Der Mafu-Käfig

This adaptation of a play by Eric Wesphal stars Lee Grant and Carol Kane. They're cast as sisters who live in an old mansion; Kane is clearly very disturbed and is also very childlike. She pitches fits when she doesn't get her way and also resorts to emotional blackmail. Grant has a very tough time playing nursemaid to her younger sibling, but had made a promise to their dying father that she always would take care of her. When Grants' co-worker (James Olson) expresses a romantic interest in her, the thought of a man coming between them drives Kane even further into insanity.

Kane always has been a unique and remarkable performer; "eccentric" would be a kind way to put it. This independent, now somewhat obscure feature showcases her to great effect. In fact, she's all too convincing, in a role that was improvised to an extent, and which requires her to work extensively with an orangutan named Budar. Grant is no less impressive, as the kind of character that naturally earns some sympathy. It can't be easy looking after someone like Kanes' character. (Although it must be said that leaving Kane to her devices at a crucial point was a disaster waiting to happen. This viewer realizes that it's an essential part of the plot, but still doesn't exactly ring true.)

A highly engaging Will Geer, as a character named Zom, and Olson provide fine support, but "The Mafu Cage" is first and foremost a vehicle for the two talented ladies at the centre. It's also decidedly unpleasant in its psychological approach (characters take turns being victimized in the title location), and it must be said that people who take exception to animals being mistreated on film (even if the scenes had to have been simulated somehow) will want to give this film a pass.

Notable assets are the production design / set decoration (the main room of the abode has an African jungle theme), and the striking, atmospheric score composed by Roger Kellaway. This was an interesting venture for the director, Karen Arthur, who made only a few feature films over the course of her career. It even touches upon such taboo subjects as incest. Overall, it's something unusual for seekers of cinematic curiosities.

Six out of 10.

Maybe it didn't deserve a straight 10 rating, but certainly 9 . I didn't watch this movie as the ratings weren't very good and some of the feedback was downright abysmal. How wrong they are . And although this movie dates back to 1978 which makes it nearly 45 years old by now it still was captivating by today's standard. It certainly is not a horror movie , but a very well made psychological thriller. The performance by Carol Kane as the mad sister Cissy was absolutely convincing. And for once the ending was not open for interpretation by the viewer, but completely in line with the story. I just regret not have watched it before. Highly recommended.

"The Mafu Cage" follows two sisters (played by Lee Grant and Carol Kane) who reside in a dilapidating mansion in the Hollywood Hills, built by their renowned anthropologist father. The younger sister (Kane) is mentally imbalanced, spending her days in the company of various monkeys, while the elder (Grant) attempts to live a somewhat normal life. Naturally, conflicts begin to arise.

While marketed as a horror film, "The Mafu Cage" is more of a psychological thriller with shades of horror--in truth, it is a character study, and a rife exploration of a strange, insular world crashing against "normal" society. The central plot here is a power struggle between two sisters who grew up in highly unusual circumstances, and who are unable to reconcile their circumstances with the everyday world--one of them, because she simply does not want to, and the other, because her sister is holding her back.

The film plays out with all the trappings of a Greek tragedy, and even when it goes a more salacious route, it is remarkably well-acted. Lee Grant is fantastic as the elder sister stuck between two worlds, while Carol Kane is riveting as the disturbed younger sister who cannot function outside of her deceased anthropologist father's lair of artifacts and primates. The crumbling Los Angeles mansion in which most of the film unfolds has a stark California gothic look, obviously inspired by "What Ever Happened to Baby Jane?".

Overall, "The Mafu Cage" is a potent, unusual film. It excels as a psychological thriller, largely because its lead performers are completely keyed into the material. Though not particularly pleasant, "The Mafu Cage" is disturbing and thought-provoking. 8/10.

Nobody going to say a word about Carol Kane's extraordinary performance? She was working with a series of animals, and having to ad-lib her character continuously. An amazing job by this superb and often overlooked actor.

Regarding the film itself - boggle. It's been years since I saw it, but it blew me away at the time. Here's hoping some noble figure will step up and put it on DVD soon.

I dunno, man. This movie's got weird vibes. Early on all I could think of was that famous Tumblr post about an H. P. Lovecraft convention and "WE DO NOT TALK ABOUT THE ORANGUTAN" -- but there's more going on here and it's still uncomfortable for a different reason.

Carol Kane plays a mentally detached woman named Cissy who comes back from Africa after her parents die. She and her sister inherit their parents gigantic mansion, including a room for "Mafu" -- a cage where Cissy keeps a pet monkey, her artistic muse. Unfortunately, Cissy is prone to fits of rage, and this is not the first "Mafu" she's had.

What a strangely unsettling movie. Carol Kane is kind of terrific. Unlike most of her comedies, where she's this sweetly unhinged force of chaos, here that tendency is flipped around into something legitimately scary. You're never quite sure which way she's going to turn. Same basic performance, but the tone is completely different.

But it's also a movie where, if you took Carol Kane out of it, there wouldn't be much to it. She's the movie. The director knows enough that the spotlight stays fixed on her.

Weird time. Did not expect the strange psycho-sexual stuff either. But I suppose that's common in horror.