Yeti - Der Schneemensch kommt

Very poorly dubbed Italian babe befriends unfrozen Giant.

This 1977 film is a director's tour de farce. It is one of the worst films ever made. Finding that out was a sublime pleasure which only z-movie afficianados can appreciate. The only reason that this film hasn't been on MST3K yet is that they would probably be rendered speechless. Nothing need be added to keep the laughs coming.

I hardly know what else to say. You will be literally dazed by the less than special effects, crappy storyline, and bad sets which make up the crazy world of YETI!

If you watch this thing, do yourself a favor and don't ask too many questions. Just sit back and enjoy this train wreck for the campy schlock it is. I think this movie would be even better if the people making it hadn't taken it as seriously as they did. Some of the other reviews have gone into more details, but I don't think that's necessary. This thing has to be experienced to be believed. Give it ten minutes and you'll know whether you can stand the rest of it. For B-movie fans, it's a rare and amazing treat. For the rest, it will be a hideous, head-shaking, mess that will have them constantly asking "WHY??" Watching this with one of them will make the movie even more fun. No one will be the same after watching this. It's a little like taking a reality-altering drug.

The Yeti falls in love with the girl because she accidentally made his nipple go hard. That means that someone actually constructed a huge 'fake yeti nipple' out of plastic, with the ability to make it go hard. This film is ready to go that extra mile to be stupid.

This King Kong rip-off features giant Yeti being found in Northern Canada like a frozen ready meal and is promptly melted by a keen scientist on behalf of a multi-millionaire. The millionaire wants to exploit that Yeti for monetary gain and the scientist wants to do science type things with it.

Neither of them really think things through and they melt the thing while it's suspended from a helicopter in a cage and the next thing you know the Yeti is in a bad mood and everyone else is panicking. "Look out - he's got a tree!"

One person exclaims before the Yeti makes friends with the millionaire's niece and nephew, or at least thinks the niece is his other half due to the aforementioned nipple scene. He also gives the two of them while reserving a fish the size of a dolphin for himself.

Romance blossoms (rather one-sidedly) as the Yeti combs the nieces hair with a giant fishbone and after they heal a random gunshot wound the Yeti received, everyone becomes buddies. Except Tony Kendall who of course is a two-faced bad guy working for a rival company on the side.

Yeti should really be one of the greatest bad films ever made, but it's about twenty minutes too long and by the end I wasn't sure if it was made to be aimed at kids, due to the Yeti going mental and killing about a dozen bad guys. You've got to dig that slow-mo reunion scene at the end mind you.

The Yeti himself really looks like he has Barry Gibb's head placed on Burt Reynolds body and did an awful lot of screaming and window smashing, but not much rampaging as he was supposed to be a good guy. There's a lot of interaction between him and the kids which slows the film down, but I don't know - it's hard to hate a yeti film.

"Yeti - Giant of the 20th Century" is more than just a film. It's a phenomenon. And rather than just be watched, it should be studied and analyzed!

Being one of the worst movies ever made, and simultaneously also being one of the most popular crowd-pleasing movies at festivals, is quite an accomplishment. Sitting through this two-hour "experience" evokes a truckload of sentiments and impressions, varying from massively entertained onto deeply annoyed. "Yeti" superficially appears to feature all the characteristics of a raw and gritty euro-exploitation flick, but deep down it desires to be seen as an endearing and Disney type of family movie. Every aspect is shamelessly copied from somewhere else. The music is a rip-off of Carl Orff's Carmina Burana, the script recycles the plot of the "King-Kong" movies, the young-kind-and-his-dog element comes from "Lassie", and the Yeti himself blatantly imitates Tina Turner's mega-mullet haircut.

The grandchildren of megalomaniacal business tycoon Morgan Hunnicut discover a completely intact but deep-frozen Yeti that apparently drifted from the Himalayas to Northern Canada over the course of a few million years. After a lengthy thawing process, which inexplicably includes hanging underneath a helicopter in an oversized phone booth, the loudmouthed Hunnicut comes up with the brilliant idea to transport the Yeti to New York for a sensational commercial stunt. Meanwhile, the furry giant fell in love with Hunnicut's 16-year-old niece (the big perv!) and evil business competitors attempt to destroy it by turning off the air-conditioning. So cruel!

The highlights - or lowlights if you wish - are too numerous to list. Beautiful Antonella Interlenghi makes the creature's nipple hard, there's a romantic interlude featuring a fishbone, the Yeti turns a skyscraper's elevator into a toy, and the titular primitive dude's height changes continuously. The last half hour is so exaggeratedly sentimental and sappy that it nearly ruins all the fun, and the "miraculous" return of Indie is a twist that even Disney would find too childish.

I can understand Italian producers wanting to cash in on the publicity Dino De Laurentiis' remake of KING KONG generated, but seeing the end results here I am utterly perplexed as to why these particular Italian producers thought they could make a passable clone with such little money and lack of technical know-how! How bad are the effects? Well, in many cases when you see the giant yeti (the size of which keeps changing throughout the movie!), you can *see through him*, because of the cheap way the effects artists combined two separate shots! The shoddy effects also add to such already bizarrely hilarious moments like the fish skeleton and the shot of the yeti's nipple (you read that last one right!)

As you can probably guess, this is a remarkably goofy film, especially since it seems aimed at a family audience because of two child characters central to the action, as well as the scientist character acting somewhat clownish. What's surprising is how violent the movie is, with several graphic deaths (not all caused by the yeti!) At least these scenes help wake you up, because despite all the incompetence, it all becomes pretty tiresome quickly. Some Canadians may be interested in how it was extensively shot in the Toronto area, and even taking place there instead of being disguised as an American location. Though upon watching it, they'll soon see why they haven't heard of it before! If you want to see a more successful Italian movie shot in Canada (and also taking place there!), check out "Strange Shadows In An Empty Room", which was shot around the same time.