Füge eine Handlung in deiner Sprache hinzuDrunken Henchard sells wife at fair. Sober, he reforms, becomes mayor but past catches up when wife returns years later.Drunken Henchard sells wife at fair. Sober, he reforms, becomes mayor but past catches up when wife returns years later.Drunken Henchard sells wife at fair. Sober, he reforms, becomes mayor but past catches up when wife returns years later.
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The Mayor of Casterbridge is a wonderful story, maybe not the most accessible of his work but bleak but compelling and poignant. This 1978 series is superb. The photography is skillful, while the costumes and sets are both beautiful and bleakily atmospheric. The music conveys an appropriately evocative mood, while the story while unfolding at a deliberate slow pace is still moving and the script sophisticated, thoughtful and faithful in spirit to Hardy's work. The performances are just as impressive, whether in the facial expressions or the nuanced accents, with Alan Bates embodying Henchard's character to perfection. In support Anne Stallybrass and Anna Massey fare best in portrayals just as moving and well-realised. Janet Maw is also great. Jack Galloway is not quite as good, he is suitably dour but his character here is not as complex.
All in all, superb series and highly recommended. 10/10 Bethany Cox
All in all, superb series and highly recommended. 10/10 Bethany Cox
A thoughtful TV production, running over six hours, and a fine adaptation of Thomas Hardy's novel, arguably his best Wessex tale. Casterbridge stands for the real-life Oxford, a town where dreams can happen and a man such as Michael Henchard can rise as high as man can climb, and fall as far as man can sink. He is a tragic hero, a towering tour-de-force of good and evil, fearlessness and folly, and is beautifully played by Alan Bates in this version.
In support, Anne Stallybrass and Anna Massey shine the most, with Jack Galloway going some way to give life to the dour and ambitious Scot Farfrae, but stopping short of illuminating his complexities as set out in the book.
The music and the settings of this adaptation are excellent, and the atmosphere of a farm town, not yet touched by anything beyond industrialisation, is richly drawn. Slow-paced, but satisfying, this drama's reputation has grown steadily, and it is well deserved.
Interestingly, the adaptor of Hardy's book is none other than TV's infant terrible, Dennis Potter, and it is interesting to compare 'The Mayor of Casterbridge' with the likes of 'Pennies from Heaven' or 'The Singing Detective'.
In support, Anne Stallybrass and Anna Massey shine the most, with Jack Galloway going some way to give life to the dour and ambitious Scot Farfrae, but stopping short of illuminating his complexities as set out in the book.
The music and the settings of this adaptation are excellent, and the atmosphere of a farm town, not yet touched by anything beyond industrialisation, is richly drawn. Slow-paced, but satisfying, this drama's reputation has grown steadily, and it is well deserved.
Interestingly, the adaptor of Hardy's book is none other than TV's infant terrible, Dennis Potter, and it is interesting to compare 'The Mayor of Casterbridge' with the likes of 'Pennies from Heaven' or 'The Singing Detective'.
Another BBC masterpiece finally out on DVD. Hardy's world is shown in all its darkness, yet permeated by rays of hope. This rendition of the classic novel is brilliantly cast and well shot. You have to listen pretty hard to hear through the thick accents, but that patience is rewarded because nuances of the accents round out the characters.
Alan Bates is simply stunning as the heroic anti-hero Michael Henchard. A stupid decision made when he was a drunk 21-year-old comes back to haunt him 19 years later when the wife he sold returns to his town. The unfolding drama is about fatherhood, friendship, betrayal, and most importantly, the complexity of human characters. Bates is able to make you see inside his brain as he silently weighs courses of action between what his demons tempt him to do and what his angels urge him to do. Both sides win along the way as he redeems himself, only to then act rashly out of jealousy, embarrassment, or self-disgust.
The other characters are also well done, with Janet Maw playing the daughter who cannot understand her father until it is too late and Anna Massey playing the fallen woman who wishes to have her own life. Jack Galloway does a good job as the honest Scot, but I did not see any spark between Farfrae and Lucetta. The scenery and weather are always characters in Hardy's books, and here they enter the drama intermittently.
But this film in the end is all about Alan Bates. I love much of his other work but his Michael Henchard is the performance of a lifetime.
Alan Bates is simply stunning as the heroic anti-hero Michael Henchard. A stupid decision made when he was a drunk 21-year-old comes back to haunt him 19 years later when the wife he sold returns to his town. The unfolding drama is about fatherhood, friendship, betrayal, and most importantly, the complexity of human characters. Bates is able to make you see inside his brain as he silently weighs courses of action between what his demons tempt him to do and what his angels urge him to do. Both sides win along the way as he redeems himself, only to then act rashly out of jealousy, embarrassment, or self-disgust.
The other characters are also well done, with Janet Maw playing the daughter who cannot understand her father until it is too late and Anna Massey playing the fallen woman who wishes to have her own life. Jack Galloway does a good job as the honest Scot, but I did not see any spark between Farfrae and Lucetta. The scenery and weather are always characters in Hardy's books, and here they enter the drama intermittently.
But this film in the end is all about Alan Bates. I love much of his other work but his Michael Henchard is the performance of a lifetime.
A classic ancient BBC production: promising actors with a sparsely populated script, indecipherable accents, atrocious sound quality, and Extremely Long Takes Wherein Nothing Really Happens.
Potentially deeply emotional scenes are read through instead of explored. It's as if the text of the script is so sacred the actors daren't internalize it for fear of desecrating it.
Confusing jumps in time compound the badness. In addition, by trimming some exposition, we're not quite sure what transpires between some characters, or if we do know What, we're never sure Why.
This is an excellent soporific. It also works well if you need to exercise your thumb on the fast-forward button. It's difficult to miss an important piece of dialogue or even a scene. If "torpid" is what you're looking for, this is the mini-series for you.
Potentially deeply emotional scenes are read through instead of explored. It's as if the text of the script is so sacred the actors daren't internalize it for fear of desecrating it.
Confusing jumps in time compound the badness. In addition, by trimming some exposition, we're not quite sure what transpires between some characters, or if we do know What, we're never sure Why.
This is an excellent soporific. It also works well if you need to exercise your thumb on the fast-forward button. It's difficult to miss an important piece of dialogue or even a scene. If "torpid" is what you're looking for, this is the mini-series for you.
This is an excellent British TV production of Thomas Hardy's classic novel. I watched it after I saw the updated version on A&E starring Ciaran Hinds (which is good too). This version is about 3 times as long and more true to the novel. Excellent acting and on location filming make this a winner. It's in a live play style. Its about a drunken husband who sells his wife and daughter to a sailor at a rural fair because he can't support them. Years later, this decision comes back to haunt him. Good morality story of how a bad decision can ruin people for life.
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- WissenswertesThis was one of the first major British television dramas to be shot entirely on videotape, using the new generation of portable video cameras and equipment for location footage. However, it was by no means the first BBC drama to do this, as series such as Doctor Who (1963) and Survivors (1975) had already used video for location footage as early as 1974-75.
- VerbindungenEdited into Masterpiece Theatre: The Mayor of Casterbridge: Part 1 (1978)
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