Teufelskreis Alpha

Fortunately, De Palma's hyperbolic, visually compelling, science fiction occult espionage thriller moves so fast that the ludicrous dialog, indifferent performances, and Swiss cheese plot don't spoil the fun. The Fury starts from an interesting premise, but De Palma is clearly more interested in the spectacular set pieces than logic or characterization. The potentially most interesting character Robin is off screen for too long and instead we get low comedy relief with Mother Knuckles and the off duty cops in the Caddilac. Also, Gillian's mother and the students at the Paragon Institute seem to disappear. And where Sissy Spacek was touching as Carrie, Amy Irving and Andrew Stevens as psychic teens who unleash the fury are whiny and callow, and you don't really care about their fates. Though Douglas, Snodgress, Cassavetes and De Palma regular William Finley ( Raymond Dunwoodie) are always interesting, the rest of the cast is pretty bad. And a scene between Irving and Douglas on a bus is embarrassingly bad. Still, The Fury with its telepathic visions, its pulse pounding score by John Willams and Richard H. Kline's elegant deep focus cinematography is superior to junk like The Eyes of Laura Mars. De Palma pulls out all the stops and creates some spectacularly over-the-top scenes. Faults and all, The Fury is more entertaining, and less pretentious and derivative than most of De Palma's more recent efforts to say nothing of Dressed to Kill, Body Double, Obsession, Wise Guys, Carlito's Way, Raising Cain, and The Bonfire of the Vanities.

Suspense, thrills and grisly killings by imitative director Brian De Palma . This scary triller is plenty of mystery , intrigue , suspenseful and creepy scenes . It is a potentially brilliant and ingenious chiller that concerns about a government agent , Peter Sandza , (Kirk Douglas , he was aged around sixty-one years of age , Kirk was cast as the lead because director had felt that his previous picture had suffered at the box-office without a name draw-card) determined to come to his son's (first major cinema movie role of actor Andrew Stevens) rescue , when a sinister official (John Cassavetes) kidnaps him to harbor his extremely powerful psychic abilities . As he is forced to take on a super-powerful government agency called MORG (it stands for the Multiphasic Operations Research Group) which has kidnapped his son with psychokinetic skills . The intrepid father is helped by a good friend called Hester (Carrie Snodgress) . And then things really get worse . Meanwhile , a young girl (Amy Irving who married Spielberg , she attended a biofeedback clinic to learn about different levels of consciousness, as she had a better sense to play) who personally experiencing psychic changes is taken in a strange Institute of supernatural forces . Peter uses desperate attempts to save hid gifted son from being used or destryed . At the end takes place the ultimate revenge story .

This stylish chiller contains long-drawn-out tension , flash violent scenes and shock effects with the accent on gas-provoking , but on most occasion without finesse . Adding special characteristics techniques as ominous camera movements and wide screen . This flick was made and released about two years after its source novel of the same name by John Farris was first published in 1976 ; Farris also wrote the screenplay for the film . It is is a contemporary thrilling tale that utilizes the average man against the unknown approach that made Hitchcock 's suspense films so effective . All this said , the mechanics of suspense are worked quite well and may frighten the easily scared quite badly , but De Palma has made a habit of dwelling on their more sordid shoots . Director 'Brian de Palma''s second movie featuring Telekinesis, his first had been Carrie (1976) , as actress Amy Irving appears in both films . In fact , this picture has often been described as a cross between The Omen (1976) and a peculiar follow-up to Carrie (1976) . Very good cast plenty of familiar faces such as John Cassavetes , Charles Durning , Rutanya Alda , Fiona Lewis , Carrie Snodgres and William Finley who played for De Palma , Phantom of paradise . Being the first film for both Daryl Hannah, Laura Innes and look fast James Belushi as an extra , as you can see him in a pair of dark trunks a few steps behind Irving . The film displays a great and haunting musical score by John Williams , previous his fruitful collaboration to Steven Spielberg ; he composed in the style of a Bernard Herrmann score from an Alfred Hitchcock movie . Furthermore , appropriate and colorful cinematography by excellent cameraman Richard H Kline .

