IMDb-BEWERTUNG
7,0/10
5384
IHRE BEWERTUNG
Eine verheiratete Frau und ihr Liebhaber ermorden ihren Mann und werfen seine Leiche in einen Brunnen. Nach einer Weile kommt sein Geist, um sie heimzusuchen, während der örtliche Klatsch im... Alles lesenEine verheiratete Frau und ihr Liebhaber ermorden ihren Mann und werfen seine Leiche in einen Brunnen. Nach einer Weile kommt sein Geist, um sie heimzusuchen, während der örtliche Klatsch immer stärker wird.Eine verheiratete Frau und ihr Liebhaber ermorden ihren Mann und werfen seine Leiche in einen Brunnen. Nach einer Weile kommt sein Geist, um sie heimzusuchen, während der örtliche Klatsch immer stärker wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 8 Nominierungen insgesamt
Sumie Sasaki
- Odame
- (as Sumié Sasaki)
Hiroko Isayama
- Bride
- (Nicht genannt)
Kanae Kobayashi
- Omoyo
- (Nicht genannt)
Empfohlene Bewertungen
This is a film by Oshima, the director of the notorious "In The Realm Of The Senses", a film so sexually brazed and unabashedly controversial it was banned for a while. This film takes place initially in 1895 in Japan and stars the very pretty Keziko Yoshiyuki as Seki, the wife of a rickshaw driver who falls for a much younger man who woos her in kind. That man, Toyoji, comes to her as she was sleeping and seduces her, though she soon is rather willing to be seduced. Soon they are having an affair and plot to kill Seki's husband, to be together forever. They do, and throw him down a well. However, they didn't count on the ghost of the dead husband haunting Seki and others in the village! This film is visually very stunning, the use of shadows highlighting this tale of murder for passion. Ms. Yoshiyuki (who is still active as an actress) is especially very good in her role. Its sexual at times, but not like "In The Realm Of The Senses". Some of what ensues is up to our imagination. I found this film to have a consistency of mood that makes it very watchable. A little creepy but that goes with the territory. I'd recommend this.
A nightmarish tale of guilt and retribution, mixing eroticism and horror, Nagisa Oshima's Empire of Passion marks the director's only true kaidan venture, one of immense passion and offbeat humour. It's a bizarre mix of genres but one Oshima handles well, making fantastic use of Yoshio Miyajima's photography and the compelling performances, taking a very simplistic story and structure and delivering it well. The film does tend to meander quite a lot, with long sections not benefitting the tone or atmosphere the rest of the film builds upon, but regardless, this is a rather savage and unrelenting experience even if the ghostly aspects of its story are relatively cheesy, detailing the emotional and physical downfall a murder has on the individual.
In the Realm of the Senses is a beautifully filmed, well-written, and splendidly acted film. It tells the haunting story of a woman who kills her husband after falling in love with another man. The ghost of her husband continues to haunt her lond after his murder. This film is really good, anyone interested should definitely check it out.
Empire of Passion is Nagisa Oshima's follow up to his infamous 1976 film In the Realm of the Senses. Based on a novel by Itoko Namura, Empire details the love affair between a young soldier and an older woman.
Toyoji is becoming more and more obsessed with Seki, the wife of a rickshaw jockey. He begins by bringing her little treats and having tea with her while her husband is at work, then eventually works his way up to raping her. Of course, seeing as this is a Japanese film, Seki ends up enjoying the rape and falls head over heels for Toyoji.
The only problem facing the newfound couple's domestic bliss is Seki's husband, Gisaburo. Fortunately, Toyoji thinks of a solution - homicide. So the pair hatch a plan wherein Seki will ply her husband with sake, then when he is well and truly sloshed, Toyoji will pop in for a drive-by strangulation, thus leaving the two in peace.
Everything goes according to plan and the couple dump Gisaburo's body in a disused well. Now they are free to live happily ever after or are they? When the village-people begin to gossip about Gisaburo's death and his ghost starts appearing to Seki, her daughter and random townsfolk in their dreams and, finally, reality, Seki and Toyoji begin to get a little worried.
Intertwined with the doomed lovers scenario is a traditional Japanese ghost story. Gisaburo returns as a vengeful ghost and harasses Seki while having her serve him sake and gives her a ride in his rickshaw, but in the end gets his retribution.
Empire of Passion is an entirely different film than In the Realm of the Senses, for one it has none of the explicit sex, perverse fetishes or indeed the powerful emotional pull that Senses has (no penis-lopping here folks). It's true that both films portray fanatical love affairs and show the lengths two people bloated with love can go to but they do it in two completely different ways.
