Taxi

Taxi was, during it's five-year run, the most funny, engaging, memorable, and heartbreaking show on television. The show helped to redefine situation comedies and created a handful of classic characters.

The show revolves around the drivers at the Sunshine Cab company: Alex Rieger (Judd Hirsch) was the good-hearted mensch who finds himself solving everyone else's problems. Bobby Wheeler (Jeff Conaway) is an aspiring actor and ladies man. Tony Banta (Tony Danza) is a struggling boxer who can never seem to win a fight. Elaine Nardo (Marilu Henner) is a single mother of two with dreams of opening her own art gallery. Reverend Jim Ignatowski (Christopher Lloyd) is an absolute space cadet, and Louie DePalma (Danny DeVito) is surely the nastiest, angriest, most miserable boss in history. Thanks to DeVito's charm, he is still somehow lovable.

Besides the great acting in "Taxi," there was the writing- always funny and often bittersweet without ever being maudlin or melodramatic. There are episodes that can make you laugh so hard you cry, and vice versa. Thanks to the genius of director James Burrows Taxi stands as one of television's best shows. And who can forget the haunting theme by Bob James?

If you get a chance to see "Taxi," take it... here's hoping it gets a DVD release in the near future.

Grade: A+

One of the very funniest ensemble US sit-coms ever, I loved "Taxi" when it was first transmitted in the late 70's. I was too young to get into "M.A.S.H." from the start, "Soap" started brightly then faded, "Happy Days" and it's spin-offs were too young, "The Mary Tyler Moore Show" was only shown infrequently in the UK, "The Bob Newhart Show" wasn't picked up at all and "Rhoda" my other favourite of the era, only played on BBC2. "Taxi" was shown on BBC1 in the early evening and I almost never missed an episode.

The main character I suppose was Judd Hirsch as Alex, the go-to guy for anyone with a problem, while Marilu Henner as the sassy Elaine, Jeff Conaway as moonlighting actor Bobby and Tony Banta as Tony the dim-witted boxer were prominent in support, indeed the last two of course can be seen as morphing into the character of Joey in "Friends" 20 years or so later.

The real scene-stealers of course were Danny DeVito as the nasty, lippy depot manager Louie, Christopher Lloyd as the flaky Reverend Jim Ignatowski and Andy Kaufman as the surreal man-child Latka Graves. Without "Taxi" I doubt there would have been a "Cheers" or indeed "Friends" but with very funny scripts by a talented pool of writers including David Lloyd, the Charles brothers, Ken Estin and Earl Pomeranz and produced by James L Brooks, the laugh count in each episode was usually high and the longer you lived with the characters, the more you liked and almost knew them, especially as the action almost never left the front of the depot where the characters congregated.

I've just treated myself by re-watching my favourite episode, where Louie is seduced by the boss's wife, a vamped-up superb guest-shot by Eileen Brennan, in fact I'd go as far to say it's one of the funniest comedic shows ever. They couldn't all hit that standard, of course, but the general consistency kept it going for 114 episodes. It was De Vito and to a lesser degree Lloyd who would go on to break into films and as others have said its perhaps a little surprising that no spin-off shows were ever devised.

Perhaps it's better that way though, leaving the employees of the Sunshine Cab Company in our memory as the collective band of cabbies who regularly drove us into fits of laughter, week after week.

Funny thing, I never watched 'Taxi' during its initial run during the late 1970s and early 1980s. Something about the title, I never got past that. However, during its re-runs during the 1990s I became an enthusiastic fan. I taped all the episodes so I could watch them at my convenience (I didn't save them, so don't ask). It became like watching a 'family', much as did my other favorite, 'Northern Exposure.' Both series had a common quality, set in an unusual place, with quirky characters and meaningful stories, so that during each episode you actually begin to care for each one. Who could ever forget Alex Rieger, Louie De Palma, Elaine Nardo, Tony Banta, Latka Gravas, Simka, and my all-time favorite character, Christopher Lloyd as Reverend Jim Ignatowski. I like that he took the name 'Ignatokski' because it was 'flower child' spelled backwards! (If you don't get it, then you will never 'get it.')

A few of my favorite moments come to mind ...

Jim burns Louie's apartment. Jim discovers that "I must have had piano lessons..." Jim works all the overtime he can to buy ... a dozen TV sets, achieving his greatest goal in life. The moment in college, when Jim takes one bite of a brownie, and he becomes what we know as the kookie Ignatowski.

I'll think of many more after I post these comments!! A great TV series, maybe it will come out on DVD some day.

Taxi was, and still is, the greatest sit-com I've ever seen. The Louie DePalma, Iggy and Rieger characters were simply magnificent creations. I would laugh until I cried while watching this show. It's still funny today in re-runs. Louie's "affair" with Emily (which was revived in a later episode) is particularly hilarious. Iggy playing piano at a black-tie

gala (as Elaine's "date" for the evening) is both amusing and heart-warming. The scripts were excellent as they blended wry, sarcastic humor with some degree of pathos in each episode. This show succeeded at a time when there was no "political correctness" to erode its rough edges. It's very doubtful one of the three major networks would create and air a show like this in today's more conservative climate.

It doesn't happen very often, but from time to time in history the human race has managed to create something so supreme, so perfect and so outstanding that not even does it become a wonder, but it also lifts the entire creativity in man to a higher level and sets a new standard according to what people are able to create and how they evolve. The show Taxi is the result of one of those man made manifestations.

Its real, its genius and its surprising. Its the art of acting, humor and intelligence come together. It captures centuries of human knowledge and wisdom. So marvelous put together, that not only will it be the best creation of its time, but its also an ideal for all times.

Many shows since are a reflection of TAXI, with many ideas, taken more or less directly from the show, and have become famous on that base. But they will never ever reach the hight of the original: TAXI Which once and for all proofs what a unique and unbeatable masterpiece TAXI is. A true wonder. Now, then and forever.