Das große Dings bei Brinks

William Friedkin directs this period heist black comedy based on true facts and it is very different from the rest of his output.

Peter Falks plays Tony Pino a small time Boston petty crook. Even after being released from jail he and his bumbling gang which includes brother in law Vinnie (Allen Garfield) struggle to pull off a decent job such as robbing a bubble gum factory.

Pino notices that the local Brink's warehouse has lax security. When he cases the joint he notices that Brink's is too stingy to spend money in having a decent security system and he can just walk in. Their promotion of having an impregnable fortress is just baloney.

In 1950 Pino and his men stole over a million dollars in cash. FBI director J Edgar Hoover (Sheldon Leonard) took a personal interest in the robbery thinking it was the work of communists. He spent $25 million to try to apprehend the gang.

Friedkin displays a lightness of touch but the script has paper thin characters. The comedy and the heist needed more emphasis such as in the Italian film Persons Unknown, later remade by Louis Malle as Crackers. The casting of Peter Falk and Gena Rowlands harks back to the John Cassavetes dramas.

Compared to the hyped up, over violent fare that passes for crime movies, this movie is no contender. But it's a warm, funny, well paced caper flick about some North Boston Italians who stumbled on to the fact that the great Brink's was a paper tiger.

In 1938 Boston, petty criminal Tony Pino (Peter Falk) and his robbery gang get caught. In 1944, his friend Joe McGinnis (Peter Boyle) picks him up after getting released from prison. He rejoins wife Mary (Gena Rowlands). He gets a new crew which includes idiot brother-in-law Vinnie (Allen Garfield), disturbed war veteran Specs O'Keefe (Warren Oates), and Jazz Maffie (Paul Sorvino). The bumbling crew struggles to rob a candy factory. Tony passes by Brink's and is enticed by the cash. He talks into the warehouse and copies a key. The crew starts stealing from the trucks but no one seems to catch on. They realize the careless security and robs the vault for $1 million. The large amount and notoriety draws in J. Edgar Hoover (Sheldon Leonard).

It's a fine period heist movie from William Friedkin. There's a bit of fun. This is not a high functioning crew. It could easily turn into a more slapstick comedy than it already is. There are some great idiocy like Specs suggesting blasting the vault with a bazooka. There are bits and pieces of goodness but I'm less enamored with the last section. It becomes a muddle as the crew is gathered up. The action is lost and I can't figure out each character. Normally, the action would go bigger into the climax. I do have respect for going the other way including Mary casually making dinner for the cops.

A group of small-time crooks in Boston successfully rob millions of dollars from an inept and complacent security firm, only to get their collars felt.

This film's script is based on real-life events in 1950 and many hundreds of hours of interviews with surviving members of the gang. The film is played part action, part for laughs.

The FBI were convinced that this was the work of organised crime and/or communists, spent a fortune trying to crack the case, and only ever retrieved a small fraction of the loot. Some of the local population treated the crooks as folk heroes, which the authorities were not at all keen on.

The film is basically not at all bad but it is slightly unevenly paced and of course rather slow by modern standards, being (for a movie) fairly realistic. Also whilst Falk is a pretty good actor rather than a one-trick pony , it is difficult to look past Lt Columbo and see him as a small time crook here.

So overall with caveats (I.e. bearing in mind what the film is about and how it is made), I give this 7/10.

Words almost fail me in talking about how much I love this film, this very funny, very stylish portrayal of what was considered the robbery of the last century.

First of all it could never have been done earlier. J. Edgar Hoover was not a figure to be satirized before May of 1972 when he breathed his last. Sheldon Leonard who plays him here and has him get it all wrong about who pulled the Brink's Armored Car Robbery, would not have taken the role, neither would any other actor. No one wanted to be on that man's bad side. Hoover was not quite the figure you see Leonard play here, though Leonard is fine in the part. Books and films subsequent to his death still really haven't got it quite right about him.

For all of J. Edgar's fulminations about the great Communist conspiracy at work in the Brink's job, the whole point of The Brink's Job is who actually did it. Six very ordinary street criminals, none of them violent felons in any way and one fence who declared himself in on the job.

The group is headed by Peter Falk who should have been Oscar nominated for his portrayal of Tony Pino, the group's leader and planner. You see The Brink's Job, Peter Falk will remain with you forever. A man without complications and hangups, he's a thief because it's his profession. He does have pride in how good he is though.

Some of Falk's best scenes are with his wife Gena Rowlands. She too is a woman who stands by her man. No doubt they came from the same hardscrabble background in Boston's Italian North End and she's completely supportive of him and his work. In particular I love the scene where she's bidding him off to work just like any other wife who's husband had a night job. Don't forget your screwdriver, here's a sandwich in case you get hungry, the scene is priceless.

I also love the scene in the restaurant where he takes her after a nice score. Falk is at the height of his considerable talents as he tells Rowlands of his plans for the Brink's Armored Car Company.

What everyone will love when they see this film is how comparatively easy it was for these knockabout guys from Boston to accomplish stealing over 4 million dollars. This score was so big, it HAD to be the work of a master criminal mind. The thing is it was, the mind was just not in a body where you would expect it to be found.

The others in the mob are Paul Sorvino, Kevin O'Connor, Warren Oates, Gerard Murphy and Peter Boyle who plays the fence. But my favorite in the mob and in the film is Allen Garfield who plays Falk's brother-in-law and sidekick who Falk keeps around for laughs. They have an Abbott&Costello like relationship with everything Garfield touches turning to waste product. My favorite scene in the whole film is when they decide to rob a gum factory payroll. Poor Garfield accidentally presses the wrong switch and he's awash in gumballs. Falk's and Sorvino's differing reactions are priceless.

A lot of the film was shot in Boston which in many ways is a city that tries more than most to keep it's traditional look. I haven't been in that city in about five years, but I daresay you could remake The Brink's Job today in the same area.

But if you did it wouldn't be as good, that isn't possible.