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Der Herr der Ringe

Originaltitel: The Lord of the Rings
  • 1978
  • 12
  • 2 Std. 12 Min.
IMDb-BEWERTUNG
6,2/10
38.172
IHRE BEWERTUNG
Christopher Guard and William Squire in Der Herr der Ringe (1978)
Blu-Ray Combo Pack trailer
trailer wiedergeben1:20
19 Videos
88 Fotos
Abenteuer EpischDunkle FantasieSchwert und ZaubereiAbenteuerFantasieAnimationsfilmHandgezeichnete Animation

Die Gemeinschaft des Ringes begibt sich auf eine Reise, um den einen Ring zu zerstören und Saurons Herrschaft über Mittelerde zu beenden.Die Gemeinschaft des Ringes begibt sich auf eine Reise, um den einen Ring zu zerstören und Saurons Herrschaft über Mittelerde zu beenden.Die Gemeinschaft des Ringes begibt sich auf eine Reise, um den einen Ring zu zerstören und Saurons Herrschaft über Mittelerde zu beenden.

  • Regie
    • Ralph Bakshi
  • Drehbuch
    • Chris Conkling
    • Peter S. Beagle
    • J.R.R. Tolkien
  • Hauptbesetzung
    • Christopher Guard
    • William Squire
    • Michael Scholes
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    38.172
    IHRE BEWERTUNG
    • Regie
      • Ralph Bakshi
    • Drehbuch
      • Chris Conkling
      • Peter S. Beagle
      • J.R.R. Tolkien
    • Hauptbesetzung
      • Christopher Guard
      • William Squire
      • Michael Scholes
    • 372Benutzerrezensionen
    • 78Kritische Rezensionen
    • 51Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 3 Nominierungen insgesamt

    Videos19

    The Lord of the Rings
    Trailer 1:20
    The Lord of the Rings
    The Lord Of The Rings Trilogy: Is It Safe?
    Clip 1:34
    The Lord Of The Rings Trilogy: Is It Safe?
    The Lord Of The Rings Trilogy: Is It Safe?
    Clip 1:34
    The Lord Of The Rings Trilogy: Is It Safe?
    The Lord Of The Rings Trilogy: Skill With A Blade
    Clip 1:14
    The Lord Of The Rings Trilogy: Skill With A Blade
    The Lord Of The Rings Trilogy: We're Not Alone
    Clip 0:45
    The Lord Of The Rings Trilogy: We're Not Alone
    The Lord Of The Rings Trilogy: We Have To Get Out Of Here
    Clip 0:48
    The Lord Of The Rings Trilogy: We Have To Get Out Of Here
    The Lord Of The Rings Trilogy: There Is Still Hope
    Clip 0:55
    The Lord Of The Rings Trilogy: There Is Still Hope

    Fotos88

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    + 80
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    Topbesetzung70

    Ändern
    Christopher Guard
    • Frodo
    • (Synchronisation)
    William Squire
    William Squire
    • Gandalf
    • (Synchronisation)
    Michael Scholes
    • Sam
    • (Synchronisation)
    John Hurt
    John Hurt
    • Aragorn
    • (Synchronisation)
    Simon Chandler
    Simon Chandler
    • Merry
    • (Synchronisation)
    Dominic Guard
    Dominic Guard
    • Pippin
    • (Synchronisation)
    Norman Bird
    Norman Bird
    • Bilbo
    • (Synchronisation)
    Michael Graham Cox
    Michael Graham Cox
    • Boromir
    • (Synchronisation)
    • (as Michael Graham-Cox)
    Anthony Daniels
    Anthony Daniels
    • Legolas
    • (Synchronisation)
    David Buck
    David Buck
    • Gimli
    • (Synchronisation)
    Peter Woodthorpe
    Peter Woodthorpe
    • Gollum
    • (Synchronisation)
    Fraser Kerr
    • Saruman
    • (Synchronisation)
    Philip Stone
    Philip Stone
    • Theoden
    • (Synchronisation)
    Michael Deacon
    • Wormtongue
    • (Synchronisation)
    André Morell
    André Morell
    • Elrond
    • (Synchronisation)
    • (as Andre Morell)
    Alan Tilvern
    Alan Tilvern
    • Innkeeper
    • (Synchronisation)
    Annette Crosbie
    Annette Crosbie
    • Galadriel
    • (Synchronisation)
    John Westbrook
    • Treebeard
    • (Synchronisation)
    • Regie
      • Ralph Bakshi
    • Drehbuch
      • Chris Conkling
      • Peter S. Beagle
      • J.R.R. Tolkien
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen372

    6,238.1K
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    Empfohlene Bewertungen

    7barnabyrudge

    Animated version of The Lord Of The Rings - quite good, but suffers because too many unfairly compare it to the new Peter Jackson version.

