American Hot Wax

Looking more like a young and slimmed down Rush Limbaugh then the legendary pioneer Rock & Roll DJ the late Tim Mcintire, who ironically died in 1986 at almost the same age that Freed passed away some twenty years earlier. "American Hot Wax" is tragic as well as prophetic story about Alan Freed who more then anyone else put Rock & Roll on the map and made the saying,like the song says,"Rock & Roll is here to Stay" a reality.

Mcintire in the best performance of his career gives it all he's got as Alan Freed and comes across, despite his obvious non-resemblance to Alan Freed, as good as Freed ever was on the silver screen in a number of films that he stared in. The movie starts at the hight of Freed's popularity in 1959 as he's getting together a number of top Rock & Roll singers and groups to appear at the Brooklyn Paramount for his first anniversary Rock & Roll show.

The local authorities as well as the big wigs in the record industry have had in in for Freed since he came on the scene back in 1952 in Clevelend. It was then when Freed first coined the word Rock & Roll and, according to them and the blue noses of that time, corrupted the American youth with that wild and uncontrollable music.

The movie has the theater raided by the police because it was declared a fire hazard and Freed arrested and the entertainers dragged off the stage as the thousands of Rock & Roll fans go wild. The movie "American Hot Wax" briefly touched on the payola scandal of 1959-1960 that in reality was the real reason for Freed's downfall not the wild scene at the Brooklyn Paramount at the end of the movie.

Freed never played a record that he didn't like payola or not and took money to play the records that he liked unsolicited thinking that it was just part of being a DJ on the radio. The fact that Alan Freed wouldn't sign a statement that he never took payola, which was untrue, had him fired from the WABC radio station that he worked for in 1960. Later Freed, after having brief jobs as a DJ in L.A and Miami on stations KDAY & WQAM, was blackballed out of the music business altogether.

Hit with charges by the IRS in March 1964 for back taxes Alan Freed, who was already at that time both unemployed and unemployable, went into a tailspin as his drinking got out of hand and he died in a California hospital, broke and forgotten, of kidney failure on January 20, 1965, Freed was 43 years old.

There was one irony to Freed's life, and death, that really sticks out and makes you think if there's truly such a thing as fate and destiny. Exactly three months to the day that Alan Freed died on April 19, 1965 the radio station that Alan Freed made synonymous with himself and into the flagship radio station in playing the music that he loved and died for in the fabulous 1950's. Freed's old station 1010 WINS New York changed it's policy of playing Rock & Roll, or any other type of, music by becoming the first radio station in the nation to go all news all the time, an all-news network, which it still is today. April 19, 1965 was for all intents and purposes "The Day the Music Died" on 1010 WINS.

This movie is based very loosely on the career of Cleveland disc jockey Alan Freed and his contribution to the development of rock 'n' roll. I thought the acting was way over the top. I do appreciate Tim McIntire's portrayal of Freed. He put the point across that Freed lived and breathed rock 'n' roll and introduced a score of hit makers to the world. But remember he was also trying his best to better his own career.

My favorite part of the movie is the finale where wild man Jerry Lee Lewis stands singing on top of a piano in the middle of a riot. Chuck Berry helped make the move legit. And Screamin' Jay Hawkins brought the house down.

I hate to say that I thought the whole movie was pretty much self serving, but very fun to watch. If you were a teen or near teen as I was when the real thing was happening, you will certainly start having flashbacks.

Also in the cast are a very young Jay Leno and Fran Drescher. There is also Laraine Newman and Melanie Chartoff way before they made careers in comedy. You also might notice Hamilton Camp, Moosie Drier and Brenda Russell.

Watch this again and don't be afraid to let the good times roll.

The anachronisms fly in this Hollywood rendition of the beginnings of Rock and Roll (a genre best defined as the introduction of black Rhythym and Blues music "crossing over" to white teenage audiences in the early and mid-fifties).

The subsequent discovery of the economic power of these teenagers buying the records would change popular music forever.

