IMDb-BEWERTUNG
7,0/10
8453
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe sixth and final disciple of a dying martial arts master is instructed to find the master's five former disciples, each specializing in their own unique kung fu style, and defeat any evil... Alles lesenThe sixth and final disciple of a dying martial arts master is instructed to find the master's five former disciples, each specializing in their own unique kung fu style, and defeat any evil ones amongst them.The sixth and final disciple of a dying martial arts master is instructed to find the master's five former disciples, each specializing in their own unique kung fu style, and defeat any evil ones amongst them.
Phillip Chung-Fung Kwok
- Ho Yuan-Hsin
- (as Chui Kuo)
- …
Meng Lo
- Liang Shen, Toad
- (as Mang Lo)
Lung-Wei Wang
- Judge Wang
- (as Wang Lung-wei)
Ku Feng
- Old Master Yuan (Guest star)
- (as Feng Ku)
Chen-Tu Tan
- Constable
- (as Chen-Tao Tan)
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Most 70s (and 80s) Kong Kong martial arts films barely function as movies; usually there are a few well-planned fight sequences, but the plot is scraped pretty thin to fill in the gaps between those nodes -- like porno films, really.
But this one does several things well. Most overtly, there is the direction and choreography, which confines each combatant to a 'style' -- it's really based on Chinese circus acrobatics and comedic theater, but the effect works.
Second, there is the language of the camera, which uses some impressive techniques(even by today's measure), changing projection speeds from real time time to slow motion, and from unfiltered to filtered views to depict story direction toward the past or toward the future.
Least overt, but most powerful and unexpected, is the construction. The winner of this contest is determined by who 'unfolds' the story. The master (the writer) sets up a game where the lead character doesn't know who he's seeking, which is the same situation we viewers find ourselves in. One by one, he figures out who is who, at the same rate we find out who is who. It all follows a tragedy/noir arc. The ending tends toward irony, a la "The Sting". Much more clever stuff than what we usually get out of this genre.
The 'five venoms' idea is the template for Tarantino's 'deadly viper assassins' from the "Kill Bill" volumes.
But this one does several things well. Most overtly, there is the direction and choreography, which confines each combatant to a 'style' -- it's really based on Chinese circus acrobatics and comedic theater, but the effect works.
Second, there is the language of the camera, which uses some impressive techniques(even by today's measure), changing projection speeds from real time time to slow motion, and from unfiltered to filtered views to depict story direction toward the past or toward the future.
Least overt, but most powerful and unexpected, is the construction. The winner of this contest is determined by who 'unfolds' the story. The master (the writer) sets up a game where the lead character doesn't know who he's seeking, which is the same situation we viewers find ourselves in. One by one, he figures out who is who, at the same rate we find out who is who. It all follows a tragedy/noir arc. The ending tends toward irony, a la "The Sting". Much more clever stuff than what we usually get out of this genre.
The 'five venoms' idea is the template for Tarantino's 'deadly viper assassins' from the "Kill Bill" volumes.
The Five Deadly Venoms is a great kung-fu action movie wrapped in a whodunnit mystery. There are all the usual telltale signs of a kung-fu flick: great choreography, awful dubbing, different "styles" of fighting, and a wide range of greatly exaggerated, often cheesey human emotions. However the plot certainly is better than average. It's interesting and holds your attention throughout the non-fight scenes. Occasionally it's even able to fire up the audience, such as when X character receives horrible injustice.
Another thing I love about the Five Deadly Venoms is the beautiful simplicity of the movie's morals and themes. Just about everyone gets what's coming to them. The cowardly, greedy, and corrupt lose out. The bad guys, consumed by selfish greed are ultimately destroyed by their own treachery and backstabbing. The good guys use teamwork, planning, and integrity to overcome the odds and come out on top.
Poison Clan rocks!