    More than twenty years before Peter Jackson's visionary adaptation of The Lord Of The Rings, there was this 1978 animated effort from director Ralph Bakshi. An ambitious and reasonably faithful version of the story, this has sadly been rather over-shadowed by the Jackson trilogy. Indeed, many reviewers here on the IMDb (mainly those who saw the newer version first) seem to be fiercely unkind to this version.... but if one applies a little common sense, and takes into consideration the time when it was made and the technical possibilities that existed at that time, then they will realise that this is a pretty good film. Indeed, it was shortly after seeing this animated movie back in the early '80s that I sought out Tolkien's book and immediately became a lifelong fan of these richly detailed Middle Earth adventures. So, in some respects, I owe this film a degree of acknowledgement as the film which shaped my literary tastes forever.

    Sauron, the Dark Lord of Middle Earth, forges an all-powerful ring that gives him incredible power. Following a great battle during which Sauron is defeated, the ring falls into possession of a king named Isildur…. but instead of destroying it he foolishly chooses to keep it. For centuries the ring passes from hand to hand, eventually coming into the possession of a hobbit named Frodo Baggins who lives in a peace-loving community known as The Shire. Frodo learns from a wizard named Gandalf that his ring is in fact The One Ring, the very same that was forged by Sauron all those centuries ago, and that its master is once again searching for it in order to restore his dark power over the entire land. Frodo embarks on a perilous journey to protect the ring with three other hobbit companions, but every step of the way they are hunted by Sauron's ring-wraiths, the Black Riders. There follow many adventures, during which a company of nine adventurers is formed to guide the ring to the only place where it can be "unmade" – Mount Doom, in the land of Mordor. The film concludes with Frodo and his best friend Sam on the borders of Mordor, closing ever nearer to their horrifying destination. Meanwhile Gandalf and the other members of the company fight off a huge army of orcs at the legendary fortress of Helm's Deep.

    This version covers just over half of the original book. A second instalment was planned to bring the story to an end, but was sadly never completed. While the ending feels abrupt, it does at least end at a sensible point in the story. One has to feel a little frustration and regret that no sequel exists in which we might follow these animated heroes to their eventual goal. The animation is passable, with a nice variety of locales and characters presented in interesting detail. The music by Leonard Rosenman is suitably stirring and fits in appropriately with the epic narrative. The voice-overs are decent, too, especially John Hurt as Aragorn and Peter Woodthorpe as Gollum. On the other hand, Michael Scholes - who provides the voice for Sam - is rather campy and goofy, which is not well suited to the character. The Lord Of The Rings is a commendable attempt to visualise the staggering book on which it is based.
    dogenx2

    A misfire for Bakshi, that much is certain

    I won't dwell on the purists' outrage over Bakshi's liberties with story or characters. For the most part, they are correct. I'm certainly not coming to the filmmaker's defense, but in the context of the material's density, animation technology of 1978, et al., this guy really took a swing at bringing this thing to the silver screen.

    Sadly, the film wasn't that good. Much of the animation was disjointed, and most of the backgrounds were crudely drawn and failed to create the correct atmosphere that one gets from reading the book. I will say, though, that I have always liked the rotoscoping, in particular that of the orcs. There is something exceedingly frightening about the way they are displayed, something today's CGI characterizations seems to miss. Bakshi used this technique in his other works as well, particularly in Wizards, which is a better, if different, film than his version of LotR. But mixing purely-drawn characters (hobbits) with those that are rotoscoped (orcs) just didn't look right here.

    I must agree with some others who assert that some of the frame direction and scene selection is oddly similar to Peter Jackson's version of late. And if Jackson was influenced by at least SOME of the look of Bakshi's film, then what's the harm?

    If you want to be dazzled, this version of LotR probably won't rouse you. There's many more misses than hits. But it isn't as bad as many would have you believe. If it weren't a Tolkien adaptation, I think it would be received much better.
    6SnoopyStyle

    fascinating but limited

    It's J.R.R. Tolkien's The Lord of the Rings books 'The Fellowship of the Rings' and 'The Two Towers'. Hobbit Frodo Baggins must guard the one most powerful ring against powerful dark forces with the help of Gandalf, Samwise and others.

    Ralph Bakshi directed Wizard. Using the same rotoscoping of live-action footage, it has that fascinating 70s animation style. It's actually very effective for the material especially since the needed special effects haven't been perfected yet. The style is definitely a very interesting vision and gives an adult sensibility in the animation. However there are limitations with the compressed nature of the film and it also doesn't help that this movie never got the needed sequel. It ends in an unsatisfying cliffhanger. It's a fascinating cinematic oddity but not much more.
    7Aylmer

    Severe, Psychotronic 70's Cinema

    As a kid I was quite astonished with the dark and gloomy tone of this film, especially in comparison to Rankin/Bass's take on the same material around the same period. Also at the time I didn't really care for the animation, which I found to be rather cold and creepy (having no idea it was rotoscoped or even what rotoscoping was). However as the years have gone by and the Jackson adaptations come and gone, I feel more and more drawn to this rare piece of absolutism as I would a painting by Vincent Van Gogh or Salvadore Dali.

