The Forbidden

This film was inspired by the myth of Faust and already presented elements that would later be used in the Hellraiser saga, since the images of the film represent forbidden pleasures, which is a concept that Barker used later in his novel The Hellbound Heart and finally in the film adaptation Hellraiser and that is how one of the most popular sagas of horror cinema was born. The funny thing is that when Barker wrote the Candyman story, he also decided to call it The Forbidden, perhaps because he couldn't think of a better name. The Forbidden has a mix of negative tape with black and white, which makes it look very strange. It is a whole sequence of erotic, dark and nightmarish images which make it a very unusual and curious tape. With this film, Clive already gave a small sample of the chilling world of his works. My rating for this film is 8/10.

The Forbidden is one of two short films that horror writer Clive Barker made before he went on to create his masterpiece 'Hellraiser'. This film follows along pretty much the same lines as the man's first short, Salome, as it's the atmosphere, music and setting that is the point; with plot, characters and dialogue being completely forsaken. The film reminded me a lot of Luis Bunuel's "Un Chien Andalou", as it's very atmospheric and surreal throughout. While this is pretty much more of the same, I have to say that I slightly preferred Barker's first short film to this one. The Forbidden is overlong by a good ten to twenty minutes, and many of the sequences in the film - while striking and memorable - are simply repeats of things we've already seen, which annoyed me no end. The film also features a sequence that sees a naked man dancing, which I wouldn't be a fan of anyway; but the fact that it goes on for about ten minutes makes the film even less fun. Still, there's lot to like about this film as it shows many things that appear to be blueprints for Hellraiser, and the effects and atmosphere are eerie enough to make sure that the film always succeeds on an aesthetic level. Like Salome; this isn't a masterpiece or a must-see, but if you liked Hellraiser and get a chance to see this - you might as well take it.

That's Clive himself doing the dance of the happy pizzle -- look closely at the *face* (if you can!) and you'll see it's him. He has been quite proud to take credit for the scene.

Apart from such prurient interests, this precurser to Hellraiser has many fascinating aspects from the skin-peeling scene and the puzzle to the weird shift of light. But only for the real fan or completist, or folks who like to watch Clive dance.

Of course, this film should not be confused with the short story, "The Forbidden" (although we can see how the concept is one Barker turns to again and again) which provided the basis for "Candyman."

This is Barker's second movie attempt. Like Salome, this is short, black and white silent film, but this time a bit longer, printed in negative and combined with animation. Barker claims it's based on Faust. Technically it's very experimental and inventive, and special effects are fascinating considering almost no budget. Some elements from this film he later incorporates in Hellraiser. Although I'm impressed by results amateur achieved without budget, relying only on his imagination, cleverness and small group of friends, it would be lying to say I liked it. It's so boring that I barely endured till the end. I must admit that skinning scene is unbelievably convincing considering circumstances. When I found out how it's done I was sincerely stunned.

4/10

I´m very proud to be the first to comment on this film. Clive Barker is a true genius of horror art and all ready as a teenager he had the passion. Some of his unique ideas are shown in this great work of art where he transforms his apartment to something, I don´t know what. I think Salome and the Forbidden should be judged as one and the same film, so this is what my review is about. They are both excellent movies. There is a scene where a man is skinned by demons/angels - a very Barkeresque theme as we know but who had even thought about that before? It is supposedly very liberating to be skinned - I don´t know I wouldn´t try it. I cannot even stand the thought of giving blood. I heard he sent in this idea to a film studio where Clive wrote: "It ends with the sublime and wonderful moment where the main character is skinned alive." They rejected it and wrote back: "What is sublime and wonderful about being skinned alive?" Watch also out for Doug Bradley "pinhead" dancing around naked with a giant erection apparently dressed up like some kind of monster. There are many prequels to "Hellraiser" in these movies.