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12 Uhr nachts - Midnight Express

Originaltitel: Midnight Express
  • 1978
  • 18
  • 2 Std. 1 Min.
IMDb-BEWERTUNG
7,5/10
92.098
IHRE BEWERTUNG
BELIEBTHEIT
3.167
756
Brad Davis in 12 Uhr nachts - Midnight Express (1978)
Theatrical Trailer from Columbia Tristar
trailer wiedergeben1:18
1 Video
99+ Fotos
Gefängnis-DramaSchwarze KomödieBiographieDramaKriminalitätThriller

Der amerikanische College-Student Billy Hayes wird bei dem Versuch erwischt, Drogen aus der Türkei herauszuschmuggeln, und ins Gefängnis geworfen.Der amerikanische College-Student Billy Hayes wird bei dem Versuch erwischt, Drogen aus der Türkei herauszuschmuggeln, und ins Gefängnis geworfen.Der amerikanische College-Student Billy Hayes wird bei dem Versuch erwischt, Drogen aus der Türkei herauszuschmuggeln, und ins Gefängnis geworfen.

  • Regie
    • Alan Parker
  • Drehbuch
    • Oliver Stone
    • Billy Hayes
    • William Hoffer
  • Hauptbesetzung
    • Brad Davis
    • Irene Miracle
    • Bo Hopkins
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    92.098
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.167
    756
    • Regie
      • Alan Parker
    • Drehbuch
      • Oliver Stone
      • Billy Hayes
      • William Hoffer
    • Hauptbesetzung
      • Brad Davis
      • Irene Miracle
      • Bo Hopkins
    • 327Benutzerrezensionen
    • 75Kritische Rezensionen
    • 59Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 2 Oscars gewonnen
      • 17 Gewinne & 14 Nominierungen insgesamt

    Videos1

    Midnight Express
    Trailer 1:18
    Midnight Express

    Fotos114

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    Topbesetzung23

    Ändern
    Brad Davis
    Brad Davis
    • Billy Hayes
    Irene Miracle
    Irene Miracle
    • Susan
    Bo Hopkins
    Bo Hopkins
    • Tex
    Paolo Bonacelli
    Paolo Bonacelli
    • Rifki
    Paul L. Smith
    Paul L. Smith
    • Hamidou
    • (as Paul Smith)
    Randy Quaid
    Randy Quaid
    • Jimmy Booth
    Norbert Weisser
    Norbert Weisser
    • Erich
    John Hurt
    John Hurt
    • Max
    Mike Kellin
    Mike Kellin
    • Mr. Hayes
    Franco Diogene
    Franco Diogene
    • Yesil
    Michael Ensign
    Michael Ensign
    • Stanley Daniels
    Gigi Ballista
    • Chief Judge
    Kevork Malikyan
    Kevork Malikyan
    • Prosecutor
    Peter Jeffrey
    Peter Jeffrey
    • Ahmet
    Joe Zammit Cordina
    Joe Zammit Cordina
    • Airport Customs Officer
    Yashar Adem
    Yashar Adem
    • Airport Police Chief
    Raad Rawi
    Raad Rawi
    • Airport Security Chief
    Tony Boyd
    • Aslan
    • Regie
      • Alan Parker
    • Drehbuch
      • Oliver Stone
      • Billy Hayes
      • William Hoffer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen327

    7,592K
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    Cinemanly

    A Contemporary "Jude Suess"

    Artistically, MIDNIGHT EXPRESS is quite well made... I do recall several media reports at the time of the film's release that led to contrary impressions, supporting the deliberate attempt by the filmmakers to do a hatchet job on the setting of this film. The first was Billy Hayes himself, when he first arrived on native soil, having pulled off his alleged escape; he said on TV, "I like the Turks...it's the prison I had a problem with" Easy to understand; few prisons are a joy ride, regardless of nation of origin. From this, I gathered he personally didn't have an animosity against the Turks, although MIDNIGHT EXPRESS goes out of its way to make everything negative about the country and culture. Only the "Western" characters are good and attractive, and the folks selected to play the Turks are corrupt, physically ugly and basically sub-human. The exterior scenes in Turkey itself have a grayish tint, implying the land is a hell-hole, and even the near-universally acclaimed cuisine gets a black eye.

    The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.

    I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.

    The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.

    A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
    savasan

    what kind of pleasure does it give to show one nation brutal,although its not

    Im a turkish boy and im proud of being a turk.that movie may be a good movie but its full of exaggerations.Even Billy Hayes admitted that that movie was full of exegerations.Some ppl have some prejudieces about turkey and turkish people.and i don't like that.For ex i watched the movie called 'sleepers' but i dont think that all Americans rape kids in jail.
    7missamerica1974

    Unfair Depiction of Turkey

    This movie is pretty good, but speaking as an American who has lived in Turkey, this movie is a dramatization of a true story. While Turkey certainly has its problems with corruption, this movie is hardly something one should use to form an opinion on Turkey.
    8schappe1

    It's not about Turkey

    I found an old VHS tape of this film among my film collection: I don't think I've watched it for 30 years so I put it in the machine. I thought it was a strong movie with good performances and held up very well. I've always liked the music. I was amazed to read the reviews and find that the film was treated like a cinematic diatribe against Turkey and the Turkish people. The film is not about Turkey. That's simply the setting. it's no more about the Turkish people than "I Am a Fugitive From a Chain Gang", "Cool Hand Luke" or "The Shawshank Redemption" is about the American people.

