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Despite being close to thirty years old, Wes Craven's "The Hills Have Eyes" maintains a distinct raw intensity - far surpassing the level of terror seen in horror films today. The plot in a nutshell; a family on vacation ventures from the main road, ends up stranded in the desert, and falls prey to a malevolent clan of inbred cannibals. Though the story idea may be far from original - it is the atmosphere, directorial style, and acting that raise the overall credibility of the film. The low budget and claustrophobic desert setting creates a sense of dread permeating throughout the entire film; while the grainy look of the print adds a sense of realism to the unfolding events. With a brisk running time of only 89 minutes the film doesn't waste a moment in setting the mood - then when all hell breaks loose it is unrelenting until the final scene. The actors portraying the Carter family bring sufficient emotional range to their characterizations, making it clearly evident that this a normal family being tested beyond the boundaries of civilized nature. It is also worth noting the performances by the actors who play Pluto and Mars (two of the baddies) - these characters are portrayed as both sadistic and devoid of any sympathy. Although the DVD print is grainy (as mentioned above), it is THE definitive version of the film and is thousands of times an improvement over the quality of the video release; quite amazing for a low budget film of this nature. Grim, violent, and symbolic; it is an amazing piece of 70's exploitation horror. "The Hills Have Eyes" is a classic in every sense of the word, and receives an 8/10.

The Carter family are travelling through the desert on their way to California. Head of the family Bob (Russ Grieve), a retired police officer, decides to visit an inherited silver-mine on the way, and ignoring the advice of Fred (John Steadman), a local filling station owner, drives off the main road towards the hills. An accident leaves the family stranded and easy pickings for a family of cannibals lead by Jupiter (James Whitworth). Following a savage attack by this family, which leaves a number of the Carter's dead, the survivors realise that to continue surviving they too will have to become savages.

Wes Craven followed his controversial debut ‘The Last House on the Left' (1972) with this far greater arranged and compelling tale of family warfare. ‘The Hills Have Eyes' is a movie with a raw brutality that has been unsurpassed in any of Craven's films to date, and is possibly the finest horror movie to be directed by Wes Craven. Despite not being as graphic as one would expect the movie never ceases to unnerve or alarm. The atmosphere, which bears a slight resemblance to ‘The Texas Chainsaw Massacre' (1974), maintains an unsettling air from beginning to end as the viewer is sucked into the nightmare that the Carter family is forced to endure. The desolation and hopelessness is portrayed beautifully by Craven, who utilises intelligent camerawork and a haunting soundtrack to fully create the feelings of terror. For everything that the screenplay lacks, Craven's direction more than makes up for and one wonders why Craven is no longer able to make such raw, gripping and emotional movies such as this. During the movie it becomes easy to identify with some of the characters and then feel fulfilled when they exact their retribution.

The acting, while not up to the standard of Craven's more recent offerings such as ‘Scream' (1996), is of a fairly high standard for a low budget 70's horror flick and certainly helps in aiding ‘The Hills Have Eyes' to accomplish a brutal, psychological edge. James Whitworth offers a fantastic performance as the despicable Jupiter and should probably be thought of higher as a horror film villain. His performance demands respect for its power and authority and is accompanied well by Michael Berryman and Lance Gordon. Producer Peter Locke even had a small role as Mercury, the watchdog for this contemptible family of savages. Interestingly the cannibal family come across as deranged hippies, which explains their planetary names. Virginia Vincent was the only performer that I really could not tolerate, but that could be because of the poor scripting for her religious-nut character Ethel. A very special mention has to go to Stryker the Alsatian, who `played' the part of Beast.

I highly recommend this for horror fans. Those people who think that the ‘Nightmare on Elm Street' series is the be all and end all of horror should certainly check this out. ‘The Hills Have Eyes' is, in my opinon, Wes Craven's most thought out and gripping horror film to date which features some good performances, excellent camerawork, enthralling sequences and some first-rate special effects. ‘The Hills Have Eyes' is an excellent example of classic Wes Craven and is one of his most creative movies. My rating for ‘The Hills Have Eyes' – 8/10.