    Bakshi always had a flair for adult-oriented animation, and finally with this he found a subject befitting of his style. Lord of the Rings is some overall dark, intriguing material in comparison with The Hobbit and really was deserving of something imaginative and stylistic as only Bakshi's team could deliver. Most everything comes together quite well here with the bizarre rotoscoped animation, the characterizations, the voice performances, and Leonard Rosenman's supercharged score (one of his career best, up there and quite similar to his work on THE CAR and RACE WITH THE DEVIL). It's rather unfortunate that funding ran out and the project had to be hurriedly wrapped, quite a similar heartbreaking story as to what happened with his previous year's WIZARDS.

    The film is clearly unfinished in many regards. The most heinous act it commits is to end right in the middle of a major action scene with absolutely no resolution to speak of! Even ignoring its abbreviation of the books, one has to admit that narratively this film is a complete disaster. I can't imagine the marketing for this movie honestly claiming it to only be the first half of the book trilogy brought to screen. Needless to say I'd be surprised if angry audiences didn't get up and boo at the screen en masse back in 1978 witnessing perhaps the biggest cheat or, dare I say even, "rip off" in cinematic history.

    Similarly this film has a very rough feel to it in terms of animation and pacing and is entirely inconsistent. Things begin fairly polished and kid-friendly but get darker, drearier, more violent (with some surprisingly graphic gore), and sloppier as the film goes on. By the end we get the vast majority of the film not even properly animated and more or less just treated film material with undercranked smoke and clouds filling in the for the background plates. It's quite similar to the bizarre psychedelic cost saving measures Bakshi made when he took over the second season of the animated 60's "Spiderman" cartoons. This whole Joseph Conradian experience of a descent into hell is pretty overwhelming, oppressive, and possibly even emotionally scarring for young viewers, but it's something I've strangely come to love about this film over time.

    Yes, dare I say it, I just love this movie. You can't deny that it has its share of magical moments like Frodo's escape from the Wraiths, Gandalf opening the doors to Moria, and the showdown with the Balrog. Much like David Lynch's DUNE it created a vivid, creative, and whole-hearted realization of a world out of the severe butchery its source material. There's a small, artistic, and very personal loving feel given to this movie which I found lacking in Jackson's trilogy. Bakshi and his overworked team of animators may not have created the best film ever, but they did a lot with the little they had. I just wish they'd been able to see it through.
    8unga_bungabunga

    By sheer luck, I love this movie

    I happened upon this movie as an 8-10 year old on a cold, dark November afternoon. I was outside playing all day, freezing, and when I came in around 4pm, I had a cup of hot cocoa and sat down in front of the TV with a blanket. I was surprised to be watching a cartoon that wasn't all happy and silly--and was in fact dark, and moralistic. It captured my imagination. I'm sure it misses the text, and is abbreviated in all the wrong places for the Tolkien purist. But it still captures the spirit of the story, the choice to carry a burden for the good of others, the consequences of selfish, rash decisions, etc. The quality of animation leaves room for complaint. But the one place where this movie clearly rises above the new films is the voice characterizations. John Hurt is great in this. If you don't like how the character is drawn, look away, and just listen to him. His voice is extraordinary. I've seen it again many, many times and it always brings me back to that time, as a kid, thirsty for some magical adventure. It's for this reason I say 'lucky', the film is nostalgic for me so I overlook its shortcomings. But between John Hurt, and Tolkien's fantasy, it still reached me, and still does.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      Tim Burton was incorrectly identified as an animator on this movie. However, Ralph Bakshi clarified that Burton only cleaned the dust off animation cels and did not animate any sequences in the film.
    • Patzer
      The name of the wizard of Isengard fluctuates between "Saruman" and "Aruman" throughout the movie.
    • Zitate

      [after Gandalf opens the door to Moria]

      Legolas: So all you had to do was say friend... and enter.

      Gilmi: Those were happier times...

    • Alternative Versionen
      The version screened on British TV in the 1980s contains more music than the recently-released VHS and DVD version.
    • Verbindungen
      Edited from Alexander Newski (1938)
    • Soundtracks
      MITHRANDIR
      Music by Leonard Rosenman

      Words by Mark Fleischer

    Top-Auswahl

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    FAQ

    • How long is The Lord of the Rings?Powered by Alexa
    • Why does the film only cover half of the story?
    • Why wasn't it indicated that this would be the first part of the story?
    • Who is Aruman?

    Details

    Ändern
    • Erscheinungsdatum
      • 16. August 1979 (Westdeutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Offizieller Standort
      • RalphBakshi.com
    • Sprachen
      • Englisch
      • Sindarin
    • Auch bekannt als
      • El señor de los anillos
    • Drehorte
      • Belmonte, Cuenca, Castilla-La Mancha, Spanien(Exterior)
    • Produktionsfirmen
      • Fantasy Films
      • Bakshi Productions
      • Saul Zaentz Film Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 4.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 30.471.420 $
    • Eröffnungswochenende in den USA und in Kanada
      • 626.649 $
      • 19. Nov. 1978
    • Weltweiter Bruttoertrag
      • 30.477.175 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 12 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • 70 mm 6-Track
      • Dolby Stereo
      • Stereo
    • Seitenverhältnis
      • 1.78 : 1

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