    The film works on two levels. It's about a guy who foolishly decides to ignore the laws of a foreign country and smuggle hashish from ti to make some quick money. He gets caught and confronts a series of policemen, lawyers, judges and prison guards, none of them sympathetic characters. Those are the "Turkish people" presented to him and to us. They are little different from the sort of people who would hold those jobs in any country, including ours. A couple of prisoners make comments about disliking Turks but that's because this is their experience of them. There's no implications that all of the Turkish people are like these characters. On this level the film is just a stark reminder that if you travel to a foreign country you must be aware of and obey their laws. Just because you are an American, you have no special status.

    The other level of the film and the part that makes it special is the psychological. the "Midnight Express" is not a train but it's not just an escape attempt. When Billy winds up in the asylum, he gets into a battle to hold on to his mind. He doesn't want to be a "bad machine", which is the other way to escape his dismal reality. he's losing that battle when his girlfriend show up to give him hope and reason to use it. That's what the movie is really about.
    ozzy_88

    Haven't seen this many ugly people in one movie!

    Wow. This was disturbing. I live in Nottingham, I have many Turkish friends who study here. If I didn't know them, I'd probably think that there wasn't a single Turk who is nice and pleasant... Some parts were actually funny. The judge (in Billy's hate monologue scene) was sounding exactly like Jabba the Hutt! I've heard people speak Turkish around me, so I knew the language which was supposed to be Turkish in the movie, wasn't. Come on people... Feels like this movie was made to make Turks look bad in every way possible. I've read an interview and I learnt that the real Billy Hayes was truly disappointed with the portrayal of Turkish people in the film. Anyway, this movie was fun to watch but would be ignorant to believe. Have a good one

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    Schwarze Komödie
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    Biographie
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    Drama
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    Kriminalität
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    Thriller

    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      Banned (and never released theatrically) in Turkey until 1992 when the private television channel HBB broadcast it.
    • Patzer
      The Turkish spoken by the Turkish characters in the film is uniformly broken. The actors are obviously not Turkish; sometimes the language is so broken it is difficult for native speakers to understand what they are saying.
    • Zitate

      Max: The best thing to do is to get your ass out of here. Best way that you can.

      Billy Hayes: Yeah, but how?

      Max: Catch the midnight express.

      Billy Hayes: But what's that?

      Max: [laughs] Well it's not a train. It's a prison word for... escape. But it doesn't stop around here.

    • Crazy Credits
      The only opening titles are: Columbia Pictures presents a Casablanca FilmWorks production an Alan Parker film Midnight Express After this, the opening prologue text reads "The following is based on a true story. It began October 6, 1970 in Istanbul, Turkey."
    • Alternative Versionen
      Some of the VHS and Betamax copies included text before the end credits run that did not appear on the DVD and Blu-ray copies "On May 18,1978 the motion picture you have just seen was shown to an audience of world press at the Cannes Film Festival.... 43 days later the United States and Turkey entered into formal negotiations for the exchange of prisoners." This dialogue existed on HBO's showing of the movie back in 1985.
    • Verbindungen
      Edited into Running Man (1987)
    • Soundtracks
      Istanbul Blues
      Vocals by David Castle

      Written By Oliver Stone, Billy Hayes (as William Hayes)

      Arranged and Lyrics by David Castle

      Acoustic / Electric Guitars by Patrick McClure

      Drums, Percussion by Jerry Summers

      Strings by Fritz Sonnleitner and Sid Sharp

      Bass by Rick Tierney

      Piano, Electric Piano, Clavinet by David Castle

      Published by Rick's Music Inc./Gold Horizon Music Corp. (BMI)

      (p) 1978 Casablanca Record and FilmWorks, Inc.

      © 1978 Columbia Pictures

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    FAQ21

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    Details

    Ändern
    • Erscheinungsdatum
      • 29. September 1979 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Site
      • Sony Pictures (United States)
    • Sprachen
      • Englisch
      • Türkisch
      • Französisch
    • Auch bekannt als
      • Expreso de medianoche
    • Drehorte
      • Fort St. Elmo, Valletta, Malta(as the Turkish prison)
    • Produktionsfirmen
      • Columbia Pictures
      • Casablanca Filmworks
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    Box Office

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    • Budget
      • 2.300.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 35.000.000 $
    • Weltweiter Bruttoertrag
      • 35.000.000 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 1 Min.(121 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono

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