Bud and Lou

Harvey Korman is not bad as Abbott but what the heck is Buddy Hackett doing? His voice is exaggerated. His timing is off (especially during "Who's on First"). Korman can't do the timing right when his partner us sooo slow. I did this routine with a partner. While we could never touch the real team, we were certainly better than these guys. The odd thing is that Hackett once substituted for Costello in the film "Fireman, Save My Child. " What a disgrace!

Another thing. Why isn't Betty Abbott in this movie?

The way they treated Abbott's epilepsy was fairly well done. I gave epilepsy myself. While it goes not seen as bad as Abbott's. It still is a cross to bear.

This was a missed opportunity. I think it's time for someone else to do a biography of the team. Only this time they need to do it correctly!

Can simple history be correct? Their first movie was NOT a starring film in "Buck Privates" but a supporting role in "One Night in the Tropics"

I saved the worst for last. The.way they treated Costello was terrible. Sure we heard he had done some poor things about him but there has to be some balance!

Is This Enough Words ?

"Bud and Lou" was made at a time when Hollywood was turning out quite a few biopics of Golden Age personalities, both for theatrical release and television, but this one has to rank as one of the worst. It offers a not-terribly accurate overview of the lives of the comics and their partnership, but renders the characters in blacks and whites. In short, Bud Abbott (played with no distinction by Harvey Korman) is depicted as a meek, go-along guy, and Lou Costello (very poorly played by Buddy Hackett) comes off as a mentally-impaired bully. Meanwhile their business manager, Eddie Sherman (played fairly well by Arte Johnson)is depicted as the sympathetic anchor in their lives. While this is a revisionist take on things, it is not unexpected, since Sherman was a major source for the book upon which the movie is based, Bob Thomas's eponymous "Bud and Lou" (and neither the book nor the movie explains why, if Sherman was looking out for their affairs so well, they both got into such trouble with the IRS). The film covers a good twenty years, yet no one ages or changes in any way; whereas the real Bud Abbott aged and changed greatly from their first film to their last, here he looks exactly the same in every scene. What really sinks it, though, even more so than the character and event inaccuracies, are the painfully unfunny recreations of A&C routines by K&H. Whereas the real guys could do bits like "Who's on First" in their sleep, with unerring timing and delivery, Korman and Hackett sound like they're cold reading the bits for the first time, with no sense of timing, meaning, energy, or performing chemistry. In particular, Hackett's vacant, gaping stare and unbelieving line delivery during these classic routines looks more like Lennie asking George about the rabbits than Costello asking Abbott about the first baseman. Some Hollywood figures were so distinctive that anyone attempting to portray them is automatically at a disadvantage. "Bud and Lou" proves that in spades.

On paper "Bud and Lou" should have been a winner. The casting of Harvey Korman as Bud Abbott and Buddy Hackett as Lou Costello looked like "can't miss" stuff. Unfortunately, "Bud and Lou" does miss and in a pretty big way. Korman never seems comfortable playing Bud and Hackett is forced to play Costello as a joyless bully. And when Hackett has to play some heavy moments, he's in over his head. The supporting cast is very good with nice work from Michele Lee, Arte Johnson and Robert Reed. But the tone of the movie is so melodramatic, so heavy-handed the whatever chance the movie had is smothered. I've seen "Bud and Lou" quite a few times over the years. It always disappoints. The real Bud & Lou deserve better.

Having just watched Stan & Ollie-which lovingly depicted Laurel & Hardy's final performing days on tour in Europe-I finally watched this TV biopic of Abbott & Costello which told of their life from the day they first teamed up to Lou's deathbed scene. Harvey Korman played Abbott and Buddy Hackett, who resembled him, played Costello. Based on a book by Bob Thomas who got much of his research from the team's manager Eddie Sherman, it has Korman and Hackett doing not too bad versions of the A & C routines like their most famous one of "Who's on First?". When it came to the tragic sequence of Costello's infant son's death, it was handled tastefully likewise the way the two comedians handled the news, not to mention the way Lou's wife Anne (Michelle Lee) handled it. But the film seems also intent to show how much of a jerk Costello was after becoming such a big star to the detriment of everyone around him. Presumably, the team's manager Sherman had an ax to grind concerning Costello though as played by Arte Johnson, he's one of the most sympathetic characters in the film. Unfortunately, because of the limited time, while Abbott is mentioned as having a wife, she's never seen nor are their two children mentioned, likewise Lou and Anne's three daughters. So if you want to know about Bud and Lou's life, I suggest you look for the book "Lou's on First", written by Costello's youngest offspring, Chris Costello.

Recently my friend and I had been talking about this pretty awful 1978 telemovie about Bud Abbott and Lou Costello. We hadn't seen it in many years but have always recalled how embarrassingly bad it had been and were dying to see it again, mainly for unintentional laughs at the poor quality of it. Well, a few days ago we managed to find an old VHS tape at a still-functional old time video store, and we rented it and went to my place to watch it. It was worse than we remembered, but it did give us some howls due to its incompetence.

First off, the casting is just horrendous. Stand-up comedian Buddy Hackett plays the short, roly-poly Costello, and Harvey Korman plays the slender straight man, Bud Abbott. I have always enjoyed Korman in many things (especially on The Carol Burnett Show), and when Hackett was in his element he could be quite humorous (especially in IT'S A MAD, MAD, MAD, MAD WORLD). But little Buddy makes a lousy Costello, and it's obvious he was not much of an actor as he desperately attempts to do classic routines of Lou's, and especially a pathetically off-timed "Who's On First?", with Hackett's garbled marbles-in-his-mouth voice. It's vomitable watching Buddy staring off to the side and reciting this gag as though he is reading from scripted cue cards; just putrid. And Korman is no better.

This movie was based on a book by Bob Thomas, supposedly heavily influenced by the memories of A&C's longtime manager, Eddie Sherman (in the film, Eddie is played by Arte Johnson). One of the biggest objections about this movie is that Sherman was at one time fired and later re-hired, and therefore it is said that he had an axe to grind. As a result of personal animosity, it is so claimed, the portrayal of Hackett's Lou Costello here as a nasty, arrogant, sadistic control freak is supposedly way out of line. Indeed, in this film Costello is made out to be quite a monster. But I have to tell you that while it may be somewhat exaggerated, I am of the opinion that the real-life Lou could sometimes be that bad. I base my opinion on the memories of people who worked with him, and especially the directors. Many filmmakers said that Costello could be a little terror, and that he and Abbott would be deliberately difficult on the movie sets. That they gambled all the time, threw their weight around a lot, made unreasonable demands, and that Costello was known to actually steal props from the films they were currently in the middle of working on.

But back to this movie. It's boring. It leaves out many details such as the fact that Lou had daughters, not just the one baby boy who tragically drowned just before his first birthday. Also, the fact that Abbott had a family. Korman and Hackett have zero chemistry together and don't do their roles justice. The way the events zip along you would think that the duo's career only lasted a few years; there is no sense of the passage of decades. And there is no time spent with them on their many movies.

In the end, my friend and I had a tremendous and hearty laugh at how ineptly the death of Lou Costello is played here. I won't ruin it for you, but we frequently mimic this "death scene" for endless kicks. Not because the passing of a great comic is truly funny; I'm talking about the overly-dramatic and probably exaggerated execution of the moment. Just unintentionally hilarious. It is the incompetence of this badly made film that keeps me from rating this a complete ZERO. It entertains ever so slightly because it is so bad. *1/2 out of ****