Der Mann aus San Fernando

People are writing things about this film like it was intended to win the academy award. Clint Eastwood has made several light hearted films about different things in his career that are supposed to make you laugh and they do. This film is both funny and entertaining. I just love when people act like they are the only ones whose opinion really counts when films like this make back 3-6 times their budget at the box office. They act like the entire world is not smart enough to decide what they like and don't like. They say things like `Inflated ticket prices' make the difference. Don't these people know that all things are relevant? If you look at dollar in and dollar out you can tell what is a success and what is not. One of the most successful films of all time is `Billy Jack' and if it sold the same amount of tickets today that is sold when it was released it would have made as much as `Titanic' or `Spiderman'. But dollar for dollar it still was a success. I have worked in the movie industry for 25 years now and don't like films being negatively criticized by people who don't know anything about film making and have obviously never made one. The trailer and poster does not in any way deceive the public as far as what the subject matter is and if you like what the film is about you will not be disappointed. `Bottom Line'!

Every Which Way But Loose is directed by James Fargo and written by Jeremy Joe Kronsberg. It stars Clint Eastwood, Sondra Locke, Geoffrey Lewis, Beverly D'Angelo and Manis The Orangutan.

It surprised the studio executives, even had them sweating about the release, but the adventures of Philo Beddoe (Eastwood) and his pet Orangutan proved to be a smash hit at the box office.

Beddoe is a trucker who also happens to make money by bare knuckle fighting, and he's very good at it. Clyde the orangutan is a full on personality himself, and between them they wind up being trailed by vengeful coppers and a very incompetent motorcycle gang. Philo's brother Orville (Lewis) is along for the ride and polar opposite love interests come into play via Lynn Halsey-Taylor (Locke) and Echo (D'Angelo).

Plot is very thin on the ground, we are in fact viewing a series of events that are mined for comedy purpose - which totally work. Action comes by way of the punch ups Philo gets into, with Eastwood as always proving to be one of the better punch throwing actors of his generation, while Lewis shines bright as the best friend and voice of reason to Philo.

The love story sub-plot involving Lynn and Philo - and its subsequent revelations - feels a touch out of place, since this is such a chilled and relaxed comedy picture. Which is the key, the makers know what they are doing, they are having fun and ask the audience to do the same. The public lapped it up and ensured that a sequel of similar tropes would follow. That also proved to be popular since it was more of the same.

Open the beer and popcorn and just run with it, it was never meant to be high art etc. 7/10

Eastwood steps back from his macho action star image as he has a little fun in this first of two films (Any Which Way You Can is the other)that team the star up with an orangutan named "Clyde." It's not Hope and Crosby, but it is a fun pairing. The film doesn't take itself too seriously. It's having too much to do something silly like that.

Clint Eastwood finally shows a funny, soft side to his macho persona in this humorous action/comedy about a good-hearted brawler who adopts a sneaky orangutan named Clyde and they embark in a funny journey for reasons God only knows why. With the gritty brawl scenes and the constant redneck humor, this would make the viewer wonder why did old Dirty Harry himself would be in a movie like this? It looks like something from the weird minds of Burt Reynolds and Hal Ne

Without this film, the entire genre of Orangutan films, as well as the film career of Tony Danza, would have been inconceivable. We, as Americans, have often felt it necessary to identify a "True American Art Form." Some have suggested jazz, others rap. However, it is quite possible that even those fine examples could be traced to other, non-American, sources. The Orangutan film is, without question, ours and ours alone. For other fine entries in this genre, I recommend "Going Bananas," "Any Which Way You Can," and certain key portions of "Cannonball Run II." When the history of this civilization is written by the super-intelligent species of rats that will no doubt conquer us, the chapter heading will no doubt read "Right Turn, Clyde."