Another thing I love about the Five Deadly Venoms is the beautiful simplicity of the movie's morals and themes. Just about everyone gets what's coming to them. The cowardly, greedy, and corrupt lose out. The bad guys, consumed by selfish greed are ultimately destroyed by their own treachery and backstabbing. The good guys use teamwork, planning, and integrity to overcome the odds and come out on top.
Poison Clan rocks!
I love movies just like everyone else, but if you don't watch kung fu flix your missing something special, 5 deadly venoms was one of the first kung fu movie i seen as a kid. The fight scene were so amazing plus the storylines are too good!! wink.wink. THIS IS A MUST WATCH FOR ALL MOVIE LOVERS!
After reviewing this intense martial arts movie for the first time in nearly 18 years, I must say it did not lose any of its mysticism, nor any of its eye-popping martial arts action as I had remembered from my youth. The story of a dying martial arts instructor sending his "unfinished" pupil out to find the 5 past members of his Poison Clan, so they do not seek out a fortune which the master's friend keeps hidden. Afraid that his last pupil did not have enough training, he instructs him to befriend one of the five "venoms" so as to defeat the other four.
I can't say enough about the choreography or the camera work. A fine film in its own right and quite possible one of the best martial arts movies ever made. A CLASSIC!!
I can't say enough about the choreography or the camera work. A fine film in its own right and quite possible one of the best martial arts movies ever made. A CLASSIC!!
A dying teacher instructs his final student to check on the activities of five former pupils, each of whom he taught a unique and special style of kung-fu to: The Centipede, Snake, Scorpion, Lizard, and Toad (hence the title). His final student, who knows a little of each style must team up with one of the other good students to destroy the evil ones if there are any.
I can't say I'm a huge fan of martial arts films or the Shaw Brothers. And it's not so much that I don't like them, but just that I don't really know enough to appreciate them. This, however, is one of the first I truly enjoyed and would put on the same level as some of Bruce Lee's work. There are not just plenty of good fight scenes, but a real plot that is a joy to follow.
Its influence has been strong, too. The film was referenced extensively in "Juuken Sentai Gekiranger", in which the Five Venom Fists are based directly upon the Five Deadly Venoms, each reflecting the fighting styles in the film. In turn, they were brought into "Power Rangers: Jungle Fury" as the Five Fingers of Poison. In "Kill Bill" the five assassins of the Deadly Viper Assassination Squad are a reference to the Five Deadly Venoms. I need to watch more Shaw Brothers after seeing how good they can be.
I can't say I'm a huge fan of martial arts films or the Shaw Brothers. And it's not so much that I don't like them, but just that I don't really know enough to appreciate them. This, however, is one of the first I truly enjoyed and would put on the same level as some of Bruce Lee's work. There are not just plenty of good fight scenes, but a real plot that is a joy to follow.
Its influence has been strong, too. The film was referenced extensively in "Juuken Sentai Gekiranger", in which the Five Venom Fists are based directly upon the Five Deadly Venoms, each reflecting the fighting styles in the film. In turn, they were brought into "Power Rangers: Jungle Fury" as the Five Fingers of Poison. In "Kill Bill" the five assassins of the Deadly Viper Assassination Squad are a reference to the Five Deadly Venoms. I need to watch more Shaw Brothers after seeing how good they can be.
Wusstest du schon
- WissenswertesRanked #11 in Entertainment Weekly's "Top 50 Cult Films of All-Time."
- PatzerNear the end of the film when the Lizard, the Scorpion, the Snake, the Centipede and the Teacher's sixth and final pupil confront each other at the Snake's mansion, the Lizard calls the Centipede "Number 5". The Centipede was actually "Number 1" and was referred to as such throughout the rest of the film and the Toad was actually "Number 5" and was also referred to as such throughout the rest of the film. This is undoubtedly an error in the English dubbing, not in the original Mandarin dialogue.
- VerbindungenEdited into Kill Bill - Vol. 1 (2003)
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