The movie is redeemed by some energetic youthful performers and the exuberance that was such a feature of the time. But nowhere near enough credit,however,is paid to the original black harmony groups who were overwhelmingly responsible for this explosion of a new popular culture without precedent in US history. They are overshadowed by white single performers who Freed never played.

The movie stars Tim McIntyre, son of renowned character actor John McIntyre, delivering a sensitive portrayal of Freed. A pretty Fran Drescher is here before she assumed her affected froggy-voiced caricature so familiar today. Jay Leno is here also, sincere as always, and quite good as Freed's chauffeur.

Framed around the payola scandals, an ill-disguised attempt to destroy the music and its too-black associations, Freed was convicted of what was hardly a major offense (a common practice in the industry at the time), lost his job, and died a few years later. It's hard to convey today how virulent was the opposition to this music by the moral majority of that time.

One has only to listen to the Chesterfield's ersatz performances in the movie imitating Frankie Lymon and the Teenagers, which are workmanlike, and then listen to the original. It is probably the best way to understand how this movie doesn't quite measure up to the reality it is trying to describe (what Hollywood movie ever does?). The real Frankie Lymon had a voice that was simply unbelievable, and a stage presence that awed Bing Crosby (!). Frank Sinatra, uncharacteristically, said he had never seen nor heard anything like him. (Crosby and Sinatra had been invited to the Apollo to see Lymon). Frankie Lymon died tragically about a decade later - long forgotten, and a microcosm, perhaps, of the black groups who started the whole thing.

Worth watching, but for a more truthful approach to the music itself, and much grittier, catch the earlier rock movies from 1956 with the real Alan Freed and the great original artists. Not much plot, but - oh! what performances!

This was a great movie. I saw it when it came out and have always hoped to see it again. I particularly loved the studio scene where they were recording Come Go with me. The offhand way the song went from blah to fantastic, and the way the group and the crew all went nuts over it was really fun. It has stuck in my mind all these years.

This film was the great story of Alan Freed, his struggle to bring black Rythym and Blues to the forefront, and the events of one such Rock and Roll show set in the mid 1950's. Alan Freed has been said to have coined the term 'Rock and Roll', but long before he used this word it was used in old blues songs for many of the same reasons: To describe a feeling.

My interest in this film had to do with one performer who wasn't mentioned in the credits here at IMDB and that was Jerry Lee Lewis. He chose to play himself in an earlier setting and his performance was a wee-bit more electrifying than those charming Chesterfields: Who were they anyway and why were they in this movie? I know, they used them to illustrate the struggling groups at that time... The movie was only successful as far as I was concerned by the appearances of Jerry Lee Lewis, Chuck Berry and Screamin' Jay Hawkins. Where was Fats Domino and where was Little Richard? Well, we got a glimpse of what was supposed to be Little Richard, out in the alley playing drums on the garbage cans. I think that the message there was that black performers of the day just didn't get a fair shake...We all know that this really isn't true, but we also know that many of them were exploited merely because they didn't know business too well, and for one bottle of whiskey a good blues recording could be made, a contract signed and the pockets of the smarter, more knowledgeable white businessmen in the record industry lined as the royalties rolled in, signed back to the studio instead of the artist. Alan Freed did a lot for black rythym and blues. He took the heat in the payola scandal when others like him, who by then, had branched out into television went away free as a bird. Alan Freed made no apologies: The black Rythym and Blues would have a place in history---- even at the expense of shows being closed down because of that so-called 'negro music'. The IRS thing was just the excuse-- Alan Freed was a hero and in my book, he still is. The appearance of Fran Drescher and Jay Leno is amusing to look back on today, but in no way do they help to accurately portray the story of Alan Freed, the big Rock and Roll shows, and the success of the Rock and Roll that we have come to know and love today. If you see this movie, get a good book on Alan Freed and read it. It will help. The movie really doesn't convey the story with as much passion as the real bio of the man Alan Freed does. Still a great soundtrack to have in your LP collection. Jerry Lee's segment will rock away all of your blues....