Wes Craven first directed a film back in 1972 called Last House on the Left. If you haven't seen it...do so...for it is quite an experience. It blends dementia, depravity, cruelty, and blood and guts with values and basic moral and philosophical questions(at a very base level). He next directed The Hills Have Eyes, which many feel might be his best work. It is a horror classic to be sure for a number of reasons. It has the struggle of an innocent typical American family with a gang of cannibalistic subhumans that live in the desert. This struggle is intense, and blurs the boundary between normal and abberant behaviour(just as Craven did in LHOTL). The basic story is one of survival, not just survival of life but a way of life. The cast does a fine job...some of the psychos are quite convincing, as are the "normal" characters rather good in their roles. The story builds rather slowly but crescendos after the first death and we are given one climactic event after another. The real stars of the film, however, are the dogs...which are integral to the plot, and the desert itself, which establishes a mood and atmosphere of bleekness, desolation, and futility. Craven did a fine job with his second feature, and I would have no problem saying it was one of his better films. I would even concede that technically it is vastly superior to Last House on the Left, however, for me at least, not as horrific or chilling. Just as with Last House, much of the subject matter of the film is decidedly outrageous, with an infant possibly being served up for Thanksgiving Dinner its high point(or low point if you prefer). Unlike Last House, Hills is not nearly as graphic in its action, leaving a bit more to the imagination.

Wes Craven's 'The Last House On The Left' is a horror milestone. It's a very crude and uneven movie, but still for me a very powerful one. It contains some scenes that are still extremely intense and disturbing, and that have rarely if ever been surpassed in subsequent horror movies. I don't known if Craven is embarrassed by it or what, but he seems to have distanced himself from it in his subsequent career. He went on to make several movies that were much more commercially successful, but were a lot tamer and much more viewer friendly. 'The Hills Have Eyes' is almost a transitional movie, the beginning of the slow journey from "old" Craven to "new" Craven. Compared to 'Last House...' it's a walk in the park, but alongside say the 'Scream' trilogy it looks the Manson family's home movies! Craven was still working with a very low budget compared to the mainstream, but for him it was a big step forward from 'Last House...' the results are not as shocking and confronting but it's a lot more consistent and technically more efficient, so I can understand why some horror buffs regard this as his best movie. Personally I find it difficult to choose between the two. The story concerns a family on a road trip looking for a silver mine they have acquired. There's Dad (Russ Grieve) a retired cop, Mom (Virginia Vincent), and three kids - Brenda (Susan Lanier), Bobby (Robert Houston) and Lynne (Dee Wallace). Also along for the ride is Lynne's husband Doug (Martin Speer) and their baby. Despite warnings from a local old coot (John Steadman) they stray from the main road and soon find themselves stranded in the desert. Little do they know that Jupiter (James Whitworth) and his cannibalistic clan, which includes sons Mars (Lance Gordon) and Pluto (Michael Berryman) have sniffed them out and are miiiighty hungry! Craven manages to create a lot of tension in this movie, the "normal" family are realistic and convincing, especially when things begin to fall apart, and Jupiter, Mars and Pluto are three fantastic baddies. Michael Berryman really capitalizes on his naturally odd looks (the results of multiple birth defects), and steals every scene he's in. Of all the cast Dee Wallace went on to the highest profile career ('The Howling', 'Critters', 'E.T.' etc.), but this movie made Berryman into a horror icon. James Whitworth is also terrific, and Lance Gordon gets THE line of the movie ("Baby's fat. You're fat... fat and juicy."), but Berryman outshines them both in the same way that Krug (David Hess) dominates his gang in 'Last House...' I like this movie a lot. I don't think it's as impressive as 'The Texas Chainsaw Massacre' or 'Dawn Of The Dead', but it still deserves a place among the best of 1970s American horror, and should be watched by anyone with an interest in the genre. If Craven had retired after the double punch of 'The Last House On The Left' and 'The Hills Have Eyes' he would be a horror legend. Unfortunately he didn't, and went on to be involved in some very lame movies (especially the sequel to this which should be AVOIDED AT ALL COSTS!) This decision has obviously proved to be very financially rewarding for him, but it is one that will forever divide horror movie fans.

A Wes Craven classic, he truly nailed the suspense and the awkward atmosphere of the beginning. Almost nothing is revealed to the viewer until the later half of the film, which greatly increases the horror of the movie as a whole.

Despite the crappy cheesy costumes and really bad wigs this still manages to hold up pretty well because its all go from beginning to the end and it should have you one the edge of your seat. Basically a cast of unknowns, with Michael Berryman's performance the stand out.

Along with the Elm street series it's arguably the greatest contribution from Wes Craven.

This style of movie has been copied over and over since, but this one stands out from the rest for genuine horror fans.