The picture was brilliantly directed by Brian De Palma , adding special characteristics techniques and special camera movements . The movie was realized during his period when Brian made outwardly odes to Hitchcock , such as ¨Obsession¨ , ¨Sisters¨, ¨Dresssed to Kill¨ and ¨Blow out¨ . Rating : Above average , as it gets some riveting basic ideas and fascinating images. Essential and indispensable watching for Brian De Palma buffs and Kirk Douglas fans .

'The Fury' is a very interesting mixture of science fiction, horror, action, and espionage thriller. One of Brian De Palma's most underrated movies, it isn't without some flaws, but overall I enjoyed it much more than some of his most recent disappointing efforts like 'Snake Eyes' and 'Mission To Mars'. They might be much better known than 'The Fury' but they are not better movies. The plot is a bit convoluted at times, and maybe a little TOO ambitious, but there are several classic sequences that make this a must see for any De Palma fan. The whole thing comes across like a cross between 'Carrie' (De Palma's previous movie), and Cronenberg's 'Scanners', a movie it predated by three years, interestingly enough. Amy Irving, who also appeared in 'Carrie', is beautiful and believable as Gillian, a troubled teen attempting to understand and control her frightening paranormal powers. Veteran Kirk Douglas ('Spartacus', 'Saturn 3') and cult director/actor John Cassavetes ('Rosemary's Baby', 'The Killers') are both solid as friends-turned-enemies who once worked for the same nameless Government agency. Douglas' psychic son Robin (Andrew Stevens) is kidnapped by Cassavetes and his cronies and experimented on until he reaches the brink of madness. Douglas desperately searches for him by any means necessary, a quest which inevitably means he encounters the traumatized Gillian, who has an increasing psychic link with Robin. Irving and Douglas are both excellent in this movie, Cassavetes plays a fantastic villain, and the supporting cast includes Carrie Snodgress ('Diary Of A Mad Housewife'), Charles Durning ('O Brother, Where Art Thou?'), Fiona Lewis ('Drum'), and cameos from Daryl Hannah ('Bladerunner'), De Palma semi-regular William Finley ('The Phantom Of The Paradise') and a noticeably younger and thinner Dennis Franz (NYPD Blue'). While I couldn't argue that 'The Fury' is De Palma's best work it has aged very well indeed and is recommended viewing. This is one movie that deserves to be re-evaluated!

Story involves two teenagers--Gillian (Amy Irving) and Robin (Andrew Stevens). They both have the power to make people bleed and see past events. Robin is kidnapped by a secret government agency and Gillian is going to the Paragon Institute to learn more about her "power". There's a LOT more going on but it's too confusing to get into.

When I saw this on video back in the 1980s I loved it. Seeing it now I hate it. The story is very confusing with way too many characters and plot holes galore. The dialogue is terrible (I kept playing back scenes on the DVD because I couldn't believe what I had just heard) and this moves VERY slowly (it runs two solid hours).

The acting doesn't help. Irving is too weepy and whiny (but she IS great in the final scene). Stevens has never been a good actor. Douglas walks through his role and John Cassavates (playing the bad guy) gives a one-note performance. The only good acting comes from Carrie Snodgrass, Charles Durning, Carol Eve Rossen and (especially) Fiona Lewis.

It has some good things--the direction from Brian DePalma is excellent (especially Irving's slow motion run from the Institute) and there's a good score by John Williams. Also it does have a few incredibly bloody deaths. These were considered extreme back in 1978 but they aren't anymore (and look incredibly fake). There's also a great final scene and I got a good laugh over the incredibly dated video games Snodgrass and Irving play at one point. Also Daryl Hannah's first film.

So it DOES have some good things but the slow pace, confusing story and lousy dialogue sinks it. I can only give it a 5.

A man discovers that his telekinatic son has been kidnapped and is being exploited for his powers. He seeks the help of a young woman who has similar powers to help him locate his son, but it might be too late, because with each growing day he becomes more violent and out of control.

Ambitious horror/suspense film is perhaps one of the scariest, most disturbing and violent films ever released into mainstream America. It reaches tremondous heights for a film in this genre, because of the terrific performances from everybody in the entire cast, top notch direction, superb score, and sensational editing that keeps things tight and never lets the suspense to ever lag. A masterpiece for the horror genre and one of De Palma's best.

Rated R; Extreme Graphic Violence, and Profanity.