Der Holzschuhbaum

The "Tree of Wooden Clogs", set at the turn of the last century, is the perfect film to watch as we approach the year 2000. The institutions of religion, marriage, and family have been (sometimes rightfully so) scrutinized and criticized over the last 100 years. However, the "Tree of Wooden Clogs" aptly celebrates these institutions as engines of survival. The slow pace of the film may not be for everyone but the serene simplicity of this film sparks more beauty than most of the high-tech films of today.

I had seen Wooden Clogs about twenty years ago but could remember very little about the film other than it was about very poor Italian peasant farmers at the turn of the century and that 'wooden clogs' somehow figured into the film's plot.

It is one of those films that is seemingly about nothing, but could be about everything. i didn't find its 3 hour length to be a problem. It is almost like watching a documentary about peasant life right down to its hand held camera techniques. It is subtle though. Not the shaky-cam or vomit-cam stuff you see today.

The cast is entirely made up of non-actors. Real peasants. And apparently it was shot using its local dialect, Bergamasque which then had to be dubbed into Italian for the Italian market. Olmi explains in the DVD extras that all of the non-actors did their own dubbing which I have to say is quite a technical accomplishment for amateurs.

The film opens with a farmer chopping the head off of a goose. A little later on the controversial scene depicting the slaughter and butchering of a hog is played out in almost real time. It is very graphic and quite disturbing. But just when I thought you would never want your kids to see this, Olmi cuts to two three year-old peasant kids watching the hog die with unbothered fascination. This is real life on a real farm.

And you can tell that it is done by a proficient butcher and is not a gratuitous add-on for exploitation. It is just something that Olmi has selected to include in the film.

I'd suggest this one for a change of pace.

Yes, it lasts three hours. Yes, it is about a village community where nothing much happens. Not your typical man save-woman blow-up joint scenario, definitely. All this is said on the package, therefore I truly do not understand people who criticise this film for slowness. OF COURSE it is going to be slow, what do you expect? After this private note, some review. The film is excellent and highly recommendable for many reasons. First of all, the shooting: the use of non-professional actors,authentic settings and a real-life focus makes this film feel like a documentary, although it is set over a hundred years in the past. It therefore gives an unprecedented opportunity to peek into the life of rural Lombardy at the turn of the centuries. Secondly, the plot. Slow as it is, it sucks you in nonetheless, as you get emotionally involved with the beautifully depicted community of families. Full of small and big dramas, the film does not cease to surprise till the very end. Finally, perhaps the biggest asset of the movie is the loving, but realistic depiction of the times. There is dirt, hard work and cow dung, but there is also nature, family, and most importantly - love. If you speak some Italian, the additional perk is the beautiful dialect. Highly, highly recommend!

This film really surprises. It is long and detailed, yet, it is amazingly suspenseful. The quiet sturdy look at rural life in Italy manages to accomplish the amazing feet of truly "being" a film of "the oppressed" rather than a mere analysis of "the wretched of the earth". Olmi's direction of the non-professional cast is superb and the film is beautifully shot and edited.

Don't be afraid of this film. It does not actually seem long, nor does it seem aimless or plotless. While one may say that "the whole pesant community" is the real protagonist there are clearly defined characters in the film whose narratives we follow. In fact, the films strategy is one of integration of these narrative strands in a seemingly coherent and logical way. A wonderful, very emotionally moving experience with a clear, sharp, political analysis.

An artistic masterpiece that almost any observant Catholic will cherish, especially an Italian Catholic. It is unclear how nonbelievers will connect to the film. By watching the film one discovers that while material possessions may make life easier they certainly can be a stumbling block on the path to sanctity. These peasants really put late twentieth century American Catholics to shame.

The film slowly unveils to the viewers one year in the life of Italian peasants at the close of the nineteenth century. That's about it. There's no hero, no antagonist, and no great wrong that gets set right; it's simply a slice of life. I do not want to reveal too much of the story because I think it will spoil it for the viewer.

The film can serve as an educational tool for viewers with children. It's like going to an outdoor historical museum, only the viewer gets to see everything that it would take one whole year to see at the museum (without the crowds). For example, the director takes the time to show painstakingly what it was like to wash clothes one hundred years ago. It's essentially a living documentary of late nineteenth century Italian provincial life.

Most American audiences will have to get used to the slow pace of the film. Even the humor is extremely subtle. Surprisingly, I enjoyed the pace. The pace was silent, peaceful, and steadfast just as the families are in the film. To me it is an escape (ironically an escape from an escape) from many of today's films that just explode with sound effects and rock music; films that move at blurring speed with scene cuts that are made with the intent to maximize audience stimulation but often with the result of increasing our stress level. This movie is a restful reprieve.