Der weiße Büffel

In fact, "The White Buffalo" may on the surface appear to be just another Dino De Laurentiis production of the time like "King Kong" or "Orca", but it's rather intriguing and very moody. It's really an offbeat character study in which the character in question, none other than Wild Bill Hickock (Charles Bronson) has to face an internal demon of his by also doing battle with a real one, supposedly the last of the great white buffaloes that have mostly been wiped out.

On his way to meet his destiny, Wild Bill - now travelling under the alias James Otis - meets a variety of colourful characters, including his old friend Charlie Zane (a hearty Jack Warden) and Poker Jenny (Kim Novak, looking as beautiful as ever). Some of his encounters get intense, with the requisite amount of gunfire and bloodshed, but things really pick up once Bill and Charlie make the acquaintance of the Indian named Crazy Horse (Will Sampson), who is on his own quest to slay the beast.

The special effects may draw criticisms from some viewers, but this viewer never had any problem with them, and certainly appreciated seeing old style animatronics. The wintry atmosphere of "The White Buffalo" is incredible, accompanied by genuinely spooky music by John Barry, and the film has a wonderful spiritual quality not to be found in other collaborations between Bronson and director J. Lee Thompson. It's an unconventional choice of material for them, and today it rates as an under-rated entry on their resumes.

Much of the cast are relegated to cameo roles, but make the most out of their brief screen time: Clint Walker, Stuart Whitman, Slim Pickens, John Carradine, Cara Williams, Douglas Fowley, Ed Lauter, and Martin Kove, among others.

With this assemblage of talent and a decent script (by Richard Sale, based on his novel), this makes for fairly compelling viewing.

Seven out of 10.

In september 1874, Wild Bill Hickcok (Charles Bronson) returns to the old West under the alias James Otis. He is haunted by the image of a buffalo that symbolizes his fear of death. He awakens every time he tries to sleep from the same nightmare. He knows he must face his nightmare, or go insane.

Oldtimer (and Indian hater) Charlie Zane (Jack Warden), also known as "Oneye" - the great white warrior of Sand Creek - himself an famous Indian hunter in his younger days, go with Wild Bill Hickok to hunt down the White Buffalo.

The old Indian warrior, Chief Crazy Horse (Will Sampson), is looking for the White Buffalo for different reasons. For him, the hunt is sacred, and if he doesn't succeed, he cannot live with himself. His dead little daughter (killed by the White Buffalo) will be "forever tortured in the other world," until he has avenged his child's death. This he must do in the old way.

The realistic locations makes the film chilling indeed. It was filmed on scenic locations in Canon City, Colorado, with interiors at the Metro-Goldwyn-Mayer lot. The scenes showing mountains of bleached white buffalo bones are harrowing, as are the cruelty by both whites and Indians.

Great supporting roles by Slim Pickens as a vocal stage driver, Stuart Whitman as a slimy gambler, Cara Williams as the gambler's loumouthed girlfriend, John Carradine as a undertaker, the monstrously big Clint Walker as the murderous trapper "Whistling Jack Kileen," Bert Williams as a barkeeper who helps Wild Bill Hickcok from being killed and finally, Kim Novak made an outstanding return to the screen as Wild Bill Hickcok's old love, and one-time hooker Poker Jenny, now turned respectable.

This is a strange, mythical and murky film. Forget the bad special buffalo effects, and the bad monster. The screenplay in this movie is the thing. The language in this movie is very realistic. I wouldn't be surprised if this was the way the tough, hard people up in the Black Hills really talked back in the 1870s.

I'm proud to call this my favorite western of the 1970s. Not because it was the best, but simply because of it's dark, mythical tone. I've had this on video for a very long time, and have seen it numerous times.

When you see a film over and over again, you notice all the little details, missed by the ones who saw it only once.

In the 1970s, only Sam Peckinpah's westerns were as, or more, interesting. Not to forget Clint Eastwood and Sergio Leone. A matter of taste, of course.

I was amazed that this film was on the bottom 20 IMDB list of westerns! Like Darrell1969, I too love this movie. Maybe Bronson was not the best choice for Wild Bill, (although he is a fine western star,) but the sets, dialogue, and the entire western/horror mood of this film are just great. If the buffalo is not 100% lifelike, well, just show me some CGI special effects that don't look fake! I would rather see the jerky robotic White Buffalo than some cartoon creature that looks like it hopped out of a Super Mario game! The frontier dialogue was the best and most realistic since 'True Grit', and the whole movie maintained a sense of wild west myth and strangeness. If you like westerns with a touch of dark, gothic mood, by all means watch The White Buffalo.

This rare but intriguing western deals with Will Bill Hickok ( Charles Bronson)who suffers several nightmares about an enormous white buffalo. Will Hickok join forces with Indian chief, Crazy Horse, previous to Little Big Horn battle, (here also named Worm and well played by Will Sampson) and a rifleman named Zane (Jack Warden) to track down a breathtaking white buffalo in the Black Hills . Hickok holds a dodgy obsession with the mythical animal until a spectacular final duel.

This strange picture packs nois action , thrills , chills, tension , violence and semi-surreal outdoors. The highlights of the movie are the impressive mountain of bones and the buffalo attacks with the victims running afoul that deliver excitement enough. Packs something of 'Moby Dick' theme with the obstinate fight of a man to chase his prey . Other reviewers say that the white buffalo represents the fear to mortality . Features good performances from starring trio , Bronson, Sampson and Warden. Ample plethora of veteran secondaries , such as Slim Pickens as a stagecoach conductor , Stuart Whitman as a passenger , Clint Walker as a gunfighter, Douglas Fowley as a train conductor and also narrator , besides John Carradine . Other supporting cast in minor roles are the following ones : Ed Lauter, Martin Kove and of course Kim Novak in a special appearance. Although much is filmed in studio, the freezing frontiers , filthy towns and snowy locations are shot in Bronson Canyon Los Angeles, Chana New Mexico and Canon City, Colorado. Appropriate and atmospheric musical score by the classic composer John Barry.

The picture is produced in average budget by Dino De Laurentis who made a trilogy with giant beasts (King Kong, Orca, White buffalo) and creature design by Carlo Rambaldi (E. T.). The film was professionally directed by J. Lee Thomson who directed good Western ( McKenna gold) and all kinds of genres such as Sci-Fi (Conquest and Battle of planet of apes), terror (reincarnation of Peter Proud, Eye of the devil), adventures (King of the sun, Taras Bulba) and Warlike ( Guns of Navarone, Von Braun). J. Lee Thomson working from the 50s in England, finished his career making Chuck Norris (Firewalker) and Charles Bronson vehicles (Evil that men do, Messenger of death, Death Wish 4 : Crackdown, Caboblanco, St Ives). Watchable results for this outlandish Western.

'The White Buffalo' is one strange western. Some call it western version of the 'Jaws'. Anyway, this is not bad movie at all, far from greatness, but definitely entertaining. The buffalo itself isn't very scary as a monster, but rather hokey. The film is carried by star power of Charles Bronson who gives stellar performance as Wild Bill Hickok on the hunt of terrifying white buffalo. He is supported by wonderful cast with Will Sampson and Jack Warden, and Kim Novak, John Carradine and Ed Lauter making cameos. After magnificently directed opening scene rest of the film might feel little bit let down, but the atmosphere is held together by John Barry's haunting score.

Nothing sensational or thought provoking, but still worth to watch when you want to see some different twist in the western genre.