Summer City

The star of the film was John Jarratt, who freaked a lot of people out a few years ago as Mick Taylor, the psychopathic killer in "Wolf Creek", as well as playing the Sergeant in "Australia".

"Summer City" was one of the films made in the 1970s as Australia tried to get back to rebuilding a film industry that collapsed before World War II as the cinema chains found it cheaper to import films than to pay for local films to be made. Up until the late 1960s Australian Governments had no real interest in films, more important things had to be done. We did not get television until 1956 and if Melbourne had not held the Olympics in that year it probably would have been later.

It's been 23 years since I have commented on this film. I was the director and it was my first film. As far as I was concerned it was never finished. Despite the ludicrously low budget it could have been so much better than it turned out. All the leading actors fell into a serious argument with the producer and refused to continue working on the project. I never expected to see it on the screen. The producer and editor padded out the film with meaningless bits of irrelevant stock footage to make the required length of 87mins to qualify for a feature film. As you can imagine I was disappointed and embarrassed. Some parts of the movie actually work very well. There was a lot of spontaneous adlib especially between Mel and Steve. The first time we saw Mel in closeup in a viewing theater someone said "He's going to be a star". I thought so too. One day I'll tell the whole story. It's more complex and funny than the film itself.

I couldn't believe how bad this movie was. It was like a rude surprise of a movie. It moves along the lines of Palm Beach or Pure S..t which is one of the worst Oz flicks I've seen. This movie done in the same trashy vein, where dialogue is like conversation, and scenes and clips are stung together, actors suddenly in different spots of scene. It is as though, it has all been done as a film student project, which in hindsight, scarily couldn't be far from the truth. The film again deals with the surf scene, again like in Puberty Blues, the male characters aren't that likable, especially Bisley's, rooting anything in sight, who suffers a tragic demise near the end, for knocking up a girl. SC gets so trashy at times, it almost borders on unwatchable, where from an appreciative style, manifests itself, at being so bad. Jarratt, the film's star is the only likable lad out of the foursome, cause he's not a pig like his mates. Even Mel is hard to warm to in this, only half likable if best. Jarratt's character is more adult and respective of women, while he's a conservative type too. The performances are only standard in this, and the high point, if you can call it that, rests in the last ten minutes, when the film takes a tragic and dramatic turn, conveying a consequential message about being young, insensitive and reckless. Check out Mel's dialogue take on surfing. This really bad, trashy pic, won't go down as one to remember, only for it's really trashy style, which is in abundance.

With all due respect to the previous reviewer, Mel Gibson is not the star of this 1977 Australian drama, sometimes known as "Coast of Terror." He is, however, very good in his film debut as Scollop, one of four young men on a weekend jaunt set sometime during the early 60's, judging by all the long surfboards and rock music of the era. The real stars are John Jarrat as Sandy, a quiet, introspective young man who is shortly to be married, and Steve Bisley as Boo, whose only focus in life seems to be having a good time, including a brief fling with Sandy's intended. It is the contrast of these two characters and the events that lead to the violent, tragic climax that make the film worth a view.

This is a very low budget film that suffers quite a bit from poor sound recording and inconsistent editing. The poor sound, coupled with very thick Australian accents will prompt American viewers to ask "What did he say?" throughout the film. On the plus side, the acting is very good for a low budget film and the Australian locales really add authenticity.

In addition to Gibson, this was also Bisley's film debut. They would re-team for George Miller's first "Mad Max" film as fellow police officers. In the United States, their Australian accents were dubbed into "American."

Summer City in itself isn't so great, but it's fully worth watching to see stellar Mel in superb form even in his first professional outing, just like he was a class act in his first outing as director in The Man Without A Face, though 16 years more tremendously developed ('77-'93) in his craft. If you fast forward through most of the parts without Mel you won't miss much. Funny how for a supposedly minor part all the "stars" sought out his special character Scollop as if for validation. Already, even without the title, he was the star in his first appearance, and as selfless as ever. What a tremendous guy!