IMDb-BEWERTUNG
8,1/10
21.457
IHRE BEWERTUNG
Eine filmische Beschreibung und Präsentation des Abschlusskonzerts von The Band.Eine filmische Beschreibung und Präsentation des Abschlusskonzerts von The Band.Eine filmische Beschreibung und Präsentation des Abschlusskonzerts von The Band.
- Auszeichnungen
- 3 Gewinne & 3 Nominierungen insgesamt
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If you, as a music lover, have ever wondered what it would be like to see a concert starring the very cream of the crop from the sixties and seventies, you have that opportunity now. Martin Scorcese has produced a film that should be mandatory viewing for anyone who calls themselves a rock lover. While all the performances are memorable, Van Morrison, Bob Dylan, Eric Clapton and, of course, The Band are incredible. Beyond the music, the very premise of the concert is amazing: A big bang to end the era, thanksgiving dinner for thousands, a wicked lineup, great music and some really enlightening interviews. The Last Waltz is a must see if you are a fan of the rock&roll genre, as The Band and friends not only play their hearts out, but also pay tribute to the sound that we all know and love.
Watch it, you won't regret the time spent.
Watch it, you won't regret the time spent.
Rock music at it's best. What a performance by Robbie and the band. They just don't make music like they used to nowadays. The energy and true musicianship that went into this concert was phenomenal. The guest artists that also played with the band really did bring the house down and with Martin Scorses's direction and great sound engineers this will undoubtedly go down in history as the greatest live rock/music video ever. I wish i had been around back in 76' for that concert man. Sad to see that Rick and Richard have passed away but glad that their talents have been captured on film for the world too see how good these guys were. Not only were the Band great musicians, but they were all great characters, real interesting guys with a genuine belief in what they were doing. Not like the sell-outs that the music industry now has in abundance.
This movie was only a name to me until I saw it last year. Immediately, I was riveted by everything about it. I've always been a casual fan of The Band, and of Levon Helm in particular. However, I'd never been bowled over by Bob Dylan, except as a songwriter, so much of The Band's work remained unknown to me as well. I wouldn't say I've become a rabid fan, but I am much more interested in their work, now.
It's a Scorsese film--how could it not be beautifully photographed, but Scorsese managed a difficult feat: he keeps himself out of the movie, except as interviewer during those sequences. This is not really Scorese's vision of a rock concert. It happened mostly organically, certainly with mistakes, gaffes and grit. This is part of its charm.
There are better singers than the guys in The Band, but few better musicians. This can be illustrated with Robbie Robertson in the Clapton song: Clapton's guitar strap comes off and Robertson, with one beat, picks right up on the solo. It looked planned, but wasn't. Joni Mitchell was notoriously hard to back up, due to her original guitar tuning, and ragged song phrasing, but bassist Rick Danko fills in every space with intricate bass figuring.
Perhaps we have become too accustomed to the overwrought, over-hyped, overproduced, overexposed, shiny gack that passes for popular music to appreciate the raw, the imperfect, the sheer humanness of this music. Scorsese shows it all. The guys in The Band were largely worn out and sometimes strung out in the interviews. They are tired, scrawny, empty-eyed from the excesses of the road. Rick Danko is hovering on the ragged edge, as his band is dissolved, and he says his goal is to "keep busy." Richard Manuel looks lost as he says "I just want to break even." These are two musicians who desperately needed the music, but who were murdered by the road. We see their bleak destinies in their eyes in this film.
It is bittersweet certainly, but also a moment in time, crystallized into something great by the music, the love of friends, the willingness of the director to simply stand back and allow the music to happen. It also reminds us what good music used to sound like and makes me wish could exist again.
It's a Scorsese film--how could it not be beautifully photographed, but Scorsese managed a difficult feat: he keeps himself out of the movie, except as interviewer during those sequences. This is not really Scorese's vision of a rock concert. It happened mostly organically, certainly with mistakes, gaffes and grit. This is part of its charm.
There are better singers than the guys in The Band, but few better musicians. This can be illustrated with Robbie Robertson in the Clapton song: Clapton's guitar strap comes off and Robertson, with one beat, picks right up on the solo. It looked planned, but wasn't. Joni Mitchell was notoriously hard to back up, due to her original guitar tuning, and ragged song phrasing, but bassist Rick Danko fills in every space with intricate bass figuring.
Perhaps we have become too accustomed to the overwrought, over-hyped, overproduced, overexposed, shiny gack that passes for popular music to appreciate the raw, the imperfect, the sheer humanness of this music. Scorsese shows it all. The guys in The Band were largely worn out and sometimes strung out in the interviews. They are tired, scrawny, empty-eyed from the excesses of the road. Rick Danko is hovering on the ragged edge, as his band is dissolved, and he says his goal is to "keep busy." Richard Manuel looks lost as he says "I just want to break even." These are two musicians who desperately needed the music, but who were murdered by the road. We see their bleak destinies in their eyes in this film.
It is bittersweet certainly, but also a moment in time, crystallized into something great by the music, the love of friends, the willingness of the director to simply stand back and allow the music to happen. It also reminds us what good music used to sound like and makes me wish could exist again.
Standouts include-- Rick Danko performing a soulful rendition of "It makes no difference".
Eric Clapton jamming with Robbie Robertson shows that Robbie is an excellent, and I believe, under rated guitarist.
"The night they drove old Dixie down" is another great performance with Levon belting it out.
Bob Dylan on "I shall be released" and "Forever young" are moving even though he is obviously renown for his song writing and not vocal abilities.
Muddy Waters, Ronny Hawkins, and Van Morrison also deliver the goods.
There is some gray material, however, for me, the diamonds outweigh the granite.
If you like blues, country rock, or electric folk there will be something for you in this film.
The interviews are interesting but, of course, it's the music that makes the movie.
I rented this for $3 at Blockbuster on DVD. It was worth more.
Eric Clapton jamming with Robbie Robertson shows that Robbie is an excellent, and I believe, under rated guitarist.
"The night they drove old Dixie down" is another great performance with Levon belting it out.
Bob Dylan on "I shall be released" and "Forever young" are moving even though he is obviously renown for his song writing and not vocal abilities.
Muddy Waters, Ronny Hawkins, and Van Morrison also deliver the goods.
There is some gray material, however, for me, the diamonds outweigh the granite.
If you like blues, country rock, or electric folk there will be something for you in this film.
The interviews are interesting but, of course, it's the music that makes the movie.
I rented this for $3 at Blockbuster on DVD. It was worth more.
Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.
This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.
This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
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- WissenswertesDuring his opening guitar solo in "Further On Up the Road", Eric Clapton's guitar strap came off. To compensate while he fixed it, Robbie Robertson spontaneously played a brief solo of his own.
- PatzerDuring Garth Hudson's solo in the song "Stagefright", the entire song cuts forward approximately 25 seconds.
- Crazy CreditsAt the beginning of the film it just says: "THIS FILM SHOULD BE PLAYED LOUD!"
- Alternative VersionenThe United Artists logo is plastered with United Artists Classics in the 1980's reissue followed by the 2001 variant in the MGM DVD and Blu-ray, and 2007 variant in the Criterion Blu-ray and 4K Ultra HD prints.
- VerbindungenEdited into Once Were Brothers: Robbie Robertson & The Band (2019)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El último rock
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 322.313 $
- Eröffnungswochenende in den USA und in Kanada
- 16.151 $
- 7. Apr. 2002
- Weltweiter Bruttoertrag
- 364.982 $
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Dolby Stereo(original release)
- Seitenverhältnis
- 1.85 : 1
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