The Dark Secret of Harvest Home

Many horror fans, and those who try to write such stories, understand that Stephen King has taken inspiration from the work of others. And there can be little doubt King was influenced by Thomas Tryon's outstanding novels "The Other" and "Harvest Home."

The TV movie version of the latter book, titled "Dark Secret of Harvest Home," was the second and final adaptation of Tryon's work and was originally aired in 1978, two years after the big screen success of Stephen King's "Carrie." Unlike 1972's "The Other," "Dark Secret of Harvest Home" was presented as a mini-series with a superb cast headed by Bette Davis.

Thomas Tryon wrote with an elegant style somewhat reminiscent of H.P. Lovecraft's. His plots were engaging, his characters interesting and well developed, and his New England settings evoked the gloom and obscure anxiety traditionally associated with that region. So why has his work faded into obscurity while King's is heralded as the greatest in the history of horror?

Regrettably, Tryon started writing rather late in life after a well-regarded career as an actor in such films as "The Cardinal," and died while his creative powers were on the wane. He also chose to explore genres other than the Gothic (with generally good results.) There is also a more staid, pre-World War II air about his work that might not appeal to the Baby Boomers and Gen-X'ers who form King's core audience. Nevertheless, Tryon's Gothic efforts translated wonderfully onto the small screen, and he deserves a well-deserved place in the pantheon of American Gothic writers. Thankfully, American Movie Classics has begun airing the TV movie version "The Other" again. Hopefully, 'Dark Secret of Harvest Home' won't be far behind.

With THE DARK SECRET OF HARVEST HOME, Tom Tryon's novel is presented in the best way possible for the time of its release, a TV Mini-series. This allows for the story to unfold gradually, making the growing tension and creeping horror more effective. Much like in Mr. Tryon's classic, THE OTHER, we're taken to a seemingly wholesome, more "innocent" place, where everything appears idyllic. The true terror lies behind it all, where something sinister crouches and waits.

The brilliance of this tale lies in its mystery, which isn't fully revealed until the end. Until then, we're given hints and symbols to decipher. David Ackroyd is artist, Nick Constantine, who, along with his wife and daughter (Joanna Miles and Rosanna Arquette), purchase a house in the lovely town of Cornwall Coombe. At first, all is well, perfect in fact. Of course, if it stayed that way, this wouldn't be much of a horror story.

Enter Bette Davis as Widow Fortune, the town matriarch, healer, and spiritual center. Her dominion is evident from her first appearance. Ms. Davis gives this character a dignity that few others could instill, proving once again that her legendary status is well earned. Hers is a quiet, calm malevolence, a steel claw in a silken glove. Underplayed to perfection.

Special mention for young Tracey Gold as the enigmatic Missy Penrose. She's one creepy kid!

If you enjoy those shivery, dark, 1970s made-for-TV horror movies, then you should love this...

This was a terrific mini-series with just the right mix of fantasy and horror. The reverence the people of this matriarchal town holds for its main crop, corn, is nearly as creepy as the out of control little girl who foresees things. Nice touches were the long sharp scissors Ms. Davis wore on a cord hanging from the belt of her long black dress, the shunning of the old couple and the suitable cluelessness of the menfolk.

This was an edge of your seat, can't wait to see what happens next movie. Anyone who missed it one its first run should try to get a copy--it's a truly excellent creepshow.

I saw this in its original form during the first run on Television. Normally I think that most made for TV movies are really second rate. This one stands out as one of the best! A family looks to leave the rat-race of the big city for a simple quiet town. They found out that this town may be quiet, but it is anything but simple lving there. A particularly chilling performance from Bette Davis is of note in this one. If you are conditioned to think that every horror movie has to have a minimum of 200 severed heads and 10,000 gallons of blood in it to be good, you'll hate this one. The rest of you who still believe in great acting and a tense plotline will be THRILLED with Harvest Home. RATING: 10 out of 10!!!

Say what you will about the translation of Tom Tryon's fine gothic chiller Harvest Home into this TV film, Bette Davis' performance here is riveting and really nails home the creepiness of the tale. Unlike her sad farewell in The Wicked Stepmother (1989) where she was clearly having trouble focusing on her acting, here she is a powerful presence that (goose)fleshes out this telefilm the way it should be.

Playing the Widow Fortune (a prophetic name if ever there was one), she is the matriarch of Cornwall Coombe, a small Connecticut village just on the other side of the Lost Whistle covered bridge where "the ways" hold sway over the villagers. What they do and how they do it is bound by tradition, one hundred percent, so when a city family comes to stay, culture clash is inevitable.

Of course we all know this is a gothic chiller standard--sophisticated city couple/family comes to small quiet village only to find it mired in evil and horror, et cetera. Too true. But Davis' character is spellbinding enough that the viewer can overlook this tried and true plot point and enjoy the proceedings. Additionally, aside from some minor outdated bits of dialogue here and there, the script is actually pretty intelligent; a low stupidity quotient in the dialogue helps tremendously.

Unfortunately the VHS release of this film was chopped considerably; the original five hour length was shown on TV but unless the viewer taped it (as I did), it's completely unavailable. High time for a DVD release.

This is a great way to spend an evening with a roaring snowstorm outside. And the ending really is a shocker.