Kommando Todesformel

Life. It is a strange merry-go-round. Events and situations can change a man. A near death experience, the birth of your first child, a new found skill. For me, it was this movie. Suffering manic depression from the loss of my job and recent death of my beloved wife, I stumbled into the video store whacked up on Prozac. "Help me!" I said to the confused Video Store Clerk. "Only one thing can help you now" the teenaged Messiah said, as he slipped me a copy of the 1978 Masterpiece "Death Dimension". I liken this movie to having your first beer when your fifteen, cold, refreshing but with an underlying tone of naughtiness, with a bit of pizzazz thrown in. What can I say.... Myron "Bruce" Lee? You are a God. You make Jet Li and Chuck Norris look like a couple of half-baked sissies who couldn't rip wet toilet paper in half. Thank god Christopher Walken shunned the role of Captain Gallagher or our pupils would not have been treated to the precision like pistol whippings of Georgie Laze. Wrapping up this cultural melting pot of actors is the Giant of Afro-American cinema, Jim Kelly. He rips on to the screen like a young Fred Astaire, and dances his way in to our hearts. Not since "Casablanca" has A black-Kung Fu teaching cop, Australian detective and Taiwan-born sidekick so deliciously melded together to form an acute crime-fighting team hell-bent on stopping a Korean obese man from instigating the destruction of the world. Death Dimension? More like `Out of this world' Dimension, this movie deserves to be placed along side other classics such as `Gone with the Wind', `Ben Hur' and `Police Academy 4: Citizens on Patrol'. Wow, Al Adamson, you've blown us all away again, if you don't stop this soon I'll never get to wash my soiled underpants. 5 thumbs up.

Despite the ratings I found this to be the second best "Jim Kelly" movie I have watched. (And by that I mean one where he is top of the bill, so not the likes of "Enter The Dragon" or "Three The Hard Way"). In other words better than "Black Belt Jones", "Hot Potato" or "Black Samurai".

Why? Mainly because the action is for the most part competently choreographed and shot when compared with the others. The cutting and camera angles make for better movie action viewing.

The second thing which makes this more fun is the novelty cast, which include, George "James Bond" Lazenby, Harold "Odd Job" Sakata, Aldo Ray, the ever reliable Bob Minor and Myron "Bruce" Lee" (Myron? Really?). Lazenby, contrary to his reputation, can act quite adequately, but he can't fight convincingly in this company, which is where the competent use of cutting and camera angles come in. Sakata can't act, but he is the most iconic Bond villain of the Connery era, "Odd Job", so it doesn't really matter. Turns out he can't fight convincingly either and on this occasion the action Director doesn't come to his rescue for some reason, which is disappointing. Aldo Ray's career peaked early, around 1955 when he was in "We're No Angels" with Bogart and Ustinov, and his acting channels all the grumpy frustration that he must have been feeling by this time;- finding himself down among the B movie bottom feeders. Meanwhile Jim himself is in as good form as I've ever seen him.

The plot premise is ridiculous but barely explored, used merely as a "McGuffen" to set the ball rolling, the plot structure is routine but serviceable and the dialogue banal, but in the World of Jim Kelly movies that is all par for the course.

More than one dimension, possibly two dimensions, but not three.

Death Dimension aka The Black Eliminator is one of two films that Jim Kelly made with infamous schockmeister Al Adamson. Both of these movies are really bad, this is the worst of the two. Black Samurai was the better of the two, it was just as poorly made as this. However, it was more over the top and entertaining. This has a lame plot that has Jim Kelly go after a villain named "The Pig" and has to save a woman from getting killed by a freeze bomb. The only reason to watch this movie is Jim Kelly, who really deserved better. There are a few decent karate fights and Jim Kelly still is a cool hero. I would have rather Jim Kelly fired his agent to get him better projects, but doing crap like this you can't really blame the guy for his exit from the film industry to pursue a career in tennis.

Afro-tastic! When Odd Jobb from Goldfinger forces a scientist to create a freeze bomb to sell to the arms community, the scientist implants the instructions for the bomb into the head of his assistant, sends her off, then kills himself. Odd Job is miffed at this turn of events and sends his cronies off to track her down. Meanwhile, Big Jim Kelly is investigating the murder of a cop (by Odd Job's right hand man) and sets out to find the killer and the assistant, but Odd Job's men are out to get him too. What's a brother to do?

Get out them lightening fast fists and beat them turkeys, that's what! Jim visits one of Odd Job's brothels for no reason, but after that he's kicking heads in left and right and centre, sometimes with the help of a sidekick. You get fights on boats, car chases, punch ups, a gunfight between a cable car and a helicopter, Odd Job threatening a woman with a turtle (I mean he's brandishing a turtle at a woman rather than threatening a woman in possession of a turtle), loads of hookers and Aldo Ray (Psychic Killer, Haunts) shouting at the top of his voice.

What more do you want? George Lazenby? Well, he's here too! Throw in a very funky soundtrack, non-stop action and that's pure entertainment. Sure, it's all done on the cheap and some of the fights are a bit hokey (especially between Kelly and Odd Job, but that ain't Big Jim's fault), but this is pure seventies gold.

The freeze frame of Kelly's triumphant flying kick at the end seals the deal. RIP big man – you'll be missed.

A routine action vehicle for Jim Kelly (ENTER THE DRAGON), directed without any flair whatsoever by Al Adamson, one of the kings of the "exploitation quickies" along with Andy Milligan and Larry Buchanan. This is deeply clichéd stuff which manages to get by through the interesting and funny characters, the upbeat groovy '70s music and the martial arts sequences, which make up for in quantity what they lack in finesse.

Enter Jim Kelly, fresh from his success and short-lived career as a martial artist, as a "mean and moody" cop who likes to wear red shell suits on occasion. Kelly spends most of the film fighting and little time acting, as he repeatedly finds himself attacked by lots of bad guys. These fight scenes are hardly what you would term "well-photographed" but they are very entertainingly done, complete with over-emphasised sound effects.

Now, you would think that a film containing plentiful action (plus a couple of topless women for exploitation purposes) would have to be pretty exciting, right? Wrong. Adamson's tacky and cheap direction is evident at all moments, sucking vitality from the movie; loads of scenes consist of people arguing whilst sitting around in darkened rooms, which is hardly what I would call fun.

Kelly is pretty athletic in the lead role, but gets no chance to act or develop a character. George Lazenby (ON HER MAJESTY'S SECRET SERVICE) co-stars as Kelly's chief; Harold Sakata plays the chief villain, the Pig, and his line readings are a hoot; it's a shame that it's impossible to take him seriously! Also around for good measure are a hulking black bodyguard with a nasty scar across his face who likes to break people's arms and necks, a couple of prostitutes who take their clothes off a lot, an incredibly evil-looking tortoise (the scariest tortoise I've ever seen in a film, actually) and lots of dumb criminal henchmen who appear from nowhere.

DEATH DIMENSIONis a bad film, to be sure, but quite an entertaining one, mainly for the interesting cast alone. I forgot to mention the Bruce Lee clone who actually ends up being called "Bruce Lee". Guess they had to throw in as many personalities as they could here. Lots of boredom is countered by lots of action, making a pretty fair movie in the end, which isn't that bad.