bed with her (only in the 70's--or, at least, only in the movies of the 70's). The cynical ending is also very 70's. And that, perhaps, is the best reason to see this today--it really captures the flavor of the era (think a kind of downbeat "Starsky and Hutch" with graphic violence and nudity). Not recommended for serious serial killer buffs, but a good movie for 70's crime thriller fans.

I came across this movie in a list of movies inspired by true crime cases. The inspiration for this film was the cases of Ted Bundy and Edmund Kempler.

The script is very simple, clearly having some influence by European films like 'Bird With The Crystal Plumage' or 'Black Belly of the Tarantula'. However, Maralyn Thoma doesn't make this mystery that complex, focusing more on the cat and mouse game between the killer and the detective.

Compared to most modern slick thrillers and horror movies, it is easy to consider this film dull with it's steady progression and lack of cheap fake scares. What this film is trying to achieve isn't cheap shocks but a slow sense of frustration and dread.

The killer is underdeveloped as a character for a simple reason, this film is from 1978. A lot of the information about serial killers, their psycho-pathology and victimology was still being developed at the time. Without the information we take for granted now, it was much better to keep the tension by detaching from the killer, making him a monster by mystery.

The actors in this film are giving their all. James Luisi is a very sympathetic, complicated protagonist, absorbed in this case and torn between his home life with his family, and his mistress, a psychologist who can give him his first clues on the nature of this kind of monster.

The girls playing the victims are very convincing in their naivety, their shock at being trapped and their fear being in the hands of a madman. They aren't mere cookie cut bodies or subtly being blamed for their victimization, with small action and dialog, they are made real and ordinary for us.

Oh, and also because it is a late seventies film, there has to be one lame, over sentimental song. That's just a given.

This is an overlooked film, and that's a pity. For a true horror maven, it is well worth watching.

When I was growing up, I saw this movie (under the title "The Dark Ride") in several video stores in my town. I was curious about it, but I never got around to renting it. Recently, I found a copy in a thrift store, and felt it was now or never. To tell the truth, I thought it would be awful, but to my surprise I found several aspects of the movie worthy of merit. It's decently acted for the most part by the no-name cast, for one thing. And there are a number of scenes involving the killer that have some genuine creepiness, such as using the simple but effective technique of little to no background music. The movie also correctly illustrates that investigations of serial killers take a lot of long and hard work. Unfortunately, that leads to the big problem of the movie. Even though the movie runs less than 90 minutes, the story is still too drawn out, and gets dull at times. Also, if you are looking for plenty of exploitation material like gore and sexual stuff, there isn't much of that here. In fact, it wouldn't take that much editing to make this movie safe to broadcast on commercial TV. So while I am firm in my opinion to not seek out this movie, I will say that if you find yourself watching it you won't find it completely bad.