In contrast to In the Realm of the Senses, which had an obsessive/possessive female lead, Empire of Passion has a young male playing the role of the infatuated lover. But once Toyoji conquers Seki and has her all to himself he begins to loose interest and she becomes the insecure one. The couple of sex scenes that are shown are not shot from an intimate, candid angle like Senses but more from a voyeur's point-of-view.
All in all Empire of Passion is a decent portrayal of illicit love set against the gorgeous backdrop of the Japanese forest. See this if you have a fondness for arty love stories and/or vengeful ghost tales.
Toyoji is becoming more and more obsessed with Seki, the wife of a rickshaw jockey. He begins by bringing her little treats and having tea with her while her husband is at work, then eventually works his way up to raping her. Of course, seeing as this is a Japanese film, Seki ends up enjoying the rape and falls head over heels for Toyoji.
The only problem facing the newfound couple's domestic bliss is Seki's husband, Gisaburo. Fortunately, Toyoji thinks of a solution - homicide. So the pair hatch a plan wherein Seki will ply her husband with sake, then when he is well and truly sloshed, Toyoji will pop in for a drive-by strangulation, thus leaving the two in peace.
Everything goes according to plan and the couple dump Gisaburo's body in a disused well. Now they are free to live happily ever after or are they? When the village-people begin to gossip about Gisaburo's death and his ghost starts appearing to Seki, her daughter and random townsfolk in their dreams and, finally, reality, Seki and Toyoji begin to get a little worried.
Intertwined with the doomed lovers scenario is a traditional Japanese ghost story. Gisaburo returns as a vengeful ghost and harasses Seki while having her serve him sake and gives her a ride in his rickshaw, but in the end gets his retribution.
Empire of Passion is an entirely different film than In the Realm of the Senses, for one it has none of the explicit sex, perverse fetishes or indeed the powerful emotional pull that Senses has (no penis-lopping here folks). It's true that both films portray fanatical love affairs and show the lengths two people bloated with love can go to but they do it in two completely different ways.
In contrast to In the Realm of the Senses, which had an obsessive/possessive female lead, Empire of Passion has a young male playing the role of the infatuated lover. But once Toyoji conquers Seki and has her all to himself he begins to loose interest and she becomes the insecure one. The couple of sex scenes that are shown are not shot from an intimate, candid angle like Senses but more from a voyeur's point-of-view.
All in all Empire of Passion is a decent portrayal of illicit love set against the gorgeous backdrop of the Japanese forest. See this if you have a fondness for arty love stories and/or vengeful ghost tales.
Seki and her lover Toyoji decide to devise a plan to get rid of Gisaburo, Seki's husband, in order to be together.
A good old Japanese horror classic from the late 70s, about betrayal and revenge.
Asian cinema is full of gems of this kind, a calculated, psychological terror and with the right dose of drama.
Here, the supernatural figure is an allegory to the feeling of guilt and remorse, which consumes and destroys the human kind.
The story isn't rich in content and doesn't have a complex plot, nothing really happens besides focusing on the two main characters and the criminal act they committed, but that is enough to make it interesting.
The cinematography is good, as well as the sets, which makes a tense and enveloping atmosphere and mood.
A good old Japanese horror classic from the late 70s, about betrayal and revenge.
Asian cinema is full of gems of this kind, a calculated, psychological terror and with the right dose of drama.
Here, the supernatural figure is an allegory to the feeling of guilt and remorse, which consumes and destroys the human kind.
The story isn't rich in content and doesn't have a complex plot, nothing really happens besides focusing on the two main characters and the criminal act they committed, but that is enough to make it interesting.
The cinematography is good, as well as the sets, which makes a tense and enveloping atmosphere and mood.
Wusstest du schon
- WissenswertesThough a great deal is made of the two main characters' age difference in the story--Seki is supposed to be 26 years older--the actors playing them were only 6 years apart. Kazuko Yoshiyuki (Seki) was about 43, while Tatsuya Fuji (Toyoji) was about 37.
- PatzerAt 35:15 when Toyoji and Seki throw Gisaburo's body (a dummy) in the well, the dummy brushes an "icicle" which then wobbles and swings like a pendulum - apparently a prop suspended by a string.
- VerbindungenFeatured in The Man Who Left His Soul on Film (1984)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Empire of Passion?Powered by Alexa
Details
- Laufzeit1 Stunde 45 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Im Reich der Leidenschaft (1978) officially released in India in English